Secrets of the Seven Smallest States of Europe

Secrets of the Seven Smallest States of Europe (2004) by Thomas Eccardt

GoodReads meta-data is 348   pages rated 3.78 by 65 litizens.  

Genre: History

Verdict:  The Micro Seven! 

Go ahead list them!  

Ordered by population.  


PopulationArea in km2Per capita GDP US$
Vatican City8250.49
San Marino 34,23261.260,551
Monaco38,3002.1115,700
Liechtenstein38,78416098,432
Andorra 77,54346742,035
Malta514,56431648,246
Luxembourg626,1082,586112,045

Source: Wikipedia

These entities have most of the features of a state, though the most dubious inclusion is Vatican City. While each is unique, in general they have survived largely as a convenience to their larger neighbours, usually because they had nothing those neighbours wanted. Their existence was written into treaties at one time or another.  Luxembourg was a buffer between France and Germany.  Monaco made many compromises with France to retain such sovereignty as it has. Only Malta and founding member Luxembourg are in the EU, but most accept the Euro.    

The only one with significant natural resources is Luxembourg which has long produced high quality steel.  None is self-sufficient in food. They have all issued post stamps for revenue.  Andorra made itself into tax-free shopping mall. Monaco has that casino. Liechtenstein has Swiss banking secrecy even if the Swiss no longer do.  San Marino has a nonpareil stone cutting and stone working craft. Malta has Maltesers. The other major asset Malta has, along some of the other micros, is an expatriate community that supports it.  

The micros represent collectively and individually a residue of European history.  The Knights of Hospitaller played a major role in making Malta European when Charles V of Spain gave the island to the Knights (in return for a first round draft pick [checking to see who is paying attention]). Then there are the 13th Century Grimaldis in Monaco who passed from pirates to princes, the come-lately Grand Duke of Luxembourg, and the co-princes of Andorra, and the fiefdom that is/was Liechtenstein, a country named after a family.  Only San Marino stands apart with its 13th Century origins as a republic (and by the way being a republic does not make it democratic, see a political science 101 textbook for the distinction). Of the Vatican, well it is a medieval monastery writ global.   

During the Spanish Civil War, to avoid that conflict Andorra pretended to be French, and then to avoid World War II to avoid that conflict it switched to pretend to be neutral Spain. Dual nationality can be handy. San Marino supported fascist Italy but did not declare war on anyone while the Italians lost their black shirts at the casino in Monaco. During the war many (of the few) Liechtensteineans (take that spell checker!) embraced Austrian Nazism, but after the war they dusted off neutral Swiss cow bells. During World War II the German dismembered Luxembourg and its steel went into tanks, while Malta was bombed to ruination.  

Luxembourg has laboured to integrate itself into Europe and the UN, and Malta has trod the path of de-colonisation along with many other African and Asian states though it seldom associated itself with them.  

I am ready for Eggheads! I can distinguish Monaco from Monte Carlo, and I know how the Grimaldis got the title prince, and I am telling all!  First, Mount Charles in Italian is Monte Carlo, and it is a rocky rise named for an earlier Grimaldi, and the area now is where the Croesus clan lives, as in ‘as rich as Croesus.’  Monaco City is where the casino and historic belle époque buildings are to be found. 

The first Grimaldis who seized the area and ruled by the sword were nautical pirates who tired of salt water.  One of them, trying to establish the legitimacy of his rule, wrote letters sent by couriers to all manner of dukes, kings, princes, popes, and signed himself as Prince of Monaco.  After doing this for years and getting little response, because it was convenient in a geopolitical struggle a king of Spain wrote back and addressed him as prince to secure access for shipping to and from Naples.

Well, thereafter this Grimaldi make sure anyone and everyone knew that the King of Spain said he was a prince, and that made it so!   Does that still work?  

Liechtenstein is the only country in the world named after a family.  Roy Licthenstein is no relation. or maybe he is and just cannot spell.    

It is alleged that San Marino hosted about 100,000 refugees from World War II, about ten times the resident population. Many were Jews escaping from the German killing machine in 1943. I did find that number hard to credit.     

The mechanical Turk consulted the algorithms and the stars and recommended this title after I had read concise histories of several European countries.  I bit out of (idle) curiosity.  

The Candidate (2010)

The Candidate (2010)

IMDb meta-data is a runtime of 19 minutes, rated 7.8 by 868 cinematizens.

Genre: Sy fy

Verdict: Corker.

The greasy pole of sales representatives in the corporate world looks just that: greasy.  Protagonist is slick, sleek, smug, and sure, but he is saddled with a bumbling, inept, ill-kempt Partner who holds him back. Partner is always late, cannot find the right room, PowerPoint remains a mystery to him, slovenly, confused, and a dead weight.

But the greater mystery which silently infuriates Protagonist is that Partner is well thought of in the firm despite his obvious ineptitude.  There is no justice in this world!  (Hands up everyone who has thought that sometime!)

All the while, Protagonist gets a string of texts, emails, letters, calls from Nobody who wants an appointment.  Protagonist has no time for appointments with nobodies and rejects these requests, until one day Nobody walks into his office and makes his pitch.  As a salesman himself, Protagonist is amused by this persistent, if diffident, approach of Nobody and condescends to spare him five-minutes.

Nobody then explains the procedure by which a person can be willed to death!  He has answers for all of Protagonist’s objections, what-ifs, and questions. All that is required a one-time fee of $50.   

SPOILER coming.  

Thinking of bumbling Partner, Protagonist has nothing to lose but a measly  $50 and says he will join up.  After all $50 is small change for him.  

But no, he has misunderstood the pitch…., Nobody explains.

Protagonist is the intended victim whose death is now willed and will occur. This was but a courtesy call so that he can get his affairs in order.  ‘Good afternoon,’ Nobody says, as he takes his leave.

In the last minutes Protagonist sees his world in a new light, and the sight transformations of the loyal receptionist, Partner, and others is sharp but subtle. Deft film-making indeed.   

It is a gem with plenty of the commotion of a big firm in the background, and Robert Picardo (aka Dr Hologram) as Nobody is perfect.  While in the cast there is also a princess royal answering the telephone in the outer office. (Figure it out.) Protagonist is reptilian and memorable for it.  

I came across it on DUST and I wanted to write it up so as to remember it.  Move over O’Henry.

The Hound of the Baskervilles (2002)

The Hound of the Baskervilles (2002)

IMDb meta-data is runtime of 1 hour and 40 minutes, rated 6.6 by 2242. cinematizens.  

Genre: Holmes.

Verdict:  The moor!

The elder Baskerville dies out on the moor in peculiar circumstances, and his young heir arrives from Canada to assume the title.  But Dr Mortimer has seen that footprint and goes to Sherlock Holmes for advice.  This is a perfectly cast Holmes, though his attention to personal grooming is not Holmesian, but he crackles with intelligence and dominates proceedings even while off-camera.  

The cast of characters is assembled in the rambling and slightly ramshackle mansion near the moor.  The hound puts in a stunning, early appearance that stayed with me after I first saw this twenty years ago.  The staging is great but the inserted dialogue is pathetic in compassion.  Likewise the outdoor scenes on the moor are splendid but the accompanying dialogue is not, and too little of it comes from the original.  

The villain is obvious, since he is the only one we get to know, the others are ciphers and might as well be CGI.  Even the subplot with the butler and his wife is bleached into near nothingness.  But the villain, played by Richard Grant, is magnificent.  He switches on and off from maniacal to charming, from genial to menacing, from sincere to evil in a twinkle. Superb.  

Richard Grant was brilliant.

The Jeremy Brett version was absolutely literal to Conan Doyle’s text and the poorer for it.  It did not make use of the sight and sound to do what ink on the page could not do to generate an atmosphere.  Ergo literary fidelity is not an end in itself, but in this 2002 version so many liberties are taken with the text that the air is let out of the plot.    

Watson is made a credible figure in the dialogue, though the actor in the role is far from convincing. He seems like a little boy trying to act like a big boy, even his hat seems too big for him. Underneath Dr Mortimer’s beard, side burns, straggling hair, and moustache is Inspector Barnaby who would have made a far better Watson.    

A casual search on the IMDb returns a dozen of more versions of the HotB, and there are others with altered titles.  I have seen Basil Rathbone, Peter Cushing, Christoper Lee, Jeremy Brett, and Ian Richardson each in turn battle that dog, as well as Benedict Cumberatch, and now (again) Richard Roxborough.  

Death in Eden (2014) by Paul Heald.

Death in Eden (2014) by Paul Heald.

GoodReads meta-data is 344 pages, rated 3.91 by 66 litizens.  

Genre: Hybrid – academic krimi.  

Verdict:  Different.  

In which the untenured professor of industrial sociology Stanley interviews female workers about job satisfaction and is almost murdered, almost loses his wife, and does not get tenure.  But learns a lot about the specialised porn film industry in Los Angeles, far away from home in small-town, down-state Illinois.  

When the opportunity arises to go to LA and interview a cohort of workers the  hapless professor is quickly in way over his head, but perseveres.  After all he knows how to interview people, so he starts interviewing people and when one of them is murdered he keeps on interviewing, and adding things up.  

The investigating police officer starts out as a stereotype but there is more to him than meets the cliché, and that is nicely done. The character are differentiated, and the setting is, well, distinctive. Likewise his wife proves more than a match for the odd circumstances. These good qualities are diluted by a denouement that is too much deus ex machina for this reader. 

Paul Heald – professor of law

The author has many other titles. 

The Immortal Dracula (2020) by Robin Bailes

The Immortal Dracula (2020) by Robin Bailes. 

GoodReads meta-data is 305 pages, 4.67 by a paltry three litizens. Read faster you lot! 

Genre: Pastiche.

Verdict: Razor tongue strikes again. 

The redoubtable Maggie has been burrowing away in Romania when….  This is the fourth title in Bailes’s series of tributes to the Universal Horror films.  In her archeological pursuits Maggie usually works with Amy.  Confronted with a problem on a dig, they had a division of labor; Amy retires to the library to research it, while Maggie hits it with a spade to see what happens.  

The title gives away quite a bit, but Maggie didn’t read it and when trudging through the snow during a winter storm in the Carpathian Mountains she is glad of a welcome and a warm fire in the Gothic castle on the hilltop; she shows no surprise to meet the Lord….Dracula.  He’s kindly old gent, bit pale, but it is deep in a long winter, and he keeps telling her to unwrap the scarf from her neck…  Keep the spade handy, Maggie! Readers want you on deck for later titles in this series. 

The time line is fractured but immortals like Dracula don’t wear watches and the cast of characters got lost on me.  I did think too much was made of the English village doctor in the first third of the book and then he more or less disappears.  But in general Bailes ties up all the loose ends by the last page!  Can one say of the Count: The End?    

Robin Bailes

Bailes hosts a zinger You Tube channel called My Dark Corner of this Sick World on which he savages bad movies once a week, and more.  Highly recommended for the brilliant editing and razor sharp commentary in 5 – 7 minutes.  Plus you can chart his ever changing hair styles and speculate on the reasons why at no extra charge.   

A Concise History of Bulgaria (2d ed) (2005) by Richard Crampton.

A Concise History of Bulgaria (2d ed) (2005) by Richard Crampton.

Goodreads meta-data is 287 pages, rate 3.71 by 114 litizens.  

Genre: History

Verdict: Be glad, be very glad….  

Bulgars are not Slavs and they were not always all Christians either.  One early Bulgar ruler negotiated with the Roman Pontiff and the Byzantine Prelate for the best terms to convert the kingdom to Christianity.  This episode seems to prefigure much of the following history for the Bulgars, dealing with internal divisions between Bulgars and Slavs, while holding off two powerful neighbours. By the way he got the best deal from Constantinople though later it was reneged. That, too, recurred: Deal followed by no deal.  

When the Bulgarian Empire waxed it needed a common language for cadastral lists, i.e., tax collection by another name. Cyrillic script was developed within its borders for that purpose.  At times the Bulgarian lands reached from the Black Sea to the Adriatic Sea. 

The bigger it got, the bigger target it became for Magyars, Serbs, Russians, Greeks (inevitably Byzantine tax collectors), and finally the Ottomans who were less inclined to negotiate than the Byzantines had been. Later enemies of the Ottomans saw in the Bulgars an ally. 

Bulgaria and Bulgarians inevitably were sucked into the recurrent wars between Russia and Turkey, each side quick to take revenge on the smaller, third party. Bulgarians long saw Russians, because of Christianity, as saviours. In 1878 Russians and Ottomans agreed to permit a Bulgarian state, but later the same year the Treaty of Berlin pared down its territory to weaken it. The result was to dispossess many ethnic Bulgarians whose cause became the main foreign policy target for successive Bulgarian regimes, justifying the Serbian war (1908), the First Balkan War (1912), and the Second Balkan War (1913), and World War I allied with Germany and with the ancient enemy, the Ottomans in return from promises of new borders that would encompass all Bulgarians (and some others besides). 

An Ottoman army officer in the First Balkan War, Kemal Ataturk, envied Bulgarians their unity, nationalism, and language.  While the Ottoman Empire was gigantic in comparison, it was also disorganised, dispirited, and disunited. There was nearly nothing in common to rally the troops. Later when he became the philosopher-king of Turkey, he created a Turkish language and a panoply of national symbols to match those he had seen among Bulgars.  

In the Great War Bulgarian troops held off an Allied Expeditionary Force operating from Greece for years, despite being outnumbered and outgunned at times.  But the human and material cost was considerable with dead, wounded, and displaced refugees.  In the Treaty of Versailles it lost considerable ground and several hundred thousand ethnic Bulgars migrated into its new, reduced borders, causing many dislocations. Tsar Boris III initiated a long period of authoritarian rule in 1918.    

With the intrusion of German hegemony in the Balkans, Boris III entered into a passive alliance with the Nazi regime.  In return for this association Bulgaria was to occupy Macedonia, lately part of Yugoslavia, and Thrace, taken from Greece, and there was a complicated arrangement with Rumania, too.  True many residents of these territories were ethnic Bulgars, but not all. These early gains were popular until resistance in them occurred and casualty lists arrived.  Boris insisted that the Bulgarian army, undertrained and ill equiped with few capable officers, was totally committed in these territories, and had to remain as a buffer and deterrent to any attack from Greece or Turkey.  Ergo Bulgaria did not take part in the war on the Soviet Union, though German troops and supplies for the East passed through its lands. Pressure from the Germans led to anti-Jewish measures but Bulgaria made little effort to enforce them.  Also to placate Hitler it did declare war on England and the USA, a symbolic gesture that led the Allies to seize Bulgarian assets, few as they were, and to bomb Sofia and elsewhere. It never did declare war on the Soviet Union despite increasing German pressure.   

In the 1930s there had been parliamentary elections in Bulgaria in which voting was compulsory for men and optional for married women.  These affairs were carefully managed, administered, and manipulated to get the result Boris desired (as in Florida and Texas), but nonetheless they occurred and sometimes threw up surprises. Remember it was not until 1979 that woman got the vote in enlightened, Western, and democratic Switzerland.  

Tsar Boris III

In August 1943 upon returning from a meeting with Hitler, who raged at him about deporting Jews more than fighting the Soviets, at age 49 Boris died. Rumours of poison soon circulated. He was succeeded by his six year old son and a coup d’état followed. Thence came a succession of governments, some self-appointed, and efforts to steer between the Soviets and Nazis, pleasing neither. Bulgarian Jews who were Bulgarian citizens in Bulgaria had the best chances of survival, but not the Bulgarian Jews who were not Bulgarian citizens even if in Bulgaria, still less those from areas outside the map lines of Bulgaria at the time. It is no doubt a more complicated and messy story.  In latter 1944 the Bulgarian government dominated by communists changed sides and declared war on Germany in a desperate effort to assuage the all-conquering Soviets. Italy’s 1943 switch saved it from much Allied retribution but the Bulgarians had no such luck with the Soviets who used the Bulgarian Army in the remainder of the war as cannon fodder and then in the subsequent peace punished Bulgaria as a defeated enemy.   

While there were plenty of home-grown anti-semites, Germanophiles, and fascists in Bulgaria in these pages they never seemed to have much influence on the government or army.  Don’t know quite why even after reading this book, when such types were so influential in other places. 

The Western allies left Eastern Europe to the Soviets and by 1947 Bulgarian was a one-party state with a monotone press.  The repression that followed was, well, repressive, violent, erratic, relentless….  Bulgaria became more Red than Moscow most of the time.  When regime change came to Moscow, Bulgaria’s north star was gone.  The incredulous response of Bulgarian communists to the indifference of Gorbachev’s Russia would be amusing were it not so destructive. As long as Bulgaria was Red, Moscow had subsidised it, but with Gorbachev the subsidies stopped…abruptly.  The result was a disaster that got worse over the following years of the New World Disorder. 

With Russia indifferent, the only choice was the West, i.e., the EU and NATO, and Bulgaria has tried to fit into both, but, well, the rule of law is one problem it has in common with Romania (and now Washington DC).   

The book ends with a nice reflection on the vexed history of this crossroads, that inevitably is at the margins of either East or West.    

Richard Crampton

It seems to have been my week in the Balkans. On the night table is Robin Bailes’s The Immortal Dracula (2020) set in contemporary Transylvania and on the day table is this title.  

Bulgaria has tried to manage two large, aggressive neighbours in Germany and the Russia.  When I read about Finland’s efforts during World War II to work with but not join the Nazi Axis powers, there were a few allusions to Bulgaria’s efforts to ally with Nazi Germany on its own terms.  How did that work? Time to find out. See above.   

Danger Man (1960 +)

Danger Man (1960 +)

IMDB meta-data is 39 episodes of 24 minutes each, rated 7.9 by 984 cinematizens and then another fifty of 50 minutes each.  

Genre: Adventure

Verdict: Go! 

Before he became Prisoner Number Six, he was Danger Man or was that Dangerman, or even Secret Agent, roaming the world as either American, British, NATOist, or Irish.  That is all part of the mystic. The initial opening credits show the US capitol dome and that has led most reviewers to conclude he was supposed to be American, but the earliest episodes occur in the ebbing British Empire and in the opening voice over the phrasing of the reference to NATO sounds like that is the one, while in later episodes he says he works for his country (whichever that might be), but then he also names NATO as his employer in another. He also says he is Irish-American. The man always has a cover story. By the way, NATO headquarters at the time was in Paris, not DC.  Later he becomes British if not English.      

The half-hour episodes zip along. The opening is a crime of some sort, and then our hero, Drake, John Drake, is dispatched to some obscure, exotic, distant locale to sort it out. The characters are set in motion without tedious backstories and get on with it. The narratives are models of construction, as opposed to the padded and wandering story lines that dominate bloated, wallowing films these days.  

Some of the scripts are very clever.  I particularly liked the seeing blind woman.  In another, Drake’s contact on site is a woman who is in effect his boss during the mission.  No fuss is made over that, it just is that way.  Ditto when a woman is the CEO of an African Airline.  Best might be Drake in a wheel chair.  Never seen that done before or since. Although there are clangers, even in the earliest episodes, say when a banker absconds with a ton of gold and stores it in a really big and really heavy box, which no one notices for some time, or the Swedish school teacher stereotype who trips over everything.    

Everyone smokes more or less constantly, even when lying in wait to ambush Drake, and no one is without a drink of alcohol in hand for more than two minutes.  There are many tuxedos as Drake moves among the elite where there is the most opportunity for corruption.  But then there is that leather pork pie hat he sports in some later episodes that takes the couture down to leagues club level. In early episodes he gets by on his wits and fists and audacity but as the series goes on more gadgets (cameras, microphones, drones, and other gizmos) and guns are added to the mix.       

Patrick McGoohan was more Roman Catholic than the Pope and made it part of his contract that the character would not bed women nor do anything immoral, like assassinate a target. While Drake is often compared to James Bond, the similarities end there.

The first two seasons were not a great success, but then Dr No created a demand for spy entertainment, and Danger Man was rejuvenated, re-newed, re-titled to Secret Agent, and extended to an hour.  To lure McGoohan back the episodes were expanded to one hour and he was given considerable creative input, often under pseudonyms. In these longer episodes he is clearly British right down to the Austin Cooper.   

The hour long scripts are repetitive and preachy all too often as Drake has become a more or less self-appointed, self-righteous, and cosmopolitan do-gooder. He spares no one his sermons, not even his superiors whom he takes to task regularly even as they sign the pay cheques. He is altogether insufferable. It is easy to see why he went to the Village.  

In the wake of Dr No there are also even more guns, girls, and gadgets.  

The hour long episodes are hard to watch and I find myself tuning out in a way that I did not do with the shorter ones, where to blink was to miss the action where Drake outsmarted is opponents rather than berated his superiors.

It is chance to see a host of performers in earlier days from Derren Nesbitt, Lois Maxwell, Donald Pleasance, Hazel Court, John Le Mesurier, Charles Gray, Mai Zetterling, Honor Blackman, Nigel Green, Ron Fraser, Burt Kwok, Sylvia Sims, and the list goes on and on.  Most, but not all episodes can be found on You Tube or Daily Motion and the DVDs are available from Amazon.    

Homer’s The Iliad and the Odyssey: A Biography (2007) by Alberto Manguel.

GoodReads meta-data is 285 pages rated 3.85 by 310 litizens. 

Genre:  Mythology. 

Verdict:  The beginning and the end.

Life is a battle and life is a journey, it is often said. If so, then Homer covered it all.  Ten years of battle followed by ten years of journey.   

Manguel passes lightly over the caltrops that plague classrooms, was there anyone called Homer, did he live at the right time, were the texts written, could he have witnessed anything, was there a Troy,…? (We visited the site of Troy in 2015.)  These obstacles often obstruct college readers.  Well, I know they impeded my first readings, but Homer rises above the pygmies and prevails.  While those controversies come and go with the tide of tenured controversialists, Homer endures.

The book charts the passage of the two books through European culture with the sure hand that Manguel always displays, and with some of the most compelling insights this reader has ever encountered in a lifetime of reading (about) these texts. The obvious comparison is the essayist Umberto Eco, who has become a showman, all form and no substance; in contrast, Manguel has both form and substance to spare.  

For example, he lays bare the love stories within the Iliad, missed by those who see only a war story, that is, Achilles for slave girl Briseis, Patroclus for comrade in arms Achilles, Hector for wife Andromache and she for him, Priam for son Hector, and Paris for ineffable Helen.  All of these are blotted out by the dark fate that brings them into collision. Love does not conquer all but is omnipresent.  By the way, the only survivor in the foregoing list of lovers is Briseis.    

When Hector and Andromache, he holding their young son, Astyanax, embrace Homer closes this scene of familial love by saying ‘the bright helmet lay at his feet.’  The fate it betokens is inescapable.  

Yes, it is war, and there is killing, but as Manguel notes Homer describes the deaths of warriors individually and no two of them are the same.  He gives to each of the fallen a name and a distinctive turn of phrase, more than sixty of them. There are no unknown soldiers here in mass graves. Each of them is a tragedy in which a noble spirit becomes a thing dragged in the dust. If it is a war story it is also the first anti-war story in its merciless detail. 

A recent translation.

Both Achilles and Odysseus tried to dodge the draft.  Achilles hid among women while Odysseus feigned madness by plowing sand.  But neither could escape fate. In the afterlife Achilles laments the fate that befell him, though he partly chose it, making it all the more bitter.  

In his decade-long return Odysseus remained staunch to Penelope, giving way only to goddesses where he had no choice.  The one mortal woman who came to him, he politely declined. Circe and Calypso he could not decline.  (Try that one sometime with Mrs and see what happens.)  

I liked the story of Alexander Pope’s rendering of the Iliad. Pope knew no Greek (and only some autodidact Latin) and thus did not work from a Greek text or an early Latin version, but rather compiled the existing English translations and synthesised them into a single text, and then edited it to get the right effects. While the result is thus not a translation from the Greek text, the emotional resonance is perfect.  

While Manguel covers much he could not mention Madeline Miller’s beautiful novel Circe (2018) and I wish he could have done so.  Perhaps in a second edition.  What would he make of this splendid novel?  Nor does he mention the drum-beat cadence of Christoper Logue’s War Music (2003), a translation of parts of the Iliad. Nor does he mention any of the audible versions now available, though he does note some of the public recitations that have become a fashion. I was tempted by one in Sydney last year until I realised that it was standing room only.  That is, to say the audience was to stand for three three-hour sessions over three nights.  Include me out.  

Nor does he mention Homer’s contention that heroes need poets more than vice versa for without poets to tell the story and make it memorable no one would know what heroes have done. Poets can versify other things, if there are no heroes, but for heroes without poets there is only oblivion.  I looked for the passage just now but could not find it readily.  Perhaps a reader can lay eyes on it.

Alberto Mangual

There is no discussion of the philology of the foundation text of either poem.  Indeed, is there a foundation text somewhere in the world?  I assume the Homeric texts came to Europe through Spain via Arabic translations, but have no confirmation for that assumption from these pages.  Hold on, Wikipedia has it that the oldest complete, authentic text was middle Greek from the Tenth Century AD in Byzantium. It was the basis for Latin translations at the time, but has since itself been lost, either to a private collector, or – more likely – to destruction. A Latin translation might have been taken to Florence when the Medici’s offered a bounty for such treasures.    

A title in a series concerning books that changed the world, I have read at least two others in this series.  One was adequate and the other not, but this one rises well above the series as a stand alone title.   

Canaris: The Life and Death of Hitler’s Spymaster (2006) by Michael Müller

GoodReads meta-data is 368 pages, rated 3.37 by fifteen litizens.

Genre: biography. 

Verdict: [See Edmund Burke]

Wilhelm Canaris (1887-1945) was head of the central intelligence service, the Abwehr, in Nazi Germany from January 1935 to December 1944, appointed by Adolf Hitler. He went into the Imperial German Navy in 1912 and during the Great War served on a U-Boat, based at Pola on the Adriatic Coast of Austria, and we were there a couple of years ago on the way to Venice, sailing in South American waters during World War I. Fluent in Spanish, while doing so, he set up coast watching networks that observed Allied shipping movements. This was the beginning of his career as a spy.

His boat was interned with engine failure in Chile, and he made his own way back to Germany by stealth. Another credit in his spy book. He passed himself off as an Argentine when travelling through Bristol while the war was still on and went on to the neutral Netherlands and from there to Kiel.    

The 1918 armistice took most German seamen by surprise, having had a steady diet of propaganda, they expected the British to capitulate at any moment, and had little idea how dire the military situation was, and even less knowledge of the privations on the home front. They were either isolated at sequestered naval bases far from the front and cosseted from the privations of citizens, or in ships far away at sea.    

In the disorder of 1918-1920 that followed the armistice he took the side of order, as he understood it, and helped organise Freikorps resistance to the Spartacus Revolt. There is no doubt he feared a Red Revolution like that in Russia and he did everything he could to thwart such an occurrence in Germany, though how much he would have known about the Red Terror at the time is unclear to this reader. 

These were confused and confusing times. He spend much of the 1920’s on missions to Spain as the Weimar Republic tried to circumvent the Treaty of Versailles restrictions on ship building with Iberian complicity. In so doing, he built up a network of agents and contacts that would came to serve other purposes.  

When his name kept cropping up in League of Nations inquiries into Versailles compliance, the Navy hid him on one of the ageing battleships it had been allowed to retain, which he commanded for three years. His reputation as a mastermind of intelligence and his demonstrated ability as a commander brought him back to Berlin at a time when the intelligence services were being re-organised and were free(r) from conditions in the Versailles Treaty. 

While centralisation was opposed by the many independent intelligence services, the compromise was to put a Navy, rather than an Army, man on top, and that was Canaris just as the Nazis completed the seizure of power, which inevitably led to another re-organisation with the SS, the SD, the SA, and the Gestapo dividing up the great game. Somehow Canaris steered through these sharks to keep the Abwehr independent and focussed externally on military matters.  To do so he maintained good relations with Rudolph Heydrich, Heinrich Himmler, and the other Nazi cannibals.  He must have joined the Party but I cannot remember right now. Through the 1930s he was drawn ever more tightly into the regime, and promoted to fleet admiral.

Along with many others in the armed forces as Hitler’s determination for war developed, Canaris wrote history memoranda.  History memoranda are written and filed so that the author can say later, ‘I told you so!’  But without making any great effort to act on the conclusions.  For an  example see the career of Robert McNamra. This author takes those memoranda at face value, but this reader sees cynicism in many of them, including those by Canaris.  He, like many generals, wanted to slow the rush to war, the better for Germany to be prepared. Later he was revolted by the exterminations that swiftly followed in Poland, but soon concluded there was nothing he could do about them.   

The endless back-biting, power plays, undermining, arrogance, and selfish self-promotion among the Nazi leadership is impressive.  It seems incessant with every kind of calumny employed. Of course, such goal displacement is common in any organisation, however, in this instance it is such a difference of degree to be a difference of kind. Lies, distortions, half-truths, malicious rumours are all the currency of promotion to the point of killing rivals, all the while putting everything in writing. Canaris was a master of this game, though he himself seldom wrote down anything, but he was such a big target that he attracted a host of enemies who compiled dossiers on his every move and utterance.  No fool, he must have known that. But he always seemed to have a credible response to the repeated accusations.    

From 1935 to 1940 there was occasional talk about a coup d’état to replace Hitler, but it was only desultory talk. The author blames the Allies at times for not supporting such clandestine efforts, but any Allied support, no matter how subtle, might equally have galvanised a furious nationalistic response.  From go to whoa, Germans were responsible for what Germans did.  End of story. 

In July 1944 his name was linked to the conspirators who tried to kill Hitler. The fact that no evidence supported such an association was itself taken as proof of how devious he was, and he was arrested, isolated, humiliated, tortured, and executed, as were scores of others who had nothing to do with the plot or plotters. It was convenient for generals and diplomats to blame everything on the Abwehr, which after all had not won the war for Germany.  So they did, hoping in vain to save themselves.  

The book ends at his execution with no concluding chapter.  Too bad. I came to see him as something like Albert Speer, a technician who played all sides of the table.  There is no doubt he shielded many enemies of Hitler, and saved some Jews, and did not energetically promote the aggressive war, and discouraged Spain from embracing the Nazi regime, but all this can be seen as investments in alternative futures, and that seems in keeping with a man who had no deep convictions. On the other hand the Abwehr provided a constant stream of valuable tactical and strategic intelligence to the German cause. 

While I always found this enigmatic character curious, I have had little taste to read about the terrible times and things in which he was involved. Still I ventured to read the Kindle sample of this biography of Canaris, and morbid curiosity kept me going.  

The biggest question for me is why the Germans did not realise that the Enigma Machine had been compromised. It was originally a navy device and Canaris must have had knowledge of it.  It is not mentioned in these pages, according to my memory.  It is comparable to the German failure to realise in World War I that the British had cracked their most secret code even as the evidence mounted.  On this latter instance see Barbara Tuchman, The Zimmerman Telegram, which is discussed elsewhere in this blog. The obvious answer in both cases is arrogance.  In WWI the Germans did not  believe their complicated cypher could not broken. Period. In WWII the Germans could not believe their complicated cypher machine could be broken.  Wrong both times.

Mrs Pym of Scotland Yard (1940)

IMDb meta-data is runtime of 1 hour and 5 minutes, rated 5.3 by 89 cinematizens.

Genre: krimi.

Verdict: Slow but ahead of its time.

Two middle age, middle class women die without any apparent case of death after attending a séance with a professional medium. For reasons not at all clear to this viewer the decision is to assign a female officer to investigate.  Ah, but there are no female investigating officers so the senior, female traffic warden, Mrs Pym, is summoned, and offered the assignment with the temporary promotion to inspector.  She agrees with an alacrity that surprises all.   

A male offsider is assigned to assistant and also to keep an eye on her. Nudge, nudge, wink. In fact, he quickly subordinates himself to her.  

She changes out of uniform and sets off.  First she tries to figure out the (ingenious and fantastic) means of murder, because it is murder!  Now I realise the suspicion that dogs have of vacuum cleaners is warranted. She also starts trying to identify, provoke, and trap the murderer.  She makes mistakes but keeps going. The plot is thickened because….SPOILER…there were two villains working on different agendas.   (Admission, I forget the details and it was just last night.)  

Mary Clare (1892-1970) was Mrs Pym. Most of her theatrical career was on the stage with a few supporting roles in films likeThe Clairvoyant (1935), The Lady Vanishes (1938), and Oliver Twist (1948). This title was her only lead.  Her later work was in television.  I had rather hoped this was the first of a series, but not so.  

It was released on 13 April 1940 just before the Phoney War got real.