‘Roar of the Press’ (18 April 1941)

IMDb meta-data is runtime of one hour an eleven minutes, rated 5.9 by 86 cinematizens.
Genre: Mystery
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Verdict: Oh hum.
The irrepressible Wallace Ford returns from a media assignment in the sticks with a naive bride and sets up house in glamorous New York City. She is agog. The wives of other journalists visit her to tell her the bad new about being married to a hack. Her head spins.
Meanwhile Ford is rushing back and forth. After all it is not everyday that a well known public figure falls out of high window to his death — splat — in front of his very eyes. Off he goes in pursuit of this scent and that leaf like a dog in the park.
The date is important. The faller was the chair of an America First Committee. Was his death an accident or murder? If the later did it have to do with his seedy private life, or the Committee? Ford tangles all these questions up, observed by some stereotypes.
The stereotypes try to mislead Ford but without success so a more direct approach is taken. It seems the faller had disrupted some criminal plans and Ford, being the first upon the body, may have taken an important piece of paper from the dead man.
These villains erred in bringing Sheriff Micah into their scheme and he turns coat and joins forces with Ford. Meanwhile the naive wife makes dinner and watches it go cold. Night after night.
The villains are Nasties bent of disrupting rubber supplies to the US Army, and the faller had sniffed them out. Ford never does seem to know what is happening. Typical journalist, a lot of noise and little substance.
The ingredients are there for a good story and the players could do it. But the story is incomplete and while the directing is lethargic, the elastic is stretched too thin.