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Cluetopia (2013) by by David Astle 

Good Reads meta-data is 303 pages, rated 3.87 by 47 litizens.

Genre: cruciverbal.

DNA: Strine.

Verdict: Strange and true.

Tagline: What hath Wynne wrought! 

Wordsmith, quiz master, puzzleer, trivialista, all of that and more is this Astle cicerone as he leads the reader through a century of crossword lore, from the birth of the grid to the code words for the 1944 Normandy beaches with animated backstories, and some regrettable unpleasantness among the clues.  Crosswords are life and life is crosswords with the good, the bad, and the ugly. 

It all started with Arthur Wynne in 1913, and through the following century crosswords have evolved into the forms they take today, including the dreaded cryptics when the clue is clueless. What I suspected since my first and last try in the London Times long ago.  A few tidbits follow. 

Arthur Wynne and his first crossword puzzle.

A longtime setter at age 90 submitted his weekly cryptic with grid, clues and answers. Editor as usual worked the puzzle and found she could not see the connection between the cryptic clue for 14-Across and the answer.  She asked colleagues and neither could anyone else. Sooo, she decided to telephone the setter for an explanation.  Too late, he had died.  

What is to be done with this puzzle. Deep six it? No, he was a long-time setter, with a following, who should have respectful send off. Run it then but how.  Finally, she decided to run it with acknowledgement that no one at the office could explain the connection between the clue and the answer of 14-Across and offered a prize subscription to anyone who could.  Many tried and failed, but to make matters worse, two different explanations combining clue and answer were offered that seemed coherent and cogent. Two prizes were given, and yet the mystery remains.  Which was right, or was neither? Is there a third out there in an X-file? This is one example of the backstories that Astle has unearthed and set forth with panache. 

Most are amusing, like the 8-storey apartment building in Lvov with one face painted as a crossword grid with clues, and at night when illuminated by street lights, the answers are visible on the grid to an onlooker from the sidewalk. Others include the alchemy of rendering crosswords with Chinese characters or Arab script. There are instances of setters using the crossword to propose marriage, announce births, and one instance where the setter foreshadowed his own forthcoming death. Then there are the specialist puzzles, for engineers, surgeons, and historians (using Latin or koine Greek for ancient historians), but none have used hieroglyphics. Yet.   

Another memorable, though distasteful example, is finding who murdered schoolboy Lars in East Germany. A torn corner of a crossword led to the owner of the suitcase into which dead Lars had been stuffed and checked at a train station luggage office. The suitcase owner’s daughter had, unknown to Mom, lent the case to a very neurodivergent boyfriend. Bingo! To find mom who did the puzzle, the police collected and reviewed 32,000 handwriting specimens.  From that 32,000 they eventually focussed on 300 that were possibilities. They then showed photos of the suitcase to each, and Mom said mine. Checked for her finger prints and yes, this was her case, which she thought was still in the attic. Yes, boyfriend did it and was duly incarcerated. 

Lars’s family had no clout, and the hobbled media would not press the case in East Germany so the decision was made solely by the police to keep going. Would any McKinsey managed police force today devote a bottomless ocean of time, effort, and budget to one sex murder of an insignificant lad. I rather doubt it.  A career-minded manager (is there any other kind?), eyes on the annual review and the KPI’s which always are about budget whatever the sugar coating, would stop that investigation at some expenditure determined by an algorithm.  Moreover, by concentrating on easy cases the KPIs go up.  Unless the media took the case up today, it would be filed and forgotten; that is my guess.  

David Astle

I found much to like in the book, and some trivia for my collection, and much human interest.  The prose is sprightly; there are a hundred chapters, each is 2-5 pages long.  Recommended to all cruciverbalist: wanna-be’s and has-beens.

However, the omnivore Astle omits the crossword that briefly appeared in Charlie Chan in Monte Carlo (1937). Note that for second edition.

Winners and Losers, it’s complicated, not!

Apologists for the current US presidential administration are hard at work, telling us the mid-term defeats were not all that significant when they are put in perspective. ‘Look what happened way back when,’ they shout. They omit to say that the party of the president almost always loses Congressional seats in the mid-term elections. The matter is one of degrees.

How large is the change, and how important is it? There certainly have been larger reversals for the presidential party in the past. Today’s apologists trot those out with enthusiasm, especially the ones that befell Democratic presidents.  

I chose this specimens from Texas because I thought the Spanish would rile some people.

The question of importance is harder to pin down. Partly it is numerical: which party has a majority, and in which of the two houses. Not simply to win seats from your opponents but to do so in sufficient numbers to be the majority is certainly significant in and of itself. Twice that when it concerns both the House of Representatives and the Senate. The horn was sounded readily enough the last time it swung the other way. Only now do these apologists quibble.

Perhaps a more important effect is the psychological impact of the shift. This one certainly seems to have had one. The rush of apologists to spin the result downward is evidence of it. Meanwhile, the president will dazzle and distract us by pointing to more gold lamé as evidence of his greatness. But the fact remains that South Carolina went Blue!  That alone is a showstopper.  Will Nebraska be next? Although, I expect the flat earthers, climate change deniers, and voter fraud crowd will soon fire their broadsides, citing as conclusive proof of electoral fraud the complete lack of evidence.  

Jamie Heath, CC BY-SA 2.0, via Wikimedia Commons. The Roman Praetorians.

Moreover, the apologists’ spin overlooks the obvious. There have been years of voter intimidation, embodied of late by his Praetorian Guard of ICE, and from many Red Governors. Proof of birthright no longer guarantees immunity from ICE. Likewise, the gerrymanders have been out of control. In this context the swing against the powers that be in the White House and the Governors’ mansions is such a difference of degree as to be a difference of kind. Yet this election was only barely free and fair.  What is more, none of the newly elected legislative majorities or governors have taken office. Will they? Or will they be ICE-d?

I fear the only lesson learned by those who lost this time is that free and fair elections have to go. We have heard rumblings about this before from the White House incumbent himself. The result will be more work for the apologists who will justify armed men at polling booths to check IDs.

On the other side, I suppose one result will be more effort to eliminate the Electoral College. Doing so will certainly change the way campaigns are run, and there will be unintended consequences, but maybe they are the price that has to be paid. See Tara Ross, Enlightened Democracy: The Case for The Electoral College (2004). This book certainly opened my eyes to some of the most likely consequences with such a change in the rules of the game.

Dark Encounter (2019)

IMDb meta-data is a 1hr 37m runtime, rated  5.3 by 5055 cinematizens.

Genre: Sci-Fi 

DNA: UK (York)

Verdict: Ironic.

Tagline: Low budget, high imagination 

Set in the mud-lands of western Pennsylvania but made in England.

A working class family has several encounters of the fourth kind. Atmospheric to say the least. But the menace is all too human,

Spoiler – the alien is benign, it can’t help being spooky. That’s just the way it is.

Some superb acting by the leading lady. I only realised it was made in York (England) when I read about it after watching it.  The accents and locale are perfectly realised.  

Beyond the Sky (2018)

IMDb meta-data is a runtime of 1h and 22m, rated 5.0 by 5,300 cinematizens.

Genre: SciFi.

DNA: Area 54.  

Verdict: Enjoyable.

Tagline: A skeptic comes to believe.

A documentary film maker debunks alien abduction stories for pleasure and profit until…the inevitable.  We all saw that coming but it arrived with a fresh twist and a surprising turn.  

What better place to collect material than at a convention of such delusional abductees within range of the New Mexico Film Commission grant scheme, so off he goes with his loyal cameraman in tow. He is impossibly handsome and knows it with his carefully cultivated stubble, trimmed every day to look untrimmed. Oh hum. A dime a dozen in the celluoidverse.

Hardened skeptic that he is, something about one of the stories rings, well, true.  Of course it involves a comely young woman, so we all know where that is going.

Predictable though much of it is in outline, it is played with pace, verve, and conviction, and the writing is enigmatic, intriguing even. The plot is an onionskin and just when Handsome thinks he has revealed all, all is revealed to, not by, him. Ooops! 

Made on the equivalent of half of the catering budget for a Hollywood mega bores like those of Wes Anderson, Christopher Nolan, or Denis Villeneuve, it may be cheap, but it has a big imagination!  Unlike so many of those derivative and repetitive flops churned out in La La Land with big budgets spent by small minds trying to imitate someone else’s success – ‘in the tradition of’ is the give away.

Lisbon ’41 (2024)  by Malcolm Havard

Good Reads meta-data is 276 pages, rated 4.27 by 121 litizens.

Genre: SpyFi.

DNA: Portuguese.

Verdict: Deft.

Tagline: City of Spies.

While war engulfs Europe on the far side of A Raia (The Stripe) along the Rios Mincho, Guadiana, and Douro in Iberia, life goes on.  This is the border that separates Portugal from Spain. Established in 1297, it has remained unchanged since, a record of stability according to Wikipedia. Rich ex-pats have fled the war to idyllic Estoril’s Casino (Royal), where the only hardship is a shortage of champagne.  Poor refuges are either herded into camps and shipped to Cape Verde from which few return or pushed back into Spain from which they are sent to Germany from which none return. 

While the Portugal is awash with the spies of all nations, led by British and German, but accompanied by their Spanish, Italian, Irish, Soviet, and American counterparts, like gangsters, these spies mostly confine their attentions to each other, and leave the civilian natives alone. Usually.

Not all the spies are foreign because the Estado Novo spies on its own as it walks the tightrope of neutrality in World War II, selling Wolfram to Germany for panzer armour and landing rights on the Azores to Britain for Atlantic Ocean anti-submarine air patrols. The blind eye is turned on all the foreign spying.  

The not so secret pol-ICE cretins in the PVDE (Polícia de Vigilância e Defesa do Estado) do the regime’s dirty work out of sight and out of mind of the Philosopher-King Salazar.  These expendable minions intimidate, bully, beat, torture, and murder with impunity because they are the unwritten law. (This organisation later morphed into the PIDE [Polícia Internacional e de Defesa do Estado], following a management consultant’s advice to leave behind the bad reputation of the PVDE by a cosmetic change. It was ever thus. The easiest thing to do is next to nothing.)  

Made an offer he couldn’t refuse, Hero works for PVDE but he keeps telling himself he is not like them but the longer he works for PVDE the more he begins to act like the others, the fear when he shows the badge, the deference when he asks for information, the use of a car, a salary increase, an assistant, all of this is heady. ‘You are what you do,’ so said the sage Howard K Campbell in Mother Night.

Trouble is PVDE has factions and faction members have guns and each is more interested in dominating the other factions than tangling with German or English spies (who very likely have bigger and better guns). Accordingly, PVDE is preoccupied with its interminable and incomprehensible internal conflicts, like the Labo(u)r Party where ideological distinctions mask personal ambition. Hero discovers that he has been recruited by one faction to distract a rival faction, or so it seems, making him a pawn in someone else’s game. 

Malcolm Havard

The plot thickens with some very clever re-writing of history, a Jewish refugee, a kidnapped child, and more.  Well worth the price of admission

Should anyone wonder why I am so cynical about consultants’ reports, I once saw one, five pages long — double spaced with ample margins, costing over $100,000.  No onsite visits, no interviews, no data, no review of literature. Recommendations unencumbered by facts, explanations, or justifications. Was this the influence of Cicero who dismissed facts as confusing.  A desk report it was labeled.  This apostle of McKinsey management sat down and wrote it in three hours, part of that time must have included drinking coffee.  Ai Claude would do a better job today. P.S. it is a sure bet that this consultant was not familiar with Cicero’s adages. Of course that is exactly what the client wanted, quick and simple.

Richard Rohmer, Exxoneration (1973)

Good Reads meta-data is 213 pages, rated 3.235 by 55 litizens.  

Genre: Thriller.

DNA: Canada.

Tagline: Go boom!

Verdict: Prescient. 

I read this in 1973 and called it to mind with the recent Washington D.C. stupidity.  Read on to see why.  Rohmer was prescient. 

In its predecessor, Ultimatum (1973), a petulant US president announced the annexation of Canada and in this volume the wheels turn.  The first few chapters show a Canada ready, willing, and able to resist the southern behemoth.  The tactic is to turn perceived weakness to advantage per Sun Tzu, and on the pages of the book is works.  The US army lands in force at Toronto International Airport expecting to be hailed and find themselves in a free fire zone.  Without hesitation shots are fired.  

While in the air all those airplanes (82 or more) were formidable but once they landed they are steel coffins for all those within. That part is certainly interesting, but interest wanes from there I fear. Rohmer was a career solider, not a writer.  The prose is field manual quality as is most of plodding plot.  

He rose to the rank of Lieutenant General

After the opening chapters the rest of the book is a gloss on corporate negotiations over oil and gas. I got a good night’s sleep while reading it.

This is Not a Murder Mystery (2025)

Nor is it a pipe. (You either get or you don’t.)

IMDb meta-data is six episodes of 52-minutes each rated 7.0 by 1,500 cinematizens.

Genre: krimi.

DNA: Belgian.

Verdict: Eye candy.

Tagline: More is more!

A period drama evocative of Agatha Christie with the time and place but more opulent and bloody than any of the Dame’s tales.  A gathering of household names to come of artists – Man Ray, René Magritte, Salvador Dalí, Lee Miller, Max Ernst with their partners – for a SURREAL art extravaganza leads to real murder and mayhem. The artists themselves become the art.  

As bizarre as the artists and their art are, colourful as their infighting is, melodramatic as their star-turns are, the lavish setting steals the show. When the murders start, plod arrives from Ballykissangel (1996-1998) and sets to work. 

Young Flemish Magritte (with a Walloon name) feels like an outsider and noses around.  The others seem largely unaffected by the murders, or that could just be bad acting and hopeless direction.  Even more bizarre turns and twists follow.  

 The star of the show is the setting in Art Deco mansion. I said ‘eye candy’ above but perhaps I should have said ‘eye caviar’ or ‘eye foie gras.’ Very rich. 

The production confirms to current standards and is colour blind, unlike the 1930s and also seems to be gender blind. I found that distracting each time, but so be it. 

Alien Intervention (2023) The Warm Season

IMDB meta-data is a run time of 1hr and 43m, rated 5.6 by 378 cinematizens

Genre: SciFi.

DNA: New Mexico.

Verdict: Engaging.

Tagline: Where is my bibelot?

She has a loving husband and cares for an aging mother who makes few demands.  Then Mann appears.  Well, he re-appears.  He is calm, quiet, and persistent.  He cannot be what he appears to be since, when our heroine takes pictures of him, he’s not there!  Photoshopped out before he was ever in.  So maybe he is what he says he is.  From the past, and from…elsewhere. 

Mann first appeared to her twenty-five years before when she was but a sapling and now he’s back.  Largely silent, totally enigmatic, but real outside the camera lens.

Yes there are men in black with wraparound sunglasses at midnight wearing highly polished shoes.  Why do cinematographers like shots of feet anyway.  Is this a Masonic fetish? An alien signal? Or just stupidity? The last seems the best choice, given the blind imitation of so many filmmakers.  Monkey see, monkey do, sums them up.  Seeing feet in another movie, the imitation starts and continues.  

Cast and crew.

One of those men in black came back, too, twenty-five years later (and just about steals the show), but with neither the shades nor the shoes.  

It is carried by the woman in the lead and she does that with energy, enthusiasm, and intelligence.   

Wilder (2017+)

IMDb meta-data is 24 episodes of 60 minutes rated 7.3 by 950 cinematizens. 

Genre: krimi.

DNA: Schweizerdeutsch.

Verdict: More.

Tagline: Full circle. 

A picturesque winter valley in the Bernese Alps holds many secrets in its small, enclosed community of Oberwies, never to be confused with Unterwies. We watched Season One’s six episodes following a single story arc that came full circle.  Despite its total length there is no padding.  Everything you see fits into the plot, including the very mountains themselves, which – as one character says – are a cage trapping those within.  If you pay attention it will pay off. 

While in outline the story is a tired old chestnut in this reworking it is fresh and engaging.  The eponymous police officer returns home for a visit to find strange things and teams up, reluctantly, with another officer who is on a personal quest, into an odd couple. They deal with a manipulative superior and closed-mouth witnesses. But the twists and turns are fresh and the acting by one and all is superb. Everyone down to the cook in the cafe with half a dozen lines lives the part, not something I can say about much of what I watch when I have the feeling the player is playing, not living. 

Oh, and we particularly enjoyed seeing the ever so cynical private eye Philip Maloney in a new incarnation.

We intend to follow up with the next season (there are four six-episode seasons), but first need some respite from this Swiss climatic melancholy and psychological intensity.  

The scenery is a long way from Newtown but it reminded me of the year I spend in Logan Canyon surrounded by the Wasatch Mountains.    

I came across it on TV5Monde+ and watched the first episode then I discovered it on SBS On Demand and continued there.  While there are no commercials on TV5Monde+, transmission can be erratic so I bore the cretinous commercials on SBS for the convenience of a smooth screening.  

Making murder boring.

The First Murder (1707) by Domenico Scarlatti

In May (that indicates what my backlog is like) we went to the Roslyn Packer Theatre for a performance by the Pinchgut Opera company of this baroque oratorio about the brothers Cain and Abel.  

I had high hopes for Scarlatti’s music. Fratricide, murder, damnation, expulsion, guilt, punishment, and exile seemed dramatic and dynamic subjects for some stirring music.  Instead I watched some depressed and morose people mill around a sandpit like it was an unwelcome day out with the in-laws in sunny Strineland.  

The critics praised it, I read later after seeing for myself, but I fear I am not on that wavelength and found it barely held my attention.  I noticed more than one other in our seating area nodding off (though no names will be mentioned) as the glum proceedings crept on, and in the second half there were many empty seats in front of us, as others had decided to cut their losses and leave long before the curtin. Do reviewers take note of the audience reaction?

N.B. for future visits to the Roslyn Packer Theatre, try for seats H 32 & 33, J 32 & 33, K 33 & 34m, and then enter via the wheelchair entrance to the left of the men’s toilet on the street level.  Best for leg room for me and my inflexible knee.