IMDb meta-data is runtime 1 hour and 45 long minutes, rated 6.7 by 58,765 cinematizens. (A long minute has 75 seconds.)
Genre: unidentified; Species: ennuni.
DNA: Hollywood.
Verdict: Meh.
Tagline: Are we there yet?
We watch a science fair in desert south west where the aliens roam. All the parents are bored and the students would rather do science than stand around. The result is a series of pastel tableaux with little or no connective tissue. If you have seen The Grand Hotel Budapest (2014), you have seen this.
By the secret Protocols of the Elders of Hollywood, Tom Hanks makes a gratuitous appearance. The alien come to retrieve a missing sock (just kidding) is in and out in less than 30-seconds.
By the way, should it be called Meteor City, as per the web page of the International Astronomical Association?
Lacking the subtlety and human interest of a Three Stooges skit I chose not to sit through it to the end.
The opening credits make clear it is a one-man band, no second opinion, no alternatives were considered. Such is genius.
IMDb meta-data is 12 episodes of 30 minutes each, rated 8.1 by 35 cinematizens.
Genre: Sy Fy; Species Australian; Sub-species Adolescent.
Verdict: Daring then, boring now.
One dark and stormy night a man knocks at the door as he lies down on the steps in the rain. This odd way of prone knocking is the first of many odd things about this man, call him Adam. The ideal family within welcomes him only discover (1) Adam remembers nothing (= the scriptwriter’s old friend, amnesia) and (2) he is multi-lingual. Sure enough Dad puts him to work teaching school. (I started to think of that conman Parkin.)
Adam bunks at the bottom of the garden and two more things become apparent: (1) he is secretive and (2) has a near hypnotic power over the boys in the class room that makes him the envy of other teachers.
Aimed at adolescent viewers with three clean-cut, asexual, and elderly teenagers wearing school uniforms in the leads. Two of them look to be in their 30s, but I could not confirm or deny that perception on the IMDb. Reg Livermore is in it, yes, Frank-N-Furter from the Rocky Horror Show (1972 +).
In later episodes there is a Queensland caravan on stilts for vertical takeoff, a pipe-smoking professor, two thick plank plods, a media frenzy, a cigar-chopping industrialist, a bumptious secret agent, and the Parkes Radio Telescope which stole the show.
We took it one episode at a time, but shied at the last one, fearing we would fall asleep on the sofa and crash to the floor. For it is lugubrious. It is slow enough to have been filmed underwater.
Yet at the time it must have been a bold decision for the staid old ABC to make it when nearly all programming was very conventional: Dance programs for teens, cooking for women, fishing for men. The two commercial channels (7 and 9) were the same, very careful not to offend or confuse. At the time the commercial channels vigorously opposed any local content requirement, leaving it to the ABC to do that. Bold because science fiction was certainly not mainstream in 1964 and bold because there are segments where the aliens speak their language with no translation of any kind, leaving the audience as lost as the characters in the story. Bold also because it is not respectful of authority, the plod range from incompetent to obstructive, the media representatives are irresponsible, the government agents are rule-bound, even the United Nations gets a slap.
The story does play on the Australian dichotomy of immigration. Yes, immigrants are needed but no we don’t want them disturbing our ways. The Pacific Island solution, rediscovered a few years ago, is applied here and the aliens are settled on an inaccessible island. The Prime Minister is one Chips Rafferty, a long way from Tobruk.
The Parkes Radio Telescope is a set for several episodes and it looks like they really did use it long before The Dish (2000). There is also extensive footage of parade through Sydney at the end, and that might have been the Queen’s visit. If so, then Herself was lined up along the street somewhere.
Made 60 years ago, it creaks. You Tube’s Mechanical Turk recommended it and then Kate discovered it on iView.
IMDb meta-data is runtime 2 hours and 39 minutes, rated 7.8 by 20,000 human comedians.
Genre: BioPic.
Verdict: Indigestion.
The spectacles just kept on coming without rhyme or reason until this viewer lost interest, about an hour before it ended. Since no Hollywood movie can be made without Tom Hanks, he is there under a ton of make-up, attenuating everything well beyond the breaking point.
When Elvis sings, that is the best part, but even that wore thin by repetition. While the black roots of his music are emphasised it is external not internal. It goes from the outside in, and does not emerge from the inside out with the gospel songs. There exist live recordings of Elvis singing in black churches before an audience that are spectacular for the energy and emotion that are discharged. There is no need for kaleidoscopic camera spins and other confusions. Despite the no-expense spared staging in this film that electricity fizzles.
These church recordings are, well, unrestrained and exultant quite unlike the studio versions of the same songs. They have an immediacy and intensity that is palpable.
When I visited Graceland, the overwhelming impression I had was the ever presence of music in every room, in every nook and cranny there were record players, instruments, sheet music, 45s, radios set to music stations. The music was oxygen for The King, and he had to have it, had to make it, to live. The house communicates that need far better than does this film.
Moreover, the movie missed the obvious fact that celebrity killed Elvis as he was consumed by his fans. Eaten alive in the constant demand for performances and in turn he became addicted to the audiences. Colonel Tom was a catalyst not a cause.
At times the film seems to use Elvis as a prism to observe US society, and that loses its biographical focus.
Are we there yet? Where are we going? And why? Alain Resnais once said if a story cannot be told in 90 minutes, it is not (yet) a story. Put differently, if you know what you want to communicate it can be done in 90 minutes, if you don’t know then it takes 2 hours and 39 minutes or more.
Those who want something of Elvis the man might try (1) Bubba Ho-Tep (2002) for a cackle and half, or (2) one of Daniel Klein’s krimis in which Elvis investigates, e.g., Blue Suede Clues (2002).
GoodReads metadata is pages 288 rated 4.23 by 48 litizens.
Genre: Krimi.
Verdict: Deft.
A very disagreeable housekeeper trips over a whiskey bottle and dies. Good riddance and all that. The tabloid press goes even more bonkers than usual. In distant Sydney the sanctimonious tones of the ABC are sounded since this housekeeper once talked to a Strine. It’s world news because the house the victim kept was Buckingham Palace and her employer is one Mrs Elizabeth Mountbatten née Windsor, Queen of all the Englands, and more.
All those Buck House officials lift the carpet to sweep the housekeeper (deceased) under it on the way to their knighthoods. Trouble is someone is standing on the carpet. Indeed, it is Her Self the Majesty who would like to know just how one trips over a whiskey bottle in a place where one has no business and one is not a drinker of spirits, and one is roundly disliked by so many. What really did happen? Of course, this one cannot be so direct. Circumspection is thy name, Queenie.
And while she is about it, HM would also like to know how a painting given to her personally many years ago by an obscure Tasmania artist went from her bedroom wall to a Royal Navy wardroom. Drinking tea there after cutting yet another ribbon (must 50 this year already!) when she noticed it. Too polite too inquire then and there, she went back home to check. Sure enough, not where it used to be. So hard to keep track of one’s 7,000+ paintings.
Do these two mysteries intertwine, the errant painting and the corpsed keeper? All those prim and proper (blinkered) officials in Buck House will never notice. Still something is not quite right about either the wandering painting or terminated housekeeper. No, this is a job for someone who cannot say ‘no,’ the junior Assistant Private Secretary (APS), late of the Royal Horse Artillery, gets the assignment. The instruction are ‘Find the route that painting took from the royal bedroom to the naval wardroom, and find out who put the whiskey bottle there to fall over (if that is what happened). And do so with such deft discretion that no one knows you have done it. Should keep you busy a day on two on top of all your other duties.’
QEII cannot do anything herself since she is scheduled twenty-four hours a day and under scrutiny from staff every one of those hours. Any deviation would be an earthquake. The portrayals of royal life are many and fascinating in these pages. The gravities on Her Britannic Majesty exceed those borne by most astronauts. The pecking order among the Buckingham Palace staff is positively Byzantine with invisible lines of demarcation guarded day-and-night by fanatics. The buck-passing and blame-shifting are constant. Is this is the incubus of McKinsey management.
The Palace officials (all stiff upper-lipped chaps) seem relieved that the obnoxious housekeeper is no more, and are happy to move on with no further unpleasantness. That is in the great tradition of McKinsey Management, blame the victim. Absent fuel, the tabloids find something else to lie about. Check Pox News or the Moloch Press for the latest in fiction. The chaps have even less interest in an odd painting of no market value that does not belong to the nation but to Elizabeth Mountbatten. No, to achieve satisfaction, HM will have to see to it herself, but – of course – she cannot be seen to be seeing to it. Good thing she has had years of practice of not being seen to be seeing to things, and getting them done. They call it reigning rather than ruling.
That there seems to be a systematic and extensive campaign of stalking and harassing women employed in Buck House soon becomes apparent to everyone except those stiff-lipped chaps who run the place. Even the none-too-perceptive police officer who had a look at the house keeper’s cadaver grasps that and says so, but the chaps don’t hear what they do not want to know. What happens under the carpet, stays under the carpet, that seems to be their mantra. Once under the carpet, everything is under control.
S J Bennett
This is the second in this series I have read and lapped up. Though I admit there is far too much padding with descriptions of clothes, furnishings, and food. When that description is in Buck House it is part of the atmosphere but it carries on as the APS goes out and about and it does go on. And on. Every where she goes, we get the full-IKEA, full-Elle, and full-Gourmet accounts. Treacle.
While whingeing I add that I found the plot tangled beyond my comprehension. Still I enjoyed the ride and the insight into the life of Buckingham Palace. HM’s affection for the valueless painting is explained in a charming aside. The title, by the way, refers to the appropriate number of dogs to take on a walk if one wants to think through a problem. Fewer than three and they expect to be entertained by ball throwing; more than three and one spends the whole time minding them. Three is just right: Enough to entertain themselves but not so many as to distract one from cogitation. This is just one of the many charming nostrums to be found in the book.
Have we reached the Durkheim Line? Once crossed is it possible to go back? (Over and back is a penalty, remember?)
‘Categories such as time, space, cause, and number represent the most fundamental relationships which exist among things…. If we did not have the same conception of time, space, cause, and number, all contact between our minds would be impossible,’ wrote Émile Durkheim in The Elementary Forms of Religious Life (1912), pp. 22-23. To emphasise their currency he called them Social Facts.
This line is what I think of when I hear the latest nonsense spouted in D.C. by the GOP, which by the way, now stands for Group of Pygmies and the mindless robots on Pox News. (Apologies for the insult to pygmies.) Then there are the antipodean echoes of that nonsense. Did he anticipate Queensland’s war on daylight savings time? Did he advocate faded curtains?
Book Collector has paid for itself many times over by preventing the purchase of multiple copies of the same book. An appealing book or one I thought I should read and so have on the shelf to encourage me to read it was purchased and stacked away for future reading or reference and… a few years later the same book comes to hand and I have the same thought and buy another copy, and then later another. Nothing but that memory lapse could explain why I had three copies of something like Antonio Gramsci’s unreadable The Modern Prince. (Yes, I know, ‘Why have one copy at all?’ No answer to that.)
I became painfully aware of these multiple copies when upon retirement I was preparing to move my professional library of about 5000 titles. As I was thinning the collection, shredding textbooks and other items I saw of no further use, I told Trevor Cook about this labour and he told me about Book Collector.
Wow! I did not know such applications existed and made it a mission to find out more. That was about ten years ago. The timing was opportune as I was moving and re-shelving and so each book had to be handled a couple of times. Hence I acquired the app and got to work.
I found my first use easy and simple. Of course, I had a long backlog amounting to about 2500 titles after I finished shredding books. I purchased a scanner and used that to ease the burden, and it worked fine on books with a bar code. Recommended.
However, my collection dates back to graduate school in the 1960s and many of the books that I retained had neither as ISBN nor a bar code, while others had an ISBN on the obverse of the title page but no bar code and so had to be keyed in. I paced this work to about 50-60 a day (about 400 a week) so that I could do other things and not go crazy and make too many mistakes. In a month most of the work was done, and I am very pleased.
Cataloguing identified what I had and synchronizing the catalogue to my cell phone has saved me several duplicate purchases very quickly, and more since. Three or four such saves more than paid for the software, the scanner, and the time and trouble to learn its use.
Now there is a hitch here. When I brag to visitors that I have catalogued all the books in my library they assume that means a given order on the shelves, and it does not. I have grouped the books by subject matter but not anchored any of them to a sequence, shelf mark, or locale. Maybe I should have but I did not and now it seems a task beyond my needs, abilities, and interests. The books on a subject like ‘Utopia’ occupy a bay with the tallest on the bottom shelf. All the reference books are in another bay. The titles on the history of political thought occupy the top shelves in the bookcases I face from my desk as my favourites. While there is room in the template to enter such shelving information, it has to be done manually and I have not done that.
Adding books by title and author or ISBN works pretty well but it is not perfect. I find books published in Australia are less likely to be retrieved, and recently issued books with ISBNs still sometimes prove illusive, so there is still more manual entry than I would like.
When I am doing this manual entry at times the application has asked me to enter the data a second time on the master data base (the core) in the Cloud and I found that an annoyance. Since I have already entered the data on my system, could it not be uploaded from there rather than keyed in again? But that practice seems now to have stopped.
When I capture a book by the automated search I find sometimes that the author’s first and last names get transposed and have to keep an eye on that. This becomes even more pesky with several authors. Then there is the need to distinguish translators and editors from authors, say of an edition of Plato’s Republic of which I have six or eight. For scholars these distinctions are crucial.
The templates have pages and boxes for everything imaginable and some things unimaginable to me, but in my case most are empty. Those that come with drop down lists are easy to complete, and I have done that, creating a few categories of my own.
In the last five years I have become converted to digital reading on a Kindle for the convenience, accessibility, text searching, and more. Not having a copy of the book to put in the pending tray on my desk means that sometimes I forget to enter them in the catalogue, and I have not yet developed a method to overcome such slips of memory.
I have been confused a few times when changing to a new computer about the catalogue files and I am sure I lost data at least once. The files names and locations are a mystery to me.
Like everyone else I wish, sometimes, that applications were integrated. I use EndNote a lot (and it is a beast and have never been invited to give feedback on it) and means I key in duplicate information on Book Collector and EndNote quite often. That is no doubt good for the soul but it is tedious.
While listing nits, I should say I also find it impossible to distinguish among the many products associated with Book Collector. CLZ Barry left me blank. Such proliferation I suppose meets some need, but not mine.
Having BC has meant I catalogued my library, something I would not have done without it, and that has been invaluable. I have heard fellow book worms say they know where every one of their 5000 books is shelved without the need for such a computer crutch but I don’t believe them.
Good Reads meta-data is 510 pages rated 4.28 by 247 litizens
Genre: Biography
Verdict: An éminence grise without the robes.
‘Harry Who?’ asked the fraternity brothers, ever perplexed by reading, since they get along just fine without it. Harry Hopkins (1890-1946) was a shopkeeper’s son from Iowa who by dint of his mother’s determination and grit got a college education, along with his sisters, at Grinnell College in Iowa. Lucky them. Prior to that the Hopkins family had lived briefly in Kearny and Hastings Nebraska (though I remember nothing about him from Hastings but I do remember the WPA works at Heartwell Park. See below for relevance.)
After graduating from college he followed in his older sister’s footsteps and became a social worker, and Jacob Riis in New York City was hiring, so this Iowa hick (q.v. Bill Bryson) took the train east to work in a settlement house. His experiences in the immigrant slums of New York City during the Great Depression made him a champion of government intervention, regulation, and assistance. It also proved him to be an efficient and effective organiser of people, material, and money. His work impressed the philanthropic owner of Macy’s department store who later recommended him to New York state governor FDR.
Per Wikipedia his claim to fame is that he was US Secretary of Commerce for a little less than two years, 1938-1940. In that capacity he was an architect of the Works Progress Administration whose labours can still be seen far and wide, e.g., Heartwell Park, and later the organiser behind the Lend-Lease program. Those, Class, were some of his lesser accomplishments!
Later in Washington Hopkins was a whirlwind, working all the hours of the clock at the expense of his first marriage, and set land speed records in distributing funds to put the unemployed to work. Within a fortnight of his first appointment he had put 88,000 unemployed men with families to work through state governments building bridges, tarring roads, landscaping parks, reinforcing railway embankments, digging drainage ditches, repairing the roofs of libraries and town halls, shoring up damns, stringing telephone wires, planting trees, cutting fire trails in forests, and so on and on. He did this working from a broom closet in a ramshackle building off the beaten track in D.C.
In these works he was an ambitious empire builder who irritated some and made enemies of others, particularly Secretary of the Interior Harold Ickes. Hopkins made mistakes but he always pressed on.
His most significant accomplishments were not, however, in these domestic matters but later in foreign policy where many, including such diverse figures as Winston Churchill and Joseph Stalin regarded him as the glue that held together the Anglo-Soviet Alliance against the odds. About which more later.
Hopkins back left.
Harry was a sickly child, boy, and adolescent but youth fuelled him, as it does, though the maladies remained and came to the fore with maturity, compounded by a life of cigarette smoking and whisky drinking. He can be seen in many photographs as a spectral figure on the periphery with FDR. He was so constant that some referred to him as the shadow.
When people met him for the first time, there were many remarks on his pale complexion, bony face and figure, pallor, pasty face, clammy perspiration, sunken eyes, ….. But they also noted that when the spoke of his purposes, the embers came to life and the fire within was apparent to even the most imperceptive observer. Those purposes kept him alive against the odds.
On the first of his many visits to wartime England in the middle of 1941 Hopkins was allowed to see and go when and where he wanted. By then FDR had no confidence in the reports and assessments of the US ambassador to England, and wanted an unbiased account from someone he trusted. The mission fell to Hopkins, who by the way was paid no salary, though his travel expenses were covered. For FDR’s personal friend and representative the British rolled out a red carpet. Hopkins was inquisitive and demanding; he was also impressed. More than once in the company of Winston Churchill inspecting bomb damaged docks in Bristol, military hospitals overflowing with wounded, rubble strewn streets in London, those Britons present stopped their weary labours to cheer the Prime Minister who walked among them. In a most secret cable Hopkins told FDR that Churchill’s rhetoric, while elevated and melodramatic, nonetheless represented popular opinion. (The cable was carried by hand to an American warship in port, and transmitted from here in the navy’s darkest code.)
During this visit, Hopkins also managed something few others ever did, upstaging Churchill. At a dinner of forty Churchill gave an orotund speech of welcome. Hopkins had selected the guest list to include those he wanted to meet, trade union heads, businessmen, press owners, munition plant managers, bankers, hospital directors, Red Cross workers, shipping experts, accountants, aviation engineers, and social workers. After the meal it was Hopkins’s turn to thank his host. He did so by quoting the Book of Ruth, bringing tears to Churchill’s eyes and silencing the room… ‘even to the end.’ (Look it up.)
Pilloried after his death by headline hunting red baiters of the Republican Party as a Soviet agent because he advocated material support to sustain the Soviet front. If it needs to be said, Russian archives give that allegation the lie. Churchill and Hopkins and others wanted to keep Russia from signing a separate peace with Germany, and that meant keeping Russia in the war. With that priority Churchill himself sometimes deferred British needs for American material to satisfy Russian hunger for supplies which held down 140 German divisions on the Eastern Front. With perfect hindsight we now assume that Hitler was so driven by hate, as weaklings are, that no peace with Russia was possible. Ahem, everyone had thought that before the 1939 non-aggression pact, too, and were surprised at his and Stalin’s flexibility. Better not to risk another surprise. The more so when it was realised that Soviet and German diplomats met regularly in Stockholm even as the war raged.
For much of later 1943 to early 1945 Hopkins was the de facto Secretary of State, as the incumbent Cordell Hull, a decade on the job, had become ill and was replaced by a cypher. Hopkins committed himself completely to holding together this unlikely and unholy alliance against the common enemies of Germany and Japan. He traveled the world in difficult circumstances to listen patiently to the complaints of each party about the other(s), and slowly found the common ground firm enough for the next step. Churchill complained to him about FDR who complained to him about Stalin who complained to him about both of them, and so on. A glutton for punishment Hopkins also tried to draw Charles de Gaulle into the party by fair means and foul. Since he turned on the tap of Lend-Lease I suppose Churchill, Stalin, and de Gaulle were aware that he might turn it off, too.
The book is particularly good on the international conferences. The prose brings to life the preparations and activities, but it is especially good at demonstrating what was at stake in the meetings from Newfoundland to Yalta. The conclusions about Yalta are insightful. In short, Roll concludes that the fate of Eastern Europe was sealed long before Yalta in 1945. When the decision was made to invade North Africa in 1942, rather than to wait until 1943 and then attack northern France, the deed was done.
Without a second front in 1942 or 1943, the Soviets went all out and by the time the second front came in mid-1944 the momentum of Soviet advances into Eastern Europe could not be rolled back short of another war. The 1942 decision to land in Africa was prompted largely by Churchill’s morbid fear of a repeat of the charnel house of World War I in northern France, but in hindsight it made military sense to test the US Armed Forces on a small scale before the Big One. Indeed the pitiful performance of much of American arms in North Africa was a stimulant for major changes from the equipment of rifle companies, tank armour, operational command, signals, co-ordination of arms, and more.
Let it be noted that Hopkins’s son Steven was a marine, killed on the Kwajalein Atoll in 1944. Another son Robert was hold up in Bastogne during the Battle of the Bulge.
Hopkins was the man behind Lend Lease for several years. He made it work for Great Britain and then extended it to the Soviet Union. He also suggested war crimes trials and got agreement for that. He was early advocate of a United Nations and staked out many of the arrangements the came into being. FDR said it was Hopkins’s good-natured persistence that provoked Stalin into a grudging commitment to join the war against Japan which at the time had the highest priority on the assumption that neither Britain and the Empire, the Netherlands, or France would offer much.
His health was never good and there were periodic hospitalisations for blood transfusions and vitamin injections. There was also abdominal surgery over the years. When FDR died, Hopkins’s hold on life slipped, too.
The early, brief description of Hopkins’s students days at Grinnell reminded me of my own years in a similar institution of do-gooders who did good by me and many others.
For some time I had in my mind and in my Amazon shopping cart Pulitzer Prize winning playwright Robert Sherwood’s biography of Hopkins, but, well, it is out of print and not always available, and, worse, it is not in a Kindle edition, so it languished in both places. Then the mechanical Turk’s algorithms suggested this title and I bit.
These days in the English-speaking world with a few notable and noble exceptions we can look for leadership only in the past. Below is another instance.
In the 1930s and 1940s Eleanor Roosevelt concluded that she would damned no matter what she did, so she might as well do as she thought was right. She did, early and often. ‘Eleanor Everywhere’ is what husband Franklin called her. She invited blacks to the White House. Lend her name to early women’s rights groups. Picked fruit with migrant workers. Signed over the income from her journalism to a children’s charity. Held the hands of GIs dying of war wounds in the Pacific. For all of this she vilified by the Pox News professional haters of the day.
She is the only First Lady with a statue in D.C. and that seems right. A biography of Eleanor Everywhere is discussed on my blog.
IMDb meta-data runtime of 1 hour and 31 minutes, rated 6.7 by 923 cinematizens.
Genre: ODH wanna be (that is, Old Dark House).
Verdict: energetic clichés.
In mid-career a much published krimi writer seeks inspiration in a change of scene, and reluctantly moves to Greenwich Village with his vivacious and enthusiastic helpmate who has neither a career nor a mind of her own. Credit Loretta Young’s extraordinary thespian talents to sell such a pretence. He is the droll Brian Aherne who is reluctant because wanted to live by a lake or stream, not a busy street.
While he has published a lot of krimis, to judge from the piles he moves around, none has been a best seller or satisfying.
The apartment (old dark) House has a cast of boarders from the doleful owner, to the snoopy restauranteur, oily art dealer, the terrified ingenue with an over-protective husband, the hysterical cleaning woman…. but no black stereotype for which omission much thanks, though it meant no pay-check for Will Best.
It is a great cast that includes Charlie Chan Tolar as the police officer come to sort out the body in the garden. Spider Woman is also on hand, though underemployed compared to the turtle.
Good scenes include the bed clothes slowly slipping off…. In 1945 that must have been close the censorship line. And it happens twice. And that’s the problem with the whole film: repetition.
The sticking door was amusing the first three or four times but not thereafter, and certainly not at the fifteenth time with musical accompaniment. The door is never explained and does nothing for the plot.
The plot holes were many. It was said that the corpus delicti in the garden was naked; if so why? Where did the clothes go? What was the motive for that murder? Indeed what was the whole blackmail narrative about? How did any of that relate to the cab driver’s opening comment about hauling away two stiffs? Did any of it relate to the missing previous half-owner of the establishment?
Released on 10 December 1942 there is no reference to war. In that month the Australian 7th Division pushed the Japanese from Buna, trailhead for the purgatory of the Kokoda Track. More generally, the Afrika Korps was trapped (by forces that included the Australian 9th Division) in Tunisia, the Germans were encircled in Stalingrad, and the Japanese had lost Guadalcanal where Royal Australian Navy ships served). Hindsight reveals that it was the beginning of the end for them.
Literati note. These books were published late 1942. I have read them all. What’s holding you back?
Le Silence de la mer by Vercors (Jean Bruller) – an idealistic German soldier gradually realises the fake news he had accepted when billeted with a silent French family.
The Moon is Down by John Steinbeck – an austere dialogue about the time to act set in rural Norway. Completely different from his other novels, a roman à clef.
Crazy Horse by Mari Sandoz – a fictional autobiography of a reluctant charismatic leader.
Go Down, Moses by William Faulkner – the grief of the title figure when his wife dies and the actions of those around him the very Deep South.
L’étranger by Albert Camus – Meursault stays ice cold under the blinding Algerian sun.
IMDb meta-data is 1 hour and 7 minutes, rated 6.4 by 69 cinematizens.
Genre: Mystery
Verdict: Snappy
The ingredients are a closed passenger train from Paris to Istanbul with two incognito journalists after the same vanilla scoop.
The journalists conceal their identities and purpose from each other and from the subject of their inquiries played by Paul Lukas. I never did grasp what the newshound were after from Paul, and neither did they I suppose.
Since there seemed to be no point, instead we have an incompetent assassin in Sascha bested by a bumptious bodyguard. Musical interludes lighten the tone, as the journalists collide. There are disguises, mistaken identities, a cake, a tandem bicycle, yodelling, and more.
An agreeable distraction from the news of the day.
