Category: Film Review

IMDb metadata is 1 hour and 13 minutes, 5.8 from 77 cast members’ relatives.
Verdict: Spelunkers will be disappointed, as will Martians.
In the far distant future of 1987 humanity has achieved space flight and the first Mars lander is en route with a two-dork crew.

They land on uninhabited Mars to find….inhabitants. But does that matter? A little terra nullius and hey presto, no problem.
Because of the low budget, they find an Earth atmosphere and trudge around in coveralls. One of them wanders off and is…
There are women. ‘These two losers had to go to Mars to get a date,’ hooted the fraternity brothers!
One of them encounters two warring tribes of women, each of which tries to kill him, or enslave him, or otherwise have their wicked ways with him. But no, they decide he is too dangerous to live and if he dies there is no movie. What a conundrum!
Males are weak, cowardly, and enslaved by women. Realistic anyway. ‘She’ (1935) Who Must be Obeyed took refuge on Mars, it seems. (‘She’ has been re-made many times but the first is far and away the best.)
Those coveralls drive the Martian caveless women wild! The kiss is unknown to these women and …. [censored]. Knowledge!
It is filmed in black-and-white and offers a tribute to 1950s B Sy Fy movies. It is modest and the actors say all their lines slowly and clearly (because there was no budget for re-takes). In most scenes there is one camera set up and the actors do not move once the focus has been pulled.
Even so it is mildly diverting, but has nothing to do with Mars or with caves. It is a trope in 1950s Sy Fy that there are worlds of women without (real — Republicans don’t count) men, e.g., ‘Cat-Women of The Moon’ (1953), ‘Fire Maidens from Outer Space’ (1956), ‘World Without End’ (1956, or ‘Queen Of Outer Space’ (1958) to name but the a few of the fraternity brothers’ favourites.

IMDb metadata is runtime 1 hour and 47 minutes of Dali time, rated 3.7 by 1231 cinemitizens. Released its native Italy on 19 August 1960.

Verdict: Beau, beast, and Beauty with radium.

Jilted by her impossibly handsome boyfriend, a woman driver goes off a cliff and is disfigured. While she is disconsolate at the loss of Beau and beauty, Igora offers her the chance to regain the latter at the hands of an Emeritus Prof Mad Scientist. Igora is his loyal assistant. Her brother Igor is otherwise engaged.

Beauty undergoes the treatment which is experimental and at some point the dialogue refers to radium and Derma 28 (Dermas 1 to 27 were losers). After far too long, it works. The horse-faced beauty no longer has a chocolate sundae melted onto the left side of her face. She can ditch the Veronica Lake peek-a-boo look.
Belle pining for Beau.

But the affliction recurs, and the only solution is for the Mad Scientist….to murder young women to get their…gland bags. Prof is besotted by Beauty and he throttles even the loyal Igora for her…glands. The gland injections seem to only last a scene, and he is out there murdering ever more young women who conveniently stand around in secluded spots waiting for his attacks.

His cereal, serial, or is that surreal, killing is eased because he turns himself into a wereprof to do it. (If only.) Since there is no plot explanation for this capacity, the fraternity brothers concluded that a visiting Lon Chaney left a wolf suit behind. Following so far?

When he returns to the lab he transforms wereprof back into menacing Mad Scientist by stepping into a man-sized clear bell jar which fills with dry ice fog and out comes one lightly chilled mad scientist. So much for Clark Kent.
At times it seems his lust for Beauty turns him into Lon Chaney without the pathos, and other times it takes a shot of radium (under a full moon). But he has done for her what no other man has or can do. He has recovered her looks, killed for her, and turned himself into a monster to so. It is trifecta! He has also scuttled his career as a serious actor by playing this role.

He goes on murdering. Beauty is restive and pines for her impossibly handsome boyfriend and keeps Mad Scientist at bay. After an hour she notices Igora is no longer around. Not too wealthy with the smarts is this one.

As the body count rises, plod finally stirs and, of course, seeks advice from Mad Scientist. Handsome tags along with Plod though why he jilted her in the first place is never revealed nor what has kindled his interest in any of this. Beauty could run to Handsome, says the Mad Scientist, but then the treatments would stop and the chocolate sundae would return and Handsome would then again reject her anyway. Is this a Faustian bargain or what? Or is it an impossible mish-mash of exploitation films. Decide!

In the end, Handsome slugs it out with Mad Scientist and wins, and it turns out the last involuntary gland transplant cured her, and she no longer worries about the victims who sustained her so she can live happily ever after. A moral tale for our times.

George Zucco was made for just roles but he usually had better material. Admittedly this mad and bad emeritus professor is pretty creepy, the more so when he is trying to be suave and considerate.

The Italian title translates as ‘Seddok, the heir of Satan.’ OK, but no one called Seddok is listed in the credits. The English dubbing and dialogue were overlaid on the Italian original for the Yankee market and the title changed to capitalise on the topical interest in all things atomic. Hence the extraneous references to radium in the dubbed dialogue. Any relationship of the original Italian title to the story has been lost in translation.

IMDb meta-data is 1 hour and 9 minutes of run time, rated 6.9 by 7686 cinemitizens.
Verdict: Generally credited as the first zombie film. Certainly credited with cementing Bela Lugosi’e eyebrows into cinema history.

Beau and Belle have a shipboard romance on the way to, of all places, Haiti. Also interested in Belle is the travelling Planter who offers them the hospitality of his stage-set mansion for their nuptials, all the while trying to woo Belle away from Beau.
Indeed even as a surrogate father leading her down the aisle to Beau at the altar, he is whispering endearments, blandishments, and offers into her ear with the subtlety of the Twit in Chief. Fearing his charms to be insufficient, he had earlier taken the precaution of visiting Bela who agrees to render her a zombie if only Planter will prick her figure with a needle he supplies.
Those eyes!
Rejected, Planter presents her with a rose, disguising the needle as thorn. Ouch. She dies on the altar. She is buried and resurrected for his use later. The veil is drawn.
However, she is a dead soul, a role this actor was born to play.

The look is as creepy as a Republican congressman from Alabama.
Frustrated Planter wants Bela to return her to normal, even if it means losing her to Beau, who is drowning his sorrows. Too late. Bela likes the Newtown dead soul look and wants her for himself.
Planter and Beau join forces to subdue Bela (‘As if,’ snickered the fraternity brothers) and by the miracle of scriptwriting they do. Planter croaks. Belle snaps out of it. Beau gets what he wants. The End.
There is much zombie lore. One early graphic scene in Bela’s sugar mill staffed by the zombies is a vision of labour that McKinsey managers call ideal. It is a powerful image worthy of Dante. Sorry to say I could not find any still photographs on the web that show it well. But the whole film is on You Tube. Go for it!

IMDb meta-data is 1 hour and 17 minutes of run time and rated 4.8 by 2400 cinemitizens.

It is a creature feature with some differences that surprised the fraternity brothers. See the list below.
As misleading as lobby cards usually are. At no time does a Mole Person carry around the Marked Woman. Read on for explanations.

A party of archaeologists search for a temple of Ishtar in Sir Edmund Hillary’s stock footage of the Himalayas. The research grant that funded the trip did not include a GPS so they missed Babylon. Five in number they include the required local guide, the required Red Shirt, the required ethnic stereotype, the superfluous Beaver’s dad Ward, and a catatonic John Agar, doing what he does best, sleep walking to payday.

They come upon just such a temple as we saw in the Pergamon Museum in Berlin. Come to think of it, if in Berlin, why not in the Himalayas? During the ascent the local guide falls out of the picture and collects his check.
Next the Red Shirt carelessly falls through a crack in an earthquake. Agar, Ethnic Stereotype, and Ward descend to retrieve the Red Shirt’s Actors Equity card, and another quake seals them in. Doomed!

Mindful of his own career trajectory, Agar concludes that the only way to go it down. Down they go. Nestor Paiva is the ethnic in tow, a talented actor who is completely wasted in this role as the cowardly lion. We know he soon will join Guide and Red Shirt at the pay window.

They encounter stunt men in rubber suits — the Mole People (because Superman had copyrighted ‘Mole Men’ in 1951, this lot are ‘People.’) These encounters are very effective as the MPs rise up out of the sand piled on the sound studio floor. This was an inexpensive and effective method of staging.
They are rescued from the MPs by Babblers in funny hats from 3000 B.C. who have been living underground since then. Driven there by real estate prices up top. For these albinos theirs is the whole and only world. The scriptwriters betrays knowledge, often a firing offence in Hollywood, by having King Albino use sixty as a base number.

An effort is made to explain how they have survived. Mushrooms, which as any Hippie will say, have a lot to offer, goats, and fish. Minerals shine for light.
Behind King Albino is the High Priest who babbles a lot of nonsense that brought to mind sermons from the era, about how God loves only them, provides only for them, must be prayed to, and so on. Agar remains inert. He’s good at that.

The Babblers are suspicious of the surviving two, Agar and Ward. Nestor got Moled. But, well, maybe it is Ishtar’s will. Scripts work in mysterious ways.
Babblers live an orderly and clean life, but…. Yet, in short running time our heroes learn that the society exists on the slave labour of the black Mole People who are frequently beaten to death faire encourager les autres mining mushrooms. Moreover, the Babble-on population never exceeds 150. Never, because there are only so many mushrooms.

When there are more than 150, then the excess individuals are sacrificed to Ishatar.

Pause.

B movies were often accorded more latitude that A pictures, and that is apparent already in this one with its deprecation of religion, with the enslavement of blacks by the very white and cruel albinos.
We also get to see the sacrifice. Three young women calmly line up and pass through a door. Later guards remove three gruesomely charred corpses. It is the charred corpses that would never be seen in an A film. Young women dropping their robes as they serenely go to the oven, and that certainly got the attention of the fraternity brothers, is nothing new, but the crispy critters were. Is it another indictment of religious superstition?

These three had to go and they were chosen because they were marked! Yes they had some skin pigmentation. So those sacrificed were those of colour, Aryan though they seem, not so compared to the Babblers with their white pancake make-up.
By now Agar has his hand on a marked woman and she strokes his…ego.

Agar and Ward stop some cotton field overseers from beating three black Mole People to death, and free the beaten Moles. As the three freed MPs leave one returns and stares at Agar. This is communication of a sort.

Later when the Babblers decide there are not enough mushrooms for dinner they decide to toast Agar and Ward.
Agar at his best. Ward patiently waiting.

Then, thanks to the miracle of scriptwriting, the Mole People erupt out of the ground in revolt. Fisticuffs ensue. Marked Woman fails the test of opening the door by removing the bar, preferring to pound on it per the director’s instructions.

End of Babblers. The Mole People return to watching reruns of ‘Superman versus the Mole Men’ (1951), each time hoping it will turn out differently.
The oven behind the doors is sunlight through a fissure. This sunlight crisps albinos to a charred, barbecue black. Ward, Agar, and Marked Woman climb up the fissure to safety. But there is a surprise in the end, one that makes no sense. Spoiler! Another quake occurs and Marked Woman dies, leaving Agar without a date for his next binge.

The End.

Points of note include:
1.The scientists in Sy Fy are archeologists with neither magnets nor electricity
2. Established religion is superstition at best and deadly at worst.
3. Political power is short-sighted and self-serving.
4. A flashlight is essential to a spelunker and an exception to (1) above.
5. The whitest of whites are albinos and they enslave blacks.
6. They are also cruel to blacks.
7. They enjoy (5) and (6) above.
8. Mushrooms are best in beef stroganoff.
9. Human sacrifice requires disrobing to save on dry cleaning.
10. Sunlight without sufficient SPF produces crispy critters, turning albinos into black cinders.
11. Is it smart to sacrifice young women? The fraternity brothers cried, ‘No!’
12. This is not the only world.
13. The screen play by László Görög has some posers in it but the direction is petrified.
14. Despite the lobby card, the Mole People are the victims of the monstrous albinos.

These items help to overcome the nausea caused by the first five minutes in which Professor Frank C. Baxter (1896-1982), English, University of Southern California, lectures stunned viewers on speculations of underground worlds, without mentioning Pat Boone. Baxter was a television personality of the era meeting KPIs, Key Pontificating Irritants. He was public intellectual before that execrable concept was devised to licence ranters.

For the numerate, a few numbers from the fraternity brothers who were taking notes. There were 31 deaths (humans, Moles, and Babblers), while Prof Baxter made 38 hand gestures in five minutes. Of the 150 Babblers, twice sixty and a half, only 34 were seen at any one time. Only 18 Mole People were seen at once, and they bore 88 lashes.

IMDb meta-data: 1 hour and 12 minutes, 5.2 from 509 discerning cinemitizens.
After five years of porridge George Zucco is out for revenge! Shiver those timbers. While he was slammed up, someone went to Fog Island and killed Karma, George’s wife! That made for bad karma for him.

Since release he has holed up in a mansion with his step-daughter on Title Island to avoid a media feeding frenzy. To find the culprit(s) who framed him for embezzlement, he writes to them in a perfect Copperplate handwriting inviting them to visit him for a reunion. Who can resist Copperplate?
Otranto Island here they come! Meanwhile, George in a boiler suit does some home renovations for his forthcoming guests. He assumes their greed will bring them.
Greed? Here is where it gets foggy. George was innocent and framed by one or all of the invited associates, but each comes thinking to lay hands on the loot he allegedly but did not steal. See? ‘No,’ cried the fraternity brothers. ‘Did Georg Hegel write this,’ they asked? ‘Is it dialectic?’ Be that as it may, it gets no clearer.
In addition to the four associates, there is also a skulking butler, an accountant who rows to the island on his own to cooperate with George, and a beau for the step-daughter. The butler and the accountant know that George did not steal the dosh. See?
The four associates are: the turbaned head of a Psychic Research Centre, Lionel Atwill who is always a superb villain, Jerome Cowan who usually plays light, and Veda Ann Borg another treat. After the gang assembles for dinner, the men wearing tuxedos they packed for Otranto Island, George presents them each with a party favour, a key to one, a miniature skull to another, a baseball card, a pencil…. That got the fraternity brothers thinking, briefly.
This mansion, by the way, has all mod cons, a dudgeon, peep holes, secret passages, a moat, an oubliette, suits of armour, an organ, a sly butler as mentioned above, false doors, copies of ‘Crime and Punishment,’ dark corners, and a séance!
The guests do a lot of snooping around the place, and spying on each other. Among the ladies there is a very brief implication of lesbianism during a discussion of cleansing cream. The butler is the first to go and no one seems to notice.
About half way through, George’s contract ran out. Lionel is quick with a knife. Exit George. He fell at Lionel’s feet dead. Lionel, accustomed to such deaths from many previous films, does not bat an eye. Evidently he was the major culprit in the framing of George and the murder of Karma. If so, he should know there is no gelt to be had. So why is the dork there?
Though earlier Veda wanted to leave regardless of money, the script requires her to become mercenary, which she does with enthusiasm. Likewise the accountant, who knew George did not do it, joins the gang to find the ill gotten gains, which he knows do not exist. What a loser!
Somehow or other the party favours figure in the plot, but how, that is one of life’s mysteries. Veda seems the most normal, while Turban Woman’s fabricated pronouncements come true! Remember those home renovations. Even after his own death George has his revenge, leaving the daughter and beau to start afresh. The end.
This was one of Atwill’s last credits. Zucco, as always, dominates the camera.
George Zucco
Cowan is better at light. The scripts is disjointed. Lionel asks the Psychic to perform a séance and as the others are seated, he walks away; unnoticed it seems, for some more snooping. Much of the film is so murky the sets could have been empty and probably were in this production from the Picture Releasing Corporation which was several strata below the bottom end of Poverty Row studios. In the gloom this viewer was often not sure who was whom and it was probably best that way.
As audiences saw this film news of the death toll on Iwo Jima would have begun to spread via seven thousand dreaded yellow ‘Regret to Inform you’ telegrams. Worse was to come at Okinawa.

Internet Movie Data base meta-date is run time 1 hour and 53 minutes, rated 8.0 by 55,708 cinemitizens.
Audrey finds herself the target of three thugs and Cary comes to her rescue. Stanley Donen, a master of musicals, out Hitchcocked Hitchcock in this confection. It is absolutely marvellous and eye candy from the opening credits.

There is zing between Audrey and the twenty-six years older Cary. The villains are downright villainous and the diplomat is so oily that frequent hand washing is required.
The three thugs think she has the moolah for which her unloved husband was killed. There are rifts among them but no doubting their individual and collective willingness to do whatever it takes to get the money. In the brew is Cary, seemingly a bystander, but then it turns out he is has been involved all along. He has convinced the trio he is with them, while convincing Audrey he is not. Sometimes when all parties are in the same room. Is this man teflon or what.
All that romance is nice but where is the green stuff? Then the number of villains is reduced. Whoa! Who did that? Is there another party in this party? The fraternity brothers broke into a sweat at this point. Indeed, no one ever raises the obvious questions, who killed hubby? Well, the underused police inspector did but no one else seems to care.
The plot unfolds, and in so doing makes use of everything, including young Jean-Louis and that dental appointment. The pace is effortless. The direction crisp. The delivery of the lines is perfect enough to please any author. And the lines, including Audrey’s last, are gems.
I enjoyed seeing the American Express office in Paris where once I, too, along with Tyrone Power, collected mail. Niggles, I had a few. I bristled at the bland statement that the OSS was G2, Army Intelligence. No so. Nor was I at all sure that slipping 250,000 American dollars into 1944 France made any sense. Nor did the ease of infiltrating the US Embassy in Paris fit the Cold War milieu. The snapshots of the trio in uniform shows them in post war uniforms and haircuts. Hmm.
Hard though it is to believe, it did not win any Oscars. George Kennedy as the crazed Herman deserved one, along with the director. ‘Tom Jones’ and ‘Hud’ dominated the major awards that year. Granted ‘Hud’ had memorable dramatic performances from two veterans, Patricia Neal and Melvyn Douglas. But ‘Tom Jones’ came and went without a trace. Fun while it lasted but it did not last.
It has to be said that Funny Face carries the film, proven when one reviews the still photographs on the IMDb. She does comedy, romance, drama, determination, fear, alarm, conviction, love, all with elegance and grace. Her star eclipsed Cary’s in many a scene, so said the fraternity brothers.
Try this. Imagine a remake today with one of Hollywood’s drug addled egomaniac midgets in the lead, wearing a torn tee-shirt with a drippy nose. Audrey could be a self-centred talentless person famous for being famous on the way in and out of rehab with white spots on her cheeks. The writer will be a case of arrested development. This combination seems a sure recipe for success. All it needs is a lot of CGI and a soundtrack of train wrecks.
Instead of dirty money the quest can be….a vaccine to cure stupidity in climate deniers. No, that would not sell. Then the quest can be for… a lot of money to pay for making a trashy remake.
I hesitated to write it up, thinking there was nothing left to say, but the idea of remake and a check of Oscar winners for the year overcame that doubt. Moreover a look at some of the user reviews on IMDb brought up some truly ridiculous post-modern interpretations, which are beyond mockery, but there was the reek of PhD theses among them. A masochistic reader may wish to have a look.

IMDb meta-data: run time, 1 hour and 7 minutes; rated 5.4 from 1,610 cinemitizens, and released 14 May 1941.
Handsome, Sidekick, and Comic Relief make a forced landing on a Caribbean island en route to Panama from the Bahamas. Thump and bump and the three emerge in the studio conservatory. Comic Relief gets to work, on whom more later.
The trio find a mansion in a jungle clearing and unbidden enter. Whoops! There they encounter the Mad Scientist who has taken a lot of Prozac for the occasion and speaks slowly with eerily correct grammar and a strudel accent. That grammar alerts viewers that MS is not all he seems. It is going to take more than a few hints to alert Handsome. ‘Well MS seems weird,’ admitted the fraternity brothers, ‘what more could he be?’
Check the release date, lads!
The lobby card is wrong on every count. The ritual is from a Masonic Lodge. There is no torture and no human sacrifice.
Prior to crashing the trio picked up a radio message in German. Though the word ‘German’ never passes their lips for reasons to be explained below. After apologising for the intrusion, Sidekick politely asks to use the radio to call for help. MS denies possession of a radio. Hmmm.
His wife joins them for dinner. She has the vacant eyes and slack jaw of a Republican Senator. She speaks not a word, which MS confides is just her way.
By now even the fraternity brothers would have been suspicious, but not these two. We will leave Comic Relief for later. They blithely get into their jammies, which they must have brought along from the plane, and hit the sack. The two of them are in a double bed! Banned in Alabama!
They snooze through much coming and going elsewhere in the mansion as MS gets about his KPIs. He has in the handy dudgeon a US Navy Admiral whom he is torturing for details of the defences of the Panama Canal! Meanwhile upstairs Handsome is getting his beauty sleep.
All the while Comic Relief, played by that one-man band Mantan Moreland with 130 credits on the IMDb, enlivens proceedings with his black racial stereotype, excitable, ignorant, and incoherent. He has learned the word ‘zombie’ below stairs where he was relegated, and he has seen these hollow-eyed slack jawed GOPers with his own eyes. His several reports of these doings below stairs to Handsome and Sidekick are waved off as delirium induced by his skin colour.
The irony, perhaps unintended, in the very watery script is that Comic Relief is factually correct long before the whitebreads realise what is happening. He noses around, asks questions, checks things, and reports to his superiors who dismiss him. If he is dumb what about Handsome and Sidekick? Beyond dumb.
Handsome rises to the occasion when the MS’s comely niece is introduced. Sotto voce she tries to tell Handsome things are crook; he seems not to hear as he studies her form. Subtle. She is trying to free her aunt, the Mrs MS, from the hypnotism she is under. ‘Hypnotism’ is too big a word for Handsome so he goes to the library. Meanwhile, Comic Relief is trying to explain zombies to him. Whew! Handsome was not cut out for graduate school.
‘What is a zombie,’ he asks. It is a good question. The fraternity brothers thought a zombie was dead risen, like Lazarus. But here as in ‘Revolt of the Zombies’ (1936), reviewed elsewhere on this blog, they are hapless folk hypnotised to lose their wills and become the slack-jawed instruments of another like a Republican.
Finally Handsome realises something beside the niece’s form requires his attention. When Comic Relief and Sidekick go missing he stirs.
He stumbles into action, discovers and frees the admiral, which actor gives the only genuine performance in the movie in a brief scene. Comic Relief and Sidekick reappear to help out, as does Niece.
The grammatically correct Mad Scientist was using VooDoo magic to transfer the mind of the admiral with its secrets to his wife, whose mind an earlier effort had blanked. That is the price of scientific progress. Next up was Niece. MS speaks with a Hollywood German accent and claims to been an Austrian refugee. Of course, Handsome buys that.
The VooDoo magic was aided by a face mask that the MS says is an Irish Druid mask. Smooth talker.
At no time is the word ‘German’ used. Why not? Because at the time other films that did were sometimes boycotted by German-Americans before Germany declared war on the United States on 8 December 1941. One instance had earlier bankrupted the Poverty Row studio that put it out. Still less was there a reference to Nazis. But the German on the radio is there to be heard and MS speaks some German to a black untermenschen. But instead of Germany there is a reference to a ‘European power.’ They speak German in Liechtenstein, right?
Sidekick had been clobbered, stashed, and hypnotised but it seems his will is stronger than the black untermenschen and it wears off. Yet when he attacks MS, the bad doctor pulls a gat and shoots him three times at close range. (It is the sort of thing that the fraternity brothers count to earn NRA demerit badges.) He survives without a visible scratch and Handsome says a few days in the hospital will fix him up.
Huh?
Does being partly hypnotised make the subject bullet proof? It did in this screen play. All the whitebreads leave with Comic Relief. No idea what happens to the remaining zombies and MS’s many black servants, retainers, and co-conspirators.
While picking nits, how did the admiral get there? It is said he was lured by a radio beacon. How does that work. Was Circe on the radio?
That it rates 5.4 must be because the Undead are voting for it.

IMDb meta-data is 1 hour and 4 minutes, rated 4.7 by 1013 raters.
The brother of a kindly and diffident small town physician dies and at his funeral are many grim faces. While no one comes forward to stick pins in the body to make sure it is dead, per Herman (George Kennedy) in ‘Charade’ (1963), the relief at the brother’s death is expressed by one rather distraught woman who flings open the church door and delivers a rant that briefly livens up proceedings.

It is a nice touch to interrupt this conventional and somber scene with a vicious denouncement delivered by a mousey-looking woman.
She proclaims the deceased to be Satan’s spawn. ‘Must have parked in her drive way,’ mused the fraternity brothers, remembering the times those words had been directed at them.
The deceased is the identical twin brother of George Zucco, and George plays a double role. No, there is no flashback, because dead Brother is much in evidence. See title, though note it should be singular, Dead Man Walks, Talks, Nips, Sips, and More.
No sooner is Brother buried, despite the woman’s suggestion that he be burned, than Igor digs him up and opens him up so that Brother can join the Undead. Pedants note: The Undead also include zombies and that is what I was expecting. But no, here we have a vampire, but a second rate one since he has no cape, and — more importantly– he is not the singular Bela Lugosi.
The Undead are those who do not return the many books they have checked out from the library and have learned how to become a vampire by correspondence school. Brother graduated at the top of his class. Risen, this Evil Lazarus preys on the locals, well on George’s niece, sipping her blood every night to sustain himself. Though later an excited crowd accuses him of more, there is no indication in film he did anything more than dine at home on his niece.
This incestuous necking makes her intended mad, though why he is so far away at the sipping times is a mystery. He takes out his bile on innocent George. Denouncing woman offers helpful hints from ‘Women’s Weekly’ on how to cope with a vampire uncle in the family. After several bouts of sibling rivalry, George accepts the idea that Brother is Undead.
Igor is the weak link in this exercise, as he rumbles around the coffin on a wheel barrow at all hours. Obviously he is a Villain School drop out.
In the end George has to go down mano-à-mano with his evil twin Brother in the flames. Cain and Abel all over again, once more, anew. The end.
Zucco (1886–1960) played suave villains or mad scientists in many B pictures, including Professor James Moriarty. He has 98 credits on the IMDb and half would fall on the shady side of the moral street. But he always made an impression with his presence.
Here is a change of pace and yet not. In one part he is an innocent who slowly comes to realise the truth about his brother, though how he missed it in the first place is open to question, and also the evil brother. He managed to distinguish the two characters in appearance, voice, manner, and gait. Accomplished was this stager who was born in England but started acting in provincial Canada. Close observers will note he lacks two fingers on his right hand, a war wound.

IMDb meta-data is run time of 1 hour and 18 minutes and rated 6.6 from 792 cinemitizens.
This is film noir at its best, simple, direct, dramatic, and basic. Erich von Stroheim is the title character who has vaudeville shooting act (sponsored by the NRA) where he hits everything but Dan Duryea. It has the requisite very femme very fatale in Mary Beth Hughes (seen in some Charlie Chan movies).

Femme decides to shed Dan and his many empty bottles, and seduces the Frog with the gun. Erich is no pushover since in an unstated backstory a woman ruined his life by taking his monocle. But over he goes, heels over head. Picture that. Dan has been unreliable for some time and Erich gives him notice with a .38 caliber bullet in the act!
Since Dan was stiff with drink, no charges follow. Frog promises all to Femme and she takes it. Scram. It takes Frog some years to figure out he has taken to the cleaners and dumped. He freed her from husband Dan and she freed him from all his dosh. Off she went.
Thereafter Frog dedicates himself to tracking her down for….revenge! He does and he does. The wages of sin are paid in full per the Code.
At one point Femme has four men on the string, and they not playing yo-yo. Whereas A pictures in 1945 were subject to much restraint both external and internal, B pictures like this one were allowed more license regarding sex. B pictures were often screened after the A picture to a dwindling audience.
Moreover, there is some eroticism with the guns in both the action and the dialogue. Why did I think of Charlton Heston stroking that rifle at the NRA convention? That scene is available on You Tube for those who wish to lose any respect they might yet have for Chest Heston.
Regrettably most of this film is told in flashback, and in this case that takes the air out of the drama. No doubt considerations of timing and cost dictated that approach. It means Frog delivers some of his best lines while dying on the floor.* The gossip mill says the Frog resisted the flashback approach to no avail. He always wanted linear stories and that is another reason to like him.
The director was Anthony Mann at the beginning of an illustrious career and he certainly shows his talents for pace, timing, mood, energy, angle, light and dark. Some of the double shots are startlingly even to this jaded viewer. He elevated a common story on a skimpy budget to something more for over an hour despite the draining flashback.
When trawling through You Tube offerings for Sy Fy I came across a thumbnail for this and recognised Erich von Stroheim. He is always must see, so I did. His transformation from Prussian autocrat to love sick puppy is forced by the run time but he carries it off.
Chapeux to Mary Beth Hughes who delivers lines with double and triple meanings with no apparent effort. She does not miss a beat as she turns from one man to another with a lie. How it is that she did not make the A list of stars is a mystery in itself. Fox Studios failed to renew her contract in 1943 and she found her way to Poverty Row with Republic Pictures. In time, she quit and worked as receptionist in a doctor’s office where she said she met a better class of people than in Hollywood. Perhaps she was a #metoo in her day.
DD also gives a fine performance, combining as only he could vulgarity and vulnerability in one line.
*Yes, I thought of William Holden face down in the pool, too. Why not when Billy Wilder’s older brother was credited as producer for this film as W. Lee Wilder. Of course Erich is there with William in that picture, too. It is perhaps thanks to Mann that this Lee Wilder production is miles better than most of the others he turned out, like ‘The Snow Creature’ (1954) reviewed elsewhere on this blog.

IMDb meta-data 1 hour and 32 minutes of Dali time, rated 3.9 from 4657 time wasters.
A cheap and cheerful exploitation of Star Wars from the heartland of such ersatz imitations, Cinecittà in Rome. This film is often cited at the spoor that released scores of Italian Sy Fy simulacra. It is also often proclaimed as the worst of the derivative spawn it spewed.

First the setup, then the tear-down.
Lord Bad’s lines are ‘Kill. Kill. Kill them.’ He knows what he wants and how to communicate it. His aim is to displace Plummy and rule the Ford Galaxy. Lemmy Caution would then not be able to visit Alphaville.
The only things standing between Lord Bad and success are the bikinis of Stella Starr! The fraternity brothers cheered!
Bond Girl struts around as Stella in a fur bikini on the ice planet, a metallic one at a rock concert, a feathery one with the Amazons, and more, sometimes less. David Hasselhoff’s bouffant displaces Marjoe Gortner near the bikini. The fate of the Samsung Galaxy depends on Bond Girl, Bouffant, and a boy with a woman’s name. Only the scriptwriter could save them.
Gortner had been a child evangelist who turned and tried his hand at this. He needed no make up to look alien. In a pinch Gortner has laser eyes so he can do his own cataract surgery. Handy. Nothing is ever forgotten or done only once at Cinecittà and the same gag is used at the end of ‘Escape from Galaxy 3’ (1981), reviewed elsewhere on this blog.
The effects are coloured paper and so are the characters. The dialogue is speech balloons from comic books. Recall Lord Bad’s dialogue as quoted above more or less in its entirety. There is neither science nor fiction though there is energy and zest. Altogether it looks like a failed animated Marvel Comics pilot, it lacks the pathos characteristic of Marvel heroes.
Looking disconsolate, Christopher Plummer, as Lord Good Guy, aka Plummy, after hiring Dr Who as a consultant, stops time. Indeed watching this treacle feels like time has stopped. Gossip is that Plummer signed for three days but finished in one to get it done and get out. He had to rush back to London to throttle his agent.
Then there is the Texas robot who keeps Bond Girl warm on an ice planet by holding her….hand. 
Lord Bad Guy sports a Princess Leia hairstyle when shouting his monosyllables.  With that hair bun it is hard to take him seriously. 
See.
Disclosure Statement. About half way through I left it running and took the dog out for a turn in the park for thirty minutes. Did I miss anything?
Be warned! It has been released under a variety of titles to lure audiences to the miasma.