Category: Krimi

The Day of the Jack Russell (2009) by Colin Bateman

Good Reads meta-data is 284 pages, rated 3.96 by 1272 litizens.

DNA: Ulster.

Verdict: More to come.

Tagline: [Woof!]

The man with no name is back, stumbling into the thick of it again.  Hiding from the world in his bookshop where customers seldom venture and those few that do are driven away by his indifference or the vitriol his mother, who often fronts the shop, saves for…, well, everyone, he is suborned by a wad of black cash that Inland Revenue will never know about, to track down two yobbos who defaced a billboard featuring the smiling visage of a Freddie Laker.  Much offended, this Freddie would like a stern word with them.  

Identifying and finding them proves to be easy, but, well, no sooner does he report them to Freddie than the yobbos are topped. Gulp!  Has he become an accessory before the gruesome facts?  Plod certainly thinks so.

Nameless has no choice but to clear himself by finding the culprit(s).  His pregnant on again off again girlfriend is recruited, his layabout sales assistant is conscripted, his poisonous mother gets in the way, and as they bounce around there is the dog.  Everyone and I mean everyone seems to be after that Jack Russell, known as Patch: the Northern Ireland Police Service, MI5 and 1/2, Freddie, rival drug dealers, an IRA remnant, and the taxidermist.  Yep, taxidermist.   

It is almost a mile a minute, apart from innumerable asides about Nameless’s health, his dislike of everyone else, his cantankerous mother, his long suffering girlfriend, and lectures on etymology.  While he can and will recite the definitions of ‘focus’ he cannot do it. 

Moreover, there is little detecting, and just a string of lucky guesses.  Still I enjoyed the sarcasm with a dash of cynicism.

This is a volume in the Mystery Man series that included Dr Yes which I commented on sometime ago. Click on for enlightenment.  

The Tomb that Ruth Built (2014) by Troy Soos

Good Reads meta-data is 238 pages, rated 4.26 by 127 litizens. 

Genre: Fiction; Species; Krimi.

DNA: De Bronx.

Verdict: Safe!

Tagline: A drag bunt! 

A year that has lived in infamy: 1920, when the Boston Red Sox committed original sin, selling George Herman Ruth’s baseball contract to the New York Yankees. Ruth’s sportsmanship and showmanship gave the Yanks three years of untold prosperity.  Bankrolled by Ruth’s draw of fans to games and long desirous of their own turf the Yankees built Yankee Stadium in two years. (That is less time than it takes to get a pot hole filled in a local street in most places.)

At the dawn of 1923 the NYYs were bound for another pennant and now had THE stadium.  It was not a ‘field’ (Ebbets), ‘grounds’ (Polo), ‘park’ (Shibe), ‘bowl’ (Baker), no it was a ‘stadium’ of Roman grandeur.  (Though built to last its final at bat was in 2008.

Into this shiny new temple of baseball stepped a Yankee team based on THE BABE, who lives up to expectations on the field and down to them off the field.  Somewhere along the dugout bench is Utility infielder whose curiosity is surpassed only by his carnal love for baseball. Well, he probably sleeps with his bat and glove ready to get in at midnight.

The fun begins when workmen putting finishing touches on The House find a corpse stuck into the wall behind a concession stand on opening day.  Mum’s the word! With President Harding in the stands no one wants to spoil the party with this sordid detail, moreover, the owner does not want the brand new stadium cursed with this cadaver, so he asks/directs Utility Man (whose few baseball duties give him plenty of time off) to find out what happened on the QT. Why him? Because the victim was a onetime teammate on his journey through the majors. This is New York City 1923 and the police couldn’t care less if there is no cut for them.

What follows is a lot of baseball, though none of it bears on the krimi plot, and some digging by Utility Man to backtrack the victim. In addition to the baseball asides, there is a diversion into the film world of D. W. Griffith that tails away into nothing.  Likewise, the rookie Utility befriended in the early pages disappears.  Despite assurances that he would be rewarded for his efforts, there is no justice and after Utility Man figures it all out, he is cut to make way for a strapping rookie name of Gehrig. 

On the brighter side, the baseball is palpable, the characters are clearly distinguished, the human side of Circus Ruth is revealed, and the plot, albeit only a third of the book, makes sense. The mix and match of historical and fictional characters is seamless. It is the seventh in a series that has many more titles. I read one years ago set in Wrigleyville (figure it out or go home), and liked it.  Still earlier I started one set in Green Monster Nation (ditto) but failed at a flood of clichés in chapter two. Still two for three is some average!  

Ruth in the early stages of his celebrity is well done.  He is already being eaten by expectations both on and off the diamond. He knows it but is powerless to resist the siren call.  

The Hapsburg Falcon (2013) by J Trtek

Good Reads meta-data is 182 pages, rated 3.73 by 15 litizens.

Genre: Krimi; Species: Sherlock.

DNA: Brit.

Verdict: Elementary. 

Tagline: The stuff that nightmares are made of.

The Woman reappears, having twice outwitted the incomparable Sherlock Holmes, she turns to him for help in an hour of need: the one, the only Irene Adler.  

It seems an overweight, gregarious, duplicitous, and garrulous Man thinks she has what is his – dat boird – only she doesn’t.  It beggars belief but Irene is engaged to a young wastrel who schemed to get that bird, make a fortune, and whisk her away to parts known.  But both wastrel and bird have taken flight.  

Enter Holmes.  

There is a coda that traces the characters in this tale, including Sam Spade, to 1940. That alone is worth the price of admission.  

But it lacks that early line in The Maltese Falcon that said it all: ‘We didn’t believe you; we believed your $50.’

The Return of Moriarty (1974) by John Gardner 

Good Reads meta-data is 304 pages, rated 3.86 by 982 litizens.

Genre: Sherlock.

DNA: Victorian Britain.

Verdict: Tony needs counselling.  

Tagline: Period detail galore.

Tony Moriarty has come back from the dead, making a pact with Sherlock who looms on the horizon but never appears in these pages. Reclaiming the reins of his criminal organisation he dispenses justice, grants favours, invests in heists, and plans his own master stroke.  He is one hard working Don.  No wonder he needs counselling.   

***

The telling is replete with the slang of London lowlife of the time and place.  The text is accompanied by footnotes that relate incidents to the Holmes canon, which sometimes offer supplementary fictional text to enrich the soup. One in series starring the professor. 

Chris McGillion, The Coffin Maker’s Apprentice (2024)

Good Reads meta-data is 288 pages, rated 4.0 by 2 litizens.   

DNA: Timor L’este.

Genre: Krimi.

Verdict: Assured. 

Tagline: Is a cult a gang?

There is trouble right there in Dili city and Vincintino Cordero sorts it out.  East Timor has one of the youngest populations of the world and youth gangs are one by-product of that lopsided demographic profile and skewed economy.  Some of these gangsters import and export drugs for fun and profit and when it seems a rival gang is cutting into the action, dead bodies proliferate.  

The drug connection is right up Cordero’s alley and so up and down alley’s he goes.Then the innocent apprentice gets caught up in things and it is a full court press.  

***

There is much high energy to-ing and fro-ing in Dili, and much cultural background that embeds the story in the time and place. 

It rattles along drawing in the usual crew to good effect.  

The author is a friend of mine.

Ben Pastor, The Venus of Salo (2006). 

Good Reads meta-data is 416 pages, rated 4.0 by 2 litizens.  

Genre: Krimi.

DNA: Italian.

Tagline: The end of days. 

Verdict:  A head spinner.

This is Wehrmacht Colonel Martin von Bora’s eighth outing and his steps are weary and sometimes dreary as he tries hold onto this integrity in the cauldron of madness.  He is assigned to the fantasy world of the Italian Social Republic (of Salò) in October 1944. For those who cut that class, this republic was the rump of northern Italy where in late September 1943 Hitler installed the recently rescued Ben Mussolini as dictator for an encore. It is a bizarre world, seemingly run by Italians with Germans monitoring everything. Yes, it is a puppet state, if it is a state in anything but name. And it dissolved in late April 1945. 

Its ministries and offices were housed in the many luxury hotels, palaces, and grand houses in Brescia along the lakes, some in Salò but also scattered further along the Lemon Coast, as it was once called. Lake Garda was the most well-known feature. 

This limbo world is ending with the Allied armies progressing up the spine of Italy day-by-day, the residents of this never-never-land go about their business as usual.  The industrialist does industry. The art restorer restores art. The police officer hands out traffic tickets. The gardener gardens.  All seeming in ignorance, or defiance, of the fact that the end of their world is nigh and that a night of retribution will follow.  

Into this twilight world come the diplomatic representatives of Germany, Japan, Bulgaria, Romania, Hungary, and Thailand along with the client states of Croatia, Slovakia, and even Manchukuo.  Embassy receptions are the social high point.  Although by late 1944 when Bora arrived, the representatives of Bulgaria, Romania, and Hungary were marooned with no homeland to which to return. 

Well, not quite in ignorance since partisan raids, bombings, assassinations are weekly, and the flow of retreating and battered Germans northward is obvious, even as the rhetoric of final victory is turned up to deafening. Despite Mussolini’s personal appeals to Hitler, the fate of Italian soldiers, especially in the eastern Mediterranean, disarmed and interned by the Germans was often terminal. But the residents of Salò seem blind to these signals of the coming apocalypse.   

On the surface the lakeside town where Bora is assigned is calm and attractive.  Many days the war is far away, even if U.S. bombers overfly it en route to or from Turin or Milan.  A valuable painting has been stolen from the local German army headquarters and Bora is to find it, and the culprit(s). In the chaos of murder, Jewish round ups, reprisals, and violence he is to find a painting. Then a series of murders cuts across his investigation, and he is off on the scent.  

***

It is very well done, though I do find Bora’s hangdog depression repetitive.  His problems seem small in the context, and I finished the book wondering about the fate of those he left behind when he was evacuated.  The plot is a braid of many strands and left me with a spinning head as above.  

By the way the author is…..Maria Verbena Volpi (1950+) who has two other series.  Whew!    

N.B.  This telling has nothing in common with Pier Paolo Pasolini’s nauseating film ‘Salò’ (1975) with its graphic and explicit violence of branding, hanging, and scalping; torture of the tongue, genitals, and eye balls; rape of both men and women, and murder in the same milieu.  Enough. 

Inspector Ghote Trusts the Heart (1972) by H. R. F. Keating 

GoodReads meta-data is 201 pages, rated 3.65 by 100 litizns. 

Genre: Krimi.

DNA: Indian; sub-species: Anglo-Indian.

Tagline:  High and Low. 

Verdict: Diverting.  

The ever reliable, though painfully diffident, Inspector Ganesh Ghote does it again with slow and steady perseverance.

A very rich man’s son is kidnapped and a gigantic ransom is demanded.  But wait!  It is not the rich man’s son but his playmate in a case of mistaken identity.  Nonetheless, the kidnappers press their demands. 

The rich man would certainly have paid anything for his own son, but for the son of an underling who happened to be playing with his boy, well, that is different, or is it?  That is the question. 

As usual, Ghote’s approach is compromised and hampered by a bumptious superior.  Nor is Ghote aided by the imperious, if confused, father who thinks he knows better than anyone else, including this nondescript police officer.  

While the others turn this way and that, Ghote sees what is in plain sight, and follows up on it to discover the plot is nearly home-grown, but…..

***

The portrayal of Indian urban life is rich and provides a crucial context for the story.  As well done as it is, I could not help but think of the Akira Kurosawa film High and Low (1963) on the same theme played out with Shakespearean intensity and irony.  

Rivers of London (2011) by Ben Aaronovitch

Good Reads meta-data is 392 pages, rated 3.86 by 130,264 litizens.  

Genre: Fiction: Species: krimi. Sub-species: Fantasy

DNA: Brit.

Verdict: Harry Potter with a body count.

Tagline: Mind the undertow. 

Constable guards the perimeter police tape of a crime scene one dreary January night in the cold and mist when an eye witness to that earlier crime appears to him. Training kicked in, Constable opens his notebook to take a statement from this apparition whose address is a graveyard, and he is a ghost as he proves to Constable’s satisfaction and consternation.  

By the time Constable’s partner reappears with coffee, ghost has departed (again).  Copper dares not tell anyone but, how can he not, so he blurts out this confrontation to his partner, who promises not to tell. As if.

Soon this undistinguished constable is selected for a special squad since it seems he has a gift of sight…into the world of ghosts, goblins, demons, spirits, magic, and such. The Met needs all the help it can get and he becomes, duly sworn in, a sorcerer’s apprentice.  

Meanwhile, the bodies keep falling and the plot thickens to curdled cream.  The ride is a mile-a-minute, the prose is crisp, the wit is diabolical.  There is a melody of irony and humour in it all. There is also infanticide. 

This world of magic may be crazy, but is reality any less crazy?  There is no easy answer to that when watching the television news.  Plenty of child-murder there, too. 

It all ends where it began, sort of, though the dog reappears, its agent failed to get it the major part it should have had. Toby you can do better! 

It is part of a series.

Of course, what it brings to mind is Wellington Paranormal, which is low key by comparison.  Oh, and Punch and Judy.