Alan Furst, ‘Red Gold’ (1999)

An espionage thriller from a master story teller who conjures an atmosphere of melancholy from a few lines. Most of the story takes place in grey drizzle with characters who get by on 1500 calories a day, wearing paper thin coats in the unheated rooms of Occupied France in early 1942. They are Jews, bystanders, communists, socialists, citizens, refuges, unionists, journalists who get caught up in each others’ schemes, some petty, some heroic.
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The fear, the deprivations bring out the best and worst in people. Pretty Victorine in the travel agency sucks the Jews dry and then turns them in the Gestapo. A gendarme leaves the back door open while he goes to sharpen his pencil and the suspected resistant walks out.
The communists of FTP trust no one, certainly not each other. Students do half-baked, stupid things and get killed. These martyrs inspire others to do more stupid things, and so it goes. German reprisals grow in scale and scope. Life is the one, the only thing that is cheap and readily available.
Grim.
The prose is laconic and spare. In this oppressed world no one has the time for long winded perorations, or for second thoughts. There is no food and hardly any clothing to describe. It meets the Elmore Leonard test. If it is there, then it is important. What is not there is unimportant.
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I have read a few of his titles before, but I do find them so melancholic and so grim that there is little pleasure In reading them. It is clear that nothing good is going to happen. And nothing good does.