An art history student’s thesis research is presented through the cinematic conventions of a mystery. Recommended for adults. If you like X-Men XV do not watch this movie.
The student notices female figures in Watteau paintings: always these figures have their backs to the viewer. The more she studies them, the more she sees them in many of Watteau’s paintings, and the more it seems to be always the same woman with her back turned. Who is she? Why is she always there, with her back turned?
A little tension is added to the plot with a thesis supervisor who discourages the quest. We discover he pursued the same line once and it came to nothing. Is he simply trying to steer her onto safe ground, or is he, brusk and uncommunicative, hiding something?
Then there is the mime in square outside the print shop where she works; he is young and handsome but begs for a living. They meet and she discovers he is a deaf mute but through him she finds a painting similar to a Watteau by an obscure painter called Opener.
With the single-mindedness and doggedness of an obsessive only child she tracks down this similar painting and acquires it (by selling a treasured watch from her deceased father). She has also tracked down every site in Paris that Watteau painted (miraculously most are still to be recognised these hundreds of years later) and lived, though this latter information is scarce. She also researches the people in his paintings. She triangulated onto the actress Charlotte Desarmes as the mystery woman, a prospect rejected by the supervisor as unsubstantiated.
She persists and persuades a friend to x-ray the Opener painting and voila there is a Watteau beneath it, as her supervisor is the first to acknowledge. It seems there was no Opener, but it was a second name that Watteau used for some of his painting when Charlotte rejected him. He could not bear to destroy his work but he did paint over it.
Her travels through libraries, archives, auctions, Parisienne sites are entertaining to us nerds. The silent boy friend remains a cipher. The landlord never gets the rent. Her mother remains at a distance, a reluctant banker at times. The boss at the print shop is sympathetic but has a business to run. Indeed all of the supporting characters are positive, if sometimes upset, distracted, or angry. I liked that. I find the cynicism of Hollywood cheap and no substitute for plot, story, or character. By ‘positive’ I do not mean singing and dancing but not cunning, malicious, sinister, predatory, sneering or anything like that. Just people going about their business; such people are seldom to be seen in Hollywood anymore because they do not interest fourteen year old boys.
But an obsessive would probably use them as she does with few qualms, especially when the trail is hot.
The supervisor has the best line: express your passion in your life, your work needs detachment and perspective. Of course, it bounces off the knight on the quest but they are words to live by.
I was interested to see the techniques and technology used in the research shown here. I found the image of the lion subdued by love very charming, and it is the key that opens the way to Opener. (Could not resist that.)
I did quite see what either the French or English title meant to the story, respectively, ‘That which my eyes have seen’ and ‘The vanishing point.’ I was also surprised when this penurious student produced a Visa card to pay 400 euros.
Thank you SBS television.
Author: Michael W Jackson
Murray Bail, Homesickness (1980)
Only recommended for travellers who haunt museums and galleries. I read it because I liked Eucalyptus so much.
Inventive for the sake of being inventive. A show-off adolescent kind of clever. More a series of (forced) vignettes than a novel. There is no red line tying all the incidents together. Incoherent, in short, with more than one non sequitur.
Travel and traveling companions. What did Sartre say about other people? He must have met Garry Atlas of this book, loud, leering, and humourless joke-teller. Travel is enough work on its own but in this package tour the thirteen Aussies are always on duty. Noisy, sneering, crude, insensitive, imperceptive, well some of them. Nothing is as good as home, they bellow. They had to leave home to discover that, it seems, especially the beer.
The blind man is the mad photographer though his pictures seldom include the subject. The author is trying too hard to be offbeat.
Yet there is much to like: holographic equations from the science museum and the corrugated iron collection exhibiting its many uses. Then there is the leg museum in Ecuador. The marriage institute in the United States. I left out the Pygmy Collection in Africa. Yes, ‘Collection’ and that confused the travellers, too. ‘Have you ever met an interesting Canadian?’ That is a stumper on page 298. The Ayers Rock nose show, the aside on aerogrammes, the exhibition of extremities, the superfluous chapter on Russia, the centre of gravity, it just got to be show-off stuff, not a story, not a plot, not character development, not a study of relationships. Though I did like the demonstration at Lenin’s tomb, I admit, Comrade.
The reference to airport architecture as Esperanto was good. The same everywhere and soulless. The flag falling onto one of the travellers was cute. Voss is mentioned as if a real explorer along with Leichhardt, Flinders, Cook, etc. I read that one years ago and swore off the sanctimonious Patrick White forever, filing him with Samuel Marsden.
Not as whimsical and enchanting as Eucalyptus but the same motif, a cast of characters with short stories inserted in it making it a novel comprised of short stories or vignettes.
Inventive, yes, but no plot, no story, no character development, no relationship among them. And no sense of place in any of the places. Still a prize winning novel that made his name. Go figure.
The introduction by Peter Conrad is just a summary.
Read it in Darwin, August 2013.
Cloudstreet by Tim Winton
Cloudstreet (1991) by Tim Winton.
Exhilarating, depressing, amusing, frightening, confusing, boring, exciting, just like life. Recommended for adults. If you liked Iron Man III, do not read this novel.
The novel is a ramshackle chronicle of two families, the Pickleses and the Lambs. By twists and turns they come to share a house owned by the luckless and penniless Sam Pickles. Over more than twenty years at 1 Cloud Street the two clans together become a tribe through many trials and tribulations. Sam supports the bookies and his sodden wife Dolly likes men with pants. Their daughter, Rose, the oldest of three children, hates her mother a little more than her father (a deliberate ambiguity). Brothers Ted and Chub are, be it said, no more than ciphers. Oriel Lamb has the drive of a sergeant-major and her husband Lester was trained by the army in two wars to obey. Their children are Quick, Fish, Lon, Hat, Elaine, and Red. The first three are boys and the last girls, these being family nicknames.
From 1945 to 1965 they bounce off each other, spin out of control, try out the temptations of Perth, hate and love one another, punctuated by long periods of mutual indifference.
The Monster of Nedlands appears to remind us all how vulnerable the gravity is that holds us to this life. He also figures in Robert Drewe’s Shark Net (2000). There is a pig who seems a relative of the one in In the Winter Dark by Winton.
The Lambs are noisy Baptists and the Pickleses are … Nothing much. But Sam Pickles needs the rent and Lester Lamb needs the roof so they accommodate each other. Over the years an elastic modus vivendi keeps them in orbit around each other.
Sam waits for his luck to change while doing as little as possible, apart from blaming everyone else for making him a victim. Oriel does too much, too often, and makes her own luck with the loyal Lester at her side, when he is not in the kitchen turning our pastries and pies for the shop. That is the overarching theme, these two attitudes to life: the fatalism of luck or the energy of work.
The story line is the gradual convergence of Rose and Quick. Oops, that is a spoiler. He is called Quick in the way a giant is called Tiny. Rose reads books, including novels like Jane Eyre. Moreover, she is diabolically smart though needs must and she leaves school at the legal age of 16.
I did not know what to make of Quick’s wall of misery, newspaper cuttings of loss and destruction he cut out and stuck on the wall in his room when he was 14 or so. Still less did I know what to make of Quick’s guardian angel, the aboriginal, who several times advises him, and appears at least once to another. More importantly, I did not know what to make of the house-mysticism in the book. It is often implied that the house itself has character or an aura but it is not manifested in the prose.
Some things are elided to concentrate on the story, like the paper work associated with running a small business.
I have read a couple of Winton’s books before and liked them, e.g., In the Winter Dark and The Riders.
One of the blurb writers on the back cover says it is a working class novel. Well that is Sam Pickles but not the shop keeping Lambs, surely. As usual the bourgeoisie does not understand what working class means, never having done it themselves. It does not mean owning and running a shop (Lamb), or living off the rental of property (Pickles).
I read this in anticipation of going to a conference in Perth in September. I have several more Perth titles in readiness.
Read it in Darwin, August 2013.
James L. Haley, Sam Houston (2002)
File under ‘Might Have Been.‘ Sam Houston (1793-1863) might have been the 16th President of the United States. So the dream goes, a President Houston would have held the South to the Constitution while defending states rights, and yet found a way to satisfy the demands of the North, economic, political, and moral. With such a president there would have been no Civil War. As it is, he is in fact an American president though not of the United States but of Texas. (The 16th President was Abraham Lincoln, Class!)
Houston was a man of many parts: A staunch unionist, a Southern with unimpeachable qualifications, a hero in three wars, hand picked once by Andrew Jackson that champion of the west, known through the northeast coast as an informative and entertaining speaker, a vigorous opponent of the slave trade, an avowed proponent of states rights, a blood brother to Cherokee Indians, a man who read himself to sleep with the Odyssey and Cicero’s Offices.
Some indication of his political career can be seen in the elected offices he held. He was born in Virginia and went to the wilds of east Tennessee as a young man.
1819 elected Tennessee Attorney-General
1823 elected to the U.S. House of Representative from Tennessee
1827 elected Governor of Tennessee
1836 Elected first President of the Republic of Texas
1841 Re-elected President of the Republic of Texas
1846 Elected to US Senate from Texas and twice re-elected
1859 Elected Governor of Texas
Few are the curriculum vitae that can match that. Then there is his military service.
The list conceals as much as it reveals. The gap between 1827 and 1836 includes three years in the wilderness where he lived among Indians. He resigned as Governor of Tennessee when his bride of one-day rejected him and her relatives thereafter and for years heaped calumny on him. Bound by the code of a Southern gentleman, Houston made no reply. He gained himself in one day a lifelong reputation as a ravisher of women though it is plain he never touched his bride, and in the following three years he earned an equally enduring reputation as an alcoholic. He certainly deserved that for a time. He also found solace in an Indian woman, while still married to that bride.
What chance for such a man in civilized society? A ravisher. An alcoholic. An Indian lover?
What a fall from Attorney-General, U.S. Representative, and state Governor to pitiful wretch living on the charity of impoverished Indians.
Yet the frontier gave him another chance and by dint of his own hands he took it. GTT was the slogan of the day in the 1830s and so Go To Texas he did. There he tried to farm and developed a lifetime interest in agronomy and stock breeding. Having at the third try secured a divorce from his long estranged wife, he married a woman who swore him off the bottle, and he kept that oath. In fact, he became a national temperance speaker. He was completely devoted to his wife, Margaret. Yet he sacrificed everything for Texas, and at one point sold the family home to pay some Texas debts that were in his name.
When the convolutions of Mexican politics produced Santa Anna the Texas War started. Houston had fought in Indian Wars in Tennessee and in the War of 1812 against Great Britain. He was wounded in both and with medicine as it was, the wounds never healed properly. Indeed it is said that on his deathbed in 1863 his old groin wound opened.
He was a temporizer, having seen enthusiastic militia get themselves killed in earlier wars he advocated and practiced restraint and preparation. The Texas Revolutionary Council made him a General and he recruited troops, secured weapons, and trained the men. All of this was ridiculed by the hot heads who urged immediate action. To make matters worse when Santa Anna’s army approached, Houston retreated for he had read much of Napoleon’s destruction in Russia and thought the distances and heat of Texas might reduce the European trained and equipped Mexican Army.
When the armies at last met, he feigned confusion and fear, and this emboldened Santa Anna into several tactical blunders. The Texans prevailed at San Jacinto where Houston was wounded again.
There is much more to the story but let that suffice as a sample.
Houston was Governor when Texas seceded from the Union. He stalled this eventuality as long as he could, finally sitting at his desk while the secessionists acted in the room next door. When they demanded he take an oath of allegiance to the cause of secession, he refused and they declared the office void. At 67 he accepted this turn of events and went into retirement. He died in July 1863.
Between 1861 and 1863 his only forays into politics were to advocate the relief of the conditions of Union prisoners of war in Galveston, and to council dealing honourably with the Cherokees. The former was the more successful of the two.
Note, Houston wore an Indian blanket as a cloak when he took his place in the Senate and spoke there more than once on the terrible record of deceit and perfidy that the United States had visited on Indians. That cloak sent John C. Calhoun into one of his many rages. I rather think Calhoun was the intended audience for the gesture. To find out why, read the book.
The book is brilliantly conceived and written, starting with the Preface that explains why we need to know about Sam Houston and why this book is the one to tell us. It totals 500 plus pages and surveys the previous sixty biographies of Houston and plunges into the original source material. It is the product of fifteen years of research, writes the author. He has no university affiliation and I rather doubt a university would indulge such a project today. The demands of a three-year performance review, the imperative to secure a research grant whether needed or not, the premium on counting publications, and much more combine to make short-terms achievement the path to tenure and promotion.
My only knowledge of Sam Houston before reading this book, apart from schoolboy apocrypha, was the short chapter on Houston in John F. Kennedy’s Profiles in Courage (1955) that likened Houston to an actor standing just out of the spotlight. He was involved in great deeds but it was never quite clear what he was doing or why or how. That seems right in light of this volume.
Houston was capable of working on several levels at once, always had Plan B, C, and D in train if A did not progress. He knew the power of words to focus attention. He tried always to keep his word so that he could trade on it. Even when political difference divided him from friends, he tried to keep the personal relationship alive by letter and succeeded in many cases in retaining the personal friendship of sworn political enemies.
In death he is now more acceptable to Texans. Check this on You Tube
Cut-and-paste because hyperlink insertion does not work.
Sydney Moderns
We found the time in our busy schedules of good works to go to the Art Gallery of New South Wales to see ‘Sydney Moderns: Art for the New World.’ The items ranged from 1909 to 1947, spanning both the World Wars.
It was well worth the visit to see the works gathered and to follow the narrative in which they were placed. In this case ‘modern’ seems at the outset primarily to have meant the dominance of colour over content. Several of the themes in the exhibition explored colour. Regrettably the pastels made me think of the 1980s.
The reference point for the moderns was the Sydney Harbour Bridge, because it dwarfed all else in the city (and the country) and represented, in their minds at least, the triumph of modern engineering over the natural barrier of the harbour.
But as we traveled through the exhibit ‘the modern’ took on other meanings, specific examples include the inclusion of machinery in art with painting of factories, train stations, automobiles. It also meant modern life which became in the period covered decidedly urban. Urban life meant apartment buildings higher than before, it meant crowds on the street, and it meant – those beloved temples of commerce – department stores capitalizing on the critical mass of consumers in cities. More generally, the modern also meant breaking with the artistic conventions of the past and so included Margaret Preston’s still-lifes and her experiments with Aboriginal motifs.
It was refreshing to see that the loose groups of Sydney modernists also embraced commerce and strove for decorative features in their works to sell to users, not just collectors, but users. In this respect the role of the magazine HOME was emphasized, and its pages were also open to photographs as a modern art form as well as the design of furniture.
We saw an exhibition last year or earlier of German art between the wars, Weimar, and it most of its works were dark, brooding, sharp-edged, and out of control. They portrayed a world teetering on the brink of a black abyss, even in the style of coffee cups! Quite a contrast. Sydney Moderns is on the whole optimistic and happy with the world.
While comparing it to the other efforts, a lot of this was going on when Castlecrag was developed but I saw no sign of interaction with it.
The narrative in this very well curated exhibition also makes clear the community of artists who cooperated, competed, and learned from each other. And those that sold decorative works seemed to have made a good living from it. Not the singular, starving artist of the garrett much loved in melodramas.
Sunset Boulevard
Free from the timetable of classes and meetings, and more meetings, I have given in to the temptation of Dendy’s classics and gone to several movies on Monday morning, while Kate goes off to good works. Today it was “Sunset Boulevard” (1950) With Gloria Swanson, William Holden, Erich von Stroheim, and Nancy Olson, along with Jack Webb (of Dragnet) before he got his teeth straightened. To see it on television is nothing compared to the wide screen: Marvelous. A very excellent print that gives us the crisp light and dark and many shades between that only black-and-white can do.
Leaving aside all the lore and gossip, the parade of celebrities, the contrivances of staging that swimming pool scene, after all that it is Gloria Swanson who dominates everything, and not just the scenes she is in, but through her presence manifested in the house and its furnishings, in the soul of von Stroheim, and seen or unseen clutching always at Holden. It offers a parallel love story of two women and one man. The man is Holden and the women are the aging relic Swanson and the fresh-faced ingenue Olson. He disappoints both because at his core, well, he has no core, though Olson shows him the way out and after he sacrifices himself to drive her away, he seems resolved to break the cancerous link with Swanson. Or is he…. we will never know.
It is a talkie, of course, and Swanson has some remarkable lines penned by the one and only Billy Wilder, and she by turns spits, drawls, mumbles, hisses, and declares them, all with lift of the chin, the bulge of the eyes, and turn of wrist. An Oscar does not seem a high enough award. With her increasing histrionics von Stroheim is the perfect foil, a rigidly controlled man whose unrequited love drives him to accept every humiliation with the merest flicker of an eyebrow.
Hollywood eats its own, and in 1973 Holden reprised this film in reverse as an older man captivated by a much younger woman who barely notices him in “Breezy,” and it was directed by Clint Eastwood.
No one ever says it better than the dean of movie reviews Roger Ebert:
http://www.rogerebert.com/reviews/great-movie-sunset-boulevard-1950
Cut-and-paste the link above to see his comments.
The Heart is a Lonely Hunter
Carson McCullers’s (1917-1967) first novel is The Heart is a Lonely Hunter (1940), a book that is often listed among the top twenty American novels. Yes, she was a prodigy, twenty-three when the book was published. Twenty when she started to write this detailed and absorbing study of varieties of loneliness in the five protagonists: John Singer the deaf mute, Biff the widowed cafe owner, Dr. Copeland the black physician, Jake the rootless labor organizer, and Mick the tom-boy of thirteen who is McCullers’s alter-ego. It is set in a wooded Georgia mill town of 30,000, remote and isolated in 1938-1939. How could McCullers with a high school education in Columbia, Georgia have breathed life into these five souls? Well, she could see Mick in the mirror, but even so that leaves the other four.
A brief glance at web comments indicates a learned debate about whether the central character is Singer, a confessional figure to whom each of the others turns for solace, or Mick who passes among them. She and Singer know them all, but they do not all know each other. Only someone with a PhD could fail to see that Mick is the unifying character into whose mind we see. Singer is indeed a sun that the others turn to for warmth but there is no interior. He is a silent blank onto whom others project what they seek, and he patiently accepts them for that. He is no messiah leading them to a promised land, but a reassuring confidante who accepts them as they are and let’s them talk. (He reads lips, and occasionally writes notes in response.) He is so compassionate he cannot live on this earth.
For the time and place the portrayal of Dr. Copeland is striking. A black man of dignity and forbearance who named one of his sons Karl Marx and the other Hamilton for Alexander Hamilton. But like the other principals Copeland can neither communicate nor connect with his children or anyone else. He oscillates between ice cold reason and blind anger. He certainly has cause to be angry.
When Copeland and Jake argue directly or indirectly about whether the root of all evil is racism or capitalism, the writer knows that both are right and that both are wrong. Racism and capitalism each have their evils, but neither is the root. The root is the people who do those evil things. Both are also right that religion plays no part. Religion is conspicuous by its absence in this novel.
When published this book did not make its way onto the shelves of many bookstores in Georgia. In its pages racism is the United States is likened to Nazi fascism. This is not a passing remark, but a repeated theme in the latter part of the novel. In her sympathy and insights in the lives of blacks she is far ahead of that other Southern prodigy William Styron though not to the bone as is William Faulkner.
Throughout, Biff keeps his prodigious file of newspaper cuttings organized by local, national, and international news. He follows the Munich negotiations with interest. The novel draws to a close with Biff filing the cuttings from 31 August 1939. (Germany invaded Poland on 1 September 1939 at that very time.)
As is all her novels and most of her stories there is music. Here is one sample, Mick wanders around the town on hot summer nights and sits in the darkness outside open windows to listen to the radio in the homes of others. It seems she was unbeknownst to herself on a quest and what she sought was this:
“Then the music started. Mick raised her head and her hand went up to her throat. It was like God walking through the night. The outside of her suddenly froze and only that first part of the music was hot inside her heart. She could not even hear what followed, she sat there waiting and frozen, with her fists tight. After a while, the music come again, harder and loud. It was her, this music, walking in the daytime, in the hot sun. The music boiled inside her. She wanted to hang onto it, to all of it. The whole world was this music and she could not listen hard enough to remember it all. Then the opening music again, but this time with different instruments. It was like a hard hand had punched her. And then it ended. This music did not take a long time or short time. It had no time; it was time.”
This is Mick’s reaction to Beethoven’s Third Symphony (Eroica).
By the way, Mick listens at the windows of others because her family cannot afford a radio. Indeed the family is very hard up, and more than once Mick and her seven siblings go to bed hungry. Nothing is made of this in the novel. It is just the way it is, a fact of nature.
This edition is an Oprah BookClub selection. Hooray for Oprah! She and J.K. Rowling have done more good than all the blowhards at the ABC ever have. (I thought I would insert that reference to the ABC in to see if I get any blowback.)
McCullers was driven, and a reader senses that in these pages. The words on the pages burn with an urgency. She kept burning words until she died of a heart attack at age 50. A reader also senses the sorrow in those words. She wrote because she had to write. There is no cause; there is no effect. No label, racism or capitalism, means anything. The truth is that there is sorrow. There is neither relief nor rescue but life goes on.
I know there is a film but I feel no need to see it, and fear it would despoil this fragile creature, this novel. A part of me wants to read another McCullers novel, but another part wants to rest from the emotional despair that envelopes her pages.
Stilwell and the American Experience in China (1970)
A superbly researched and written study of Chinese and American relations during World War II told through the experiences and career of Joseph Stilwell, who first went to China in 1911 and left in 1944. He was a twenty-eight year old lieutenant when he arrived and a sixty year old four star general when he left. The book is detailed in its 530 pages of text and supplemented with nearly a hundred more pages of appendices and notes. Tuchman wears her scholarship lightly and the book reads itself. There is far too much to summarize so I offer a few conclusions.
First as to China, the inescapable fact is that Chiang Kai-Shek was a warlord who pretended to be the national government, and credulous and desperate Americans accepted that claim. The credulous spoke no Chinese and did not venture beyond Chiang’s court. They included diplomats, journalists, missionaries, business men, and soldiers. The desperate wanted to keep China in the war to hold down the Japanese occupation force estimated at one million men who would not then be fought in the Philippines or Malaya. They included FDR and George Marshall. FDR long nursed the hope that China would emerge as a friendly great power in Asia after the war, and was willing to pay an enormous price toward that end until even this great optimist gave up on Chiang.
What distinguished Chiang from the other warlords who ruled fiefdoms when the dynasty decayed and collapsed was his pretentious claim to the nation (over the corpse of Sun Yat-Sen) and Madame May Chiang, a Wellesley graduate, who acted as his press agent to good effect. They affected Western ways and talked airly of sovereignty and democracy while their death squads reduced the competition. Think of Ann Coulter with a Uzi.
What Chiang wanted was to stay out of the war and let the barbarians fight each other, the barbarians being Japan and the Allies (Britain, USA, and Holland). Invaders come, the Manchu, the Mongol, but then they go. Insofar as he had a strategy it was to retreat and retreat until that happened, and then to reassert his authority by being on the winning side.
To reassert his power he needed the material wealth of American Lend-Lease which he took as a gift and offered no lease in return. Rather he cached this wealth for inevitable conflict with the Communist Chinese in the distant north. The Communist being Chinese were the real threat. To secure American largesse and protection to some degree, Chiang went through the motions of fighting the Japanese. At times this took the form of press statements describing gigantic battles in which the noble Chinese defeated, against all odds, the Japanese. The credulous took these press releases at face value. Stilwell did not.
Stilwell went to the alleged battlefields to see for himself, and he knew the lies for what they were. But because of the desperation to keep Chiang, read China, in the war, Washington did nothing, and there was probably nothing that could be done.
Turning then to the man: Stilwell loved and hated China. He had a facility and interest in languages before he went to China, and there he learned Chinese and became fluent. He was a driven man, restless, energetic, determined, smart, and over the years very knowledgeable of China and Chinese. He was also tactless and volatile, and Chiang was a ready catalyst. Stilwell came to despise Chiang and to see the Kuomintang regime as a nearly impotent fascist dictatorship – a message no one wanted to receive in Washington. True to his calling Stilwell as a soldier tried to make the best of the bad marriage, often by staying as far away from Chiang as possible, in Burma.
He did try to paper over the cracks for the sake of the war effort. Witness this picture, three people who hated each other smiling for the camera, which certainly does lie. (I say it this way because one infers from Tuchman’s pages that there was little love-lost between Madame Chiang and her husband; it was a family alliance.)
In Burma Stilwell did the impossible. He built the Burma Road over impossible terrain after having been told by British colonial officials it was impossible, technically, politically, and militarily. He created an army out of the rejects Chiang let him have, hoping that he would fail and be recalled to be replaced by a more compliant officer. This army defeated the Japanese and drove them out of Burma again after being told it was impossible by the British, whose principal interest was to retain the colonies after the war, not to fight Japanese.
Stilwell found the Chinese soldier cheerful, durable, quick to learn, and responsive to leadership. A hopeless generalization of course: ‘the Chinese soldier.‘ Stilwell respected Chinese people as much as he despised the warlords who misruled them. And that respect is part of what kept him in China. He could have left at nearly anytime by asking to be relieved.
Stilwell was a leader, of that there is no doubt. He was creative and resourceful, using what he had, starting where he was, and doing what he could. If the Chinese troops were untrained he would train them, and he did that sometimes personally, lying on the rifle range with recruits showing the action of the rifle. If they were hungry he would find food for them. If they were wounded he would supply doctors, nurses, and medicine. If they were low on ammunition he would get it somewhere, somehow. The miracles were daily.
Perhaps the most famous example is the best. When defeated by the Japanese the first time, he led his headquarters staff of 114 on a walk out of the northern Burmese jungles. He was a gruelling task master on the walk at 105 paces a minute. He was a tyrant over the food and water, and all but assaulted stragglers. As the Commander-in-Chief he was expected to fly out and direct the retreat from India, but Stilwell wanted to show to his defeated troops that he was one of them, one with them and so he walked just like they did. Their fate was his fate.
On he went at 105 paces a minute, at the end of the walk most of the 114 men hated him, and that was a tribute to Stilwell, because all 114 of them survived. Not one was lost on the two weeks in the circle of hell through which they walked. Rain, jungle, no road, no maps, dehydration, no local guides, no porters, Japanese planes, out of touch, occasional rifle fire from Japanese patrols, exhaustion, wildlife, malnutrition, and disease; the list goes on.
Stilwell ate with his men, ate what they ate. He stood in line at the mess tent for food or for the barber’s chair. He wore one set of clothes until they rotted away. He seldom wore the stars of his rank. When he did it was to show the soldiers that their general was there with them. When he went to Chiang’s court he borrowed a uniform because he had none. He carried a rifle in Burma and used it more than once. When he sent men on forced marches through terrible terrain, he went with them to see for himself what it was like. He accepted the promotions and medals that came without ceremony, no photographers present to immortalize his genius recognized. The only medal he valued was the Combat Infantry Man’s Badge, the only general to earn this medal. He was holding it when he died about a year after he left China.
The warlord generals, including Chiang, were not like this. In defeat Stilwell became something of a legend in the minds of many Chinese solders and this made him all the more frightening to Chiang. After that first encounter with the Japanese, Stilwell publicly admitted defeat and silently vowed to return, which he did without the histrionics of Douglas MacArthur.
The puzzle of Chinese politics gave the red baiters in post-war American politics much with which to play. Stilwell was duly blamed for not giving Chiang enough support (material) and for concentrating on fighting the Japanese rather than heading off the Communists, etc. Such hindsight as is given to the gods. All drivel to be sure, but it happened, as much drivel still does. Check the news today.
George Marshall figures in much of this story and as always seems to be both a pillar of strength and a sage. I single him out since I reviewed a biography of him earlier on this blog.
John Stuart Mill said one man with an idea can do a lot. Stilwell was such a man. His idea was that the Chinese deserve better than Chiang and his kind. His example also shows what one person with enormous energy and good will cannot do: the impossible.
His story has parallels with others. In the Peloponesian War Sparta sent one man, the general Brasidas, to northern Greece and he, too, very nearly won the war. Stilwell was that Spartan.
Warren G. Harding (2004) by John Dean
Now that I have ordered some presidential biographies from Amazon I get notices about others. These I have been ignoring. But one caught my eye, not because of the president, but rather because of the author: John W. Dean. Think about it.
Given Dean’s experiences I thought that alone might make the book interesting. My only residual knowledge of Harding was the innumerable scandals associated with him. Dean would know about scandalous behavior by a president, I thought.
Get it yet? This is the John Dean of Watergrate, the president’s counsel who would not lie for his president and who kept meticulous notes, and made himself the star witness at the Senate hearings of Sam Ervin. That president was Richard Nixon.
As it happens Dean is from the same town in Ohio as Harding. This book is part of a series edited by Arthur Schlesinger, Jr., so it has two strikes against it. It is written to a series template, and it has Schlesinger’s name associated with it. Many of the authors in this series are interesting but odd choices, for example, the novelist Louis Auchincloss on Theodore Roosevelt, television newsman Douglas Brinkley on John F. Kennedy, and presidential aspirant Gary Hart on James Monroe. It also includes one title I have already read, James Madison by Gary Wills. None of these authors is a scholar, though Wills is a man of penetrating insight, Auchincloss a fine writer, Hart is from Colorado, and Brinkley used to talk to Chet Huntley (his associate on the national news).
I will say something about the book itself at the end, but for now let’s see what can gleaned about Warren G. Harding. He was a middle class, small town newspaper editor and owner. He was a born networker who genuinely liked people with an organized mind and a good memory for faces. He avoided conflict and seldom took sides. He was handsome and commanding in his physique. Sounds a perfect Libra! Though he was born on 2 November.
How did he become president? His own political career began in Marion Ohio then to the Ohio legislature, then lieutenant governor, then U.S. Senator, where the personal qualities mentioned above stood him in good stead. Ohio was solidly Democratic but Harding was a Republican. In that smaller talent pool, he looked good. At each stop along this cursus honorum he travelled widely and spoke to any gathering, mostly Republicans.
Nationally the situation was vexed. Teddy Roosevelt’s efforts to regain the Republican nomination in 1912 had rent the Grand Old Party. William Howard Taft and Charles Evans Hughes who had run against Woodrow Wilson had been unable to heal and unite it. But when Wilson had a debilitating heart attack in 1919, the Democrats were leaderless, too.
In that gap Harding emerged. He got the Republican nomination on the tenth ballot after three days. By then there was pressure to choose someone and he was inoffensive, and no doubt some like Mark Hanna, the eminence gris of Ohio politics smoothed the way. When it was clear that Wilson would not seek an unprecedented third term, and that had been bruited about for a time, James Cox got the Democratic nomination. James who? More important than James was his vice presidential running mate. One Franklin D. Roosevelt. But I digress.
It was an Ohio affair between the Senator from Ohio, Harding, and the incumbent governor of Ohio, James Cox. Eugene Debs was on the Socialist ticket and got nearly a million votes from a jail cell in Atlanta. H. L. Mencken once said Debs spoke with a tongue of fire, but that is another story.
Harding took the oath of office in March 1921. He convinced Charles Evans Hughes to serve as Secretary of State, and let him get on with the job. Hughes tried to integrate the United States into world affairs to repair the damage done in the struggle for the League of Nations.
One of Harding’s best and most lasting achievements was to create the Bureau of the Budget with a director appointed by the president with the advice and consent of the Senate who reports directly to the President. The President submits a budget to Congress which then amends it into an unrecognizable form to accommodate the interests of the constituents of the majority of Representatives and Senators. Congress sends it back to the White House, and then the serious negotiations begin. It is a fiction because after all the sound and fury there was never any check on how the money was spent. Indeed there was no way of knowing if it had been spent or on what. With his experience as a small businessman Harding did not like that and much to his credit he created this small but powerful and independent agency. But… It came back to haunt him.
The only thing I knew about the Harding Administration was the Teapot Dome scandal. It seems that three of Harding’s cabinet, at least, used the public trust of their offices to defraud the government in a big way. All were alike in a way, they sold government assets (which had ballooned during World War I) at unbelieveable prices to old pals in business and got enormous kickbacks, sometimes delivered in $100,000 units in black Gladstone bags to the office. Subtle, not!
The Bureau of the Budget did notice the decline in government assets valued at millions for peppercorn returns. The Bureau of the Budget did draw the President’s attention to these events several times. Dean has it that Harding tried to persuade the malfactors to stop. Others say, my source is Wikipedia, that he had long experience of doing the same. In any event, they did not stop, and the press got the news and passed it on. Think what the Sage of Baltimore had to say! (That is H. L. Mencken for the slow wits.)
Once one scandal was examined, it lead to another, and another. And it all unravelled.
While in San Francisco, Harding died in office of a heart attach at age 59 in August 1923 at the height of the Roaring Twenties, succeeded by Vice President Calvin Coolidge. From San Francesco, Florence Harding, herself very ill, by telegraph asked an Ohio confidante in the White House to burn Harding’s files. Dean has it that she did this to protect President Harding’s reputation. There is much speculation about why she did this. And that is all it is: speculation, just what passes for news today on the ABC. There is also speculation that she killed him.
The fact is that papers were burned in those days before presidential libraries. But the confidante did not burn everything, and again there is no evidence to explain why. Many boxes were stored in the third basement of the White House coming to light years later when restoration were done. In time these papers found their way to the Harding Association in Ohio in the middle of the 1960s they were catalogued and available.
However there is no evidence that Dean consulted these papers. This book is not based on original research in any sense of the term ‘original.’ Rather it is a synthesis of the existing biographies of Harding, with a slant toward rescuing the reputation of this fellow Ohioan and fellow Republican. Too often the conclusions that rehabilitate Harding seem to come from the air. The strongest claim Dean can make to defend Harding from culpable knowledge, if nothing more, is the absence of evidence. But as that other Republican ideologue Donald Rumsfeld, with whom I once crossed a street in Washington D C, said: the absence of evidence is not the evidence of absence. Instead the book tries to cloak Harding in some kind of mist. More pages are spent on his ineffectual and inconsequential dealings with some matters that appeal to contemporary sensibilities, like race relations, than the core matters of his administration.
The book is replete with clichés that neither describe nor explain, like ‘party elders,’ ‘tough going,’ etc. I am sure lawyer Dean is expert at briefs, but sustaining a narrative for 150 pages without lapsing into the vagaries of cliché is a different discipline. Anything that exonerates Harding is taken at face value and anything that does not is clouded over with doubts. Perhaps this is a courtroom tactics but it fails on the page.
A Cookbook and more
Pat Conroy, The Cookbook: Recipes and Stories (2004).
Another title read in anticipation of visiting Charleston, South Carolina. Like K-Paul Prudhomme’s and Diane Kennedy’s cookbooks it is as much an insight into the people and places as the food and recipes. While K-Paul and Kennedy are each rooted to one place, NOLA for him and Mexico for her, Conroy’s book is also travelogue, recounting experiences from his travels as an aspiring and then successful writer.
It has the features of all of the Conroy books I have read: a wry humour, self-deprecating, modesty, a sharp eye for detail, well-turned phrases that lift the mundane to a higher level, and, of course, the burning fires of his dad-hatred. Give that last a rest, Pat!
The travels are domestic as well as international. There are stories from markets and restaurants in France and Italy, as well as such exotic places as Atlanta.
In the course of these travels, at one point Conroy said this, and I almost forgave him for his Oedipus complex. He knows whereof he writes because he was a school teacher for a time.
‘Because their impact cannot be measured, the teachers of the world drift through their praiseless days unaware of the impact and majesty of their influence. I want to fall on my knees in gratitude whenever I conjure the faces of the men and women who spent their finest days coaxing and urging me to discover the best part of myself in the pure sunshine of learning. Because the country dishonors its teachers and humiliates them with lousy pay and a mortifying deficiency of prestige among other professions, they do not receive the gifts of gratitude that brims over in men and women like me when we remember their patient, generous shaping of us into ourselves’ (p. 77).
Amen, brother.
Allow me to add that the humiliation is not limited to money but also to the easy social opprobrium that falls on school teachers. For example, ‘those who can’t, teach‘ and the assumption that the work begins when the students arrive and ends when they leave. Even we jumped up school teachers in universities cop this, too. Long ago I gave up resisting these lazy stereotypes from those satisfied with lazy stereotypes.