Category: Krimi

Our hero, Eddie Grant, he of the chiseled jaw, martial arts belts, multi-lingual talents, and accomplished lady killer …. [Is there nothing beyond him?]

The set up is this. Ed (I refuse to call a grown man with such a cv as above Eddie) is the son of World War II veteran whose assignment in 1944-1946 was tracking down art looted by Nazis. His father died earlier, in suspicious circumstances that Ed mentions but apparently was not motivated to do anything about at the time. Then the father’s assistant from the wartime assignment dies, again in suspicious circumstances. This assistant left a letter to Ed’s father, not knowing he had predeceased him, and asked that his executor deliver it by hand.
Since the dad is dead the messenger, a daughter, delivers it to Ed. She is of course a beautiful woman who falls under Ed’s spell, taking her place in the queue.
It just so happens that Ed has many contacts in the worlds of policing and art, and these he now mobilises. Why he did not mobilise them when his father died is unknown. Even more mysterious is why he did not mobilise them when his wife and child were murdered after his father’s mysterious death. All of this death is supposed to awaken sympathy I suppose but it just makes Ed seem a jinx and jerk. Four dead before he goes into action.
Then the big black Mercedes limousine appears bearing — as it must — Germans.
So much for subtlety. The plot is by the numbers and the characterisation are connect the dots.
I quit at about 25% on the Kindle. I was reading topic sentences only and flipping on; it was time to move on.
At the start there is much too much backstory forced into the opening pages so that we may appreciate Ed, followed later by extensive and pointless descriptions of hairstyles. clothing, drinks, furnishings, cars, and so on and on. This later I guess is the Paris part. If this superfluous detail were cut to the standard say of Georges Simenon the text would reduce by more than two-thirds. Good grief. Amid all the bland descriptions there is very little story. With John Stuart Mill, I suppose that we know a person by deeds not by the recitation of a backstory. What do I care about the backstory until there is a front story?
Nor is it possible to warm to Ed for whom everything seems to come easily though he moans and groans about it.
This is described as ‘a novel of Paris’ and I wanted to test that proposition. There is much Paris in the early going and I consulted by Michelin map, but then we head off to Orlando in Florida and…. I supposed it gets back to Paris but without me. The Florida trip seems mostly to be an occasion for more pointless description.
After re-reading all of Iain Pears krimis with Jonathan Argyll and Flavia di Stefano chasing lost paintings the reference to a lost Raphael was intriguing, but this treatment is not arresting for this reader.
I had a look at the comments on Good Reads to see what I was missing. I looked at the effusive ones, further confirmation that this source is not credible.
John Pearce
Speaking of sources without credibility, one of the local rags has a weekend feature called something like ‘Books that made me’ in which minor celebrities, well I guess they are but they are unknown to me, list and comment, briefly, on five books that had a formative impact of their being. Nice idea, but the execution is kindergarten.
These celebrities seem not to do much reading and certainly not of, say, a novel of consequence or a historical study of insight. Instead we have excited drivel over self-help manuals, diet plans, children’s books – see I said kindergarten – and Mills and Boon stories, Alice’s adventures. In some cases it is pretty clear it was a stretch for the subject to think of five books. When one of these pieces refers to ‘Death in Venice,’ ‘Swann’s Way,’ ‘Absalom, Absalom,’ ‘The Iliad,’ ‘Crime and Punishment,’ ‘Hotel Baltimore’ and their kind, let me know.

A krimi set in wartime Reykjavik Iceland in 1944. The island is awash with soldiers and sailors of the Allied forces: Brits, Canadians, French, and mostly Americans. Harbours are dredged, piers built, fuel tanks dug into hillsides, pipelines laid, barracks built everywhere, landing fields levelled, hangers erected, roads paved, concrete bunkers made, ammunition dumps created, and on and on, from 1940. There has been more money spent on the island in those five years than in the previous five hundred years.

With so much money comes loose morals, it would seem, despite the language barriers. While Icelandic men are not off at the war, they are off on construction jobs all over the island, leaving wives, sisters, cousins, and daughters to their own (de)vices.
The setting and the set-up are good. On the plus side is some detail about the impact of this intrusion on Iceland, and not just the sex, but also on nationalism, though that is merely mentioned and not in any way developed. The weather is there, too, but it does not figure in the story, as it did in ‘Trapped.’ There is also a little more about Iceland legends, the hidden people, but again it is a sidebar that is not cemented into the plot.

The execution is not equal to the set-up. First, the story is split between then in 1944 and now in 2000, say. This is a technique I cannot abide because it makes the reader responsible for integration. Second much of both stories, the then and the now, is padding, e.g,
‘I walked up the the three plank steps to the door. I took off my left glove and knocked on the door, and waited, while I put the glove back on. I heard faint sounds insider but the door did not open.
I took my glove off again and knocked on the door again. I put the glove on and waited. And waited.
The door opened. I introduced myself and asked to come in for a word. She said, no. I asked gain very politely. she said no and turned away. I asked once more for a word inside. She said alright.’
Snappy, uh? He then asks her what she saw. She says she saw nothing. He asks her three times and three times she says she saw nothing. Bold, he asks a fourth time, again no result. He leaves, descending the plank steps.
That took about five pages for nothing. He then repeats most of this verbatim to his partner over the next two pages.
While this book is slow, it is not detailed, but rather superficial. Two examples suffice. (1) The Icelandic nationalism is mentioned more than once but never articulated. (2) While there are many soldiers around there is never anything about their role in the war effort or how Icelanders feel about being occupied. Is this war their war? They are, after all, eddas or not, Danes by blood and the German heel is on Denmark, yet that is never even referred to as an issue in the story.
The text, perhaps thanks to the translator, is replete with banalities. If there was a clichéd way to say something, that was the way it was said.
Arnaldur Indridason
This is one industrious writer who has three series, the one that includes this title is Reykjavik during World War II, including ‘Silence of the Grave’ (2007), which was adequate, and another series that follows the investigators of Inspector Erlendur, e.g., ‘Jar City’ (2007) which I liked a lot for its meticulous attention to detail, especially in thinking things through. Erlendur as I recall does a lot of thinking. In contrast is the author’s third series ‘Reykjavik Thrillers.’ On the strength of Erlendur I read his ‘Operation Napoleon’ (2012) and regretted it and did not bother to finish it. The list of his titles on Amazon translated into English is long,
While my recollection of Erlendur is strong enough for me to try another, from now on I will pass on the other two serieses.

Love this series of krimis set in the Athens of Pericles. Nico and Diotima set sail for Delos for she has been chosen to represent her temple at a ceremony on Delos. Indeed it seems the goddess Artemis has chosen her, for her name was picked twice out of an urn. Twice?

The first time her name emerged on a pottery shard from an urn it was rejected and replaced. Why? Because it is not suitable for her to go, being so heavily pregnant. Huh? It is forbidden by Zeus for anyone to die or to be born on the sacred island of Delos. Why did Zeus lay down this law? Because the island was the birth place of Apollo and Artemis, the golden twins, and there shall be no further births there, and a death would desecrate the place.
But when her name came our once again, after a great deal of urn shaking, the priestesses recognised the divine will and off she went, taking husband Nico in tow. All in all a two week jaunt to the Greek islands in high summer seemed like a good idea to escape the heat, humidity, dust, and pressures of Athens, and while Diotima is pregnant there is plenty of time because the ceremony on Delos is but one day and then they can move on to Mykonos for a vacation, and perhaps even the birth of the next generation. What can go wrong?
Ah huh.
While they sail in a gold encrusted ship with a polyglot crew devoted to such ceremonial voyages it is, strangely, accompanied by a fleet of fifty, count ‘em, Athenian navy triremes in war paint, i.e., black.
Delos is marked by the red star.
Just before sailing the hapless Nico was summoned to the great man’s presence and given the word. The great man is Pericles who has made Nico his catspaw for discreet work here and there, often involving the detection of whodunit. Nico can hardly say ‘No!’ to the first man of Athens, as much as he would like to do so, especially this time.
Pericles tells Nico that he — Pericles — will be coming along in those warships, because even then Athens was outspending its Euros and needed some more readies. Readers of ancient history know this sad story, and in Thucydides’s ‘History of the Peloponnesian War’ it stands as an early sign of Athenian corruption. The Athenians have come to steal the treasury of the Delian League (147 members) kept on the sacred island, held in trust by the highest of high priests and priestesses of Apollo and Artemis. The Athenians come armed and ready to take it, if it is not given by the religious guardians. Though what a few hundred clerics and another few hundreds shepherds could do in the face of an onslaught of Athenian marines is not much.
But will the marines risk their immortal souls at the order of Pericles to seize the treasure? He would rather not find out, and so — as always — he tried to talk the highest of the high priests out of the treasure. Pericles is at his glib best and has a smooth and convincing reply to every protest, he thinks. While the formally designated highest most high priest wavers in the face of Pericles’s sophistry, one old curmudgeon does not. Gero is his name and he knows right from wrong whatever Squid Head says, as the irreverent called Pericles for the elongated shape of his head. (Being sensitive to this indication of his alien origin, Pericles almost always wore some kind of hat.)
A standoff ensues. It is for such occasions that Pericles has a confidential agent at hand, one Nico. Gulp! Diotima is firmly on the side of the gods on this one, and she and Nico have words, while he fusses around her with fans and water to keep her and her passenger comfortable.
There were once twelve of these lions protecting the temple.
These are charming stories, this being the seventh, in a series that remains fresh and vivid. Corby continues to mine the historical record for frying pans and fires into to which to sauté Nico and Diotima so that readers can watch them squirm, and squirm they do. While Pericles appoints Nico to suborn Gero, the Highest Priest appoints Diotima to see that no suborning occurs! Well, not quite but close enough.
The plot gets thicker when Gero is found dead with a sacrificial knife in his heart! Whodunit, indeed? A thorough investigation of the treasures and treasuries on Delos reveals….. [Think Enron, think Lehman Bros, think…]
Hardened readers of police procedurals know what is coming next, and it does.
Gary Corby
I ordered this for the Kindle before it was published and awaited its appearance, then one night after finishing a heavy-duty krimi it appeared in my Kindle Library as if by magic. It was a magic powered by American Express and Amazon in combination. I was delighted and devoured the first chapter that night, despite the alarm set for 6 a.m. the next morning to welcome the builders come to rip out the kitchen and rebuild a Star Trek galley complete with replicator. Power tools at 7 a.m. get the day off to a good start.
All is revealed about the Delian League on Wikipedia. When Pericles came calling in 451 BC the heavy handed Athenian treatment of the League had made it into the Athenian Empire. Previously independent member states like Naxos and Thasos had been coerced, and the tax levy was set to fund the building program on the Acropolis, not to intimidate the Persians. That Pericles might prefer an empire to a committee meeting of 147 members does make a lot of sense.

Inspector Cetin Ikmen and his team are back at it once more in the bazaar of Istanbul, awash with Syrian refugees and militant Islamic zealots under the watchful eyes of the security services.
A perfectly unremarkable and pleasant young man staggers to his death on the steps of a church, the victims of a heart attack. Case closed. Wait! Not quite, the routine autopsy accorded such an unexpected death produces a disturbing result.
Istanbul in full swing.
Back and forth across Istanbul go Ikmen’s minions and the man himself. Getting nowhere, Ikmen, reluctantly recruits, a one-time criminal computer hacker to find wanna be cannibals on the dark web, fearing that he is giving matches to an arsonist.
Did the dead man knowingly and willingly eat human flesh? If so when, where, and how? If not knowingly or not willingly, what happened? In either case his dead body is itself a crime scene, and this causes the first difficulty because a good muslim is to be buried before the sun goes down. But in the circumstances no higher authority wants to rule on the technicality of what is a crime scene. Instead low level functionaries are left to their own devices.
Ah, how that reminds some of life in large, complex organisations full of self-styled leaders at the top who stay there, in part, by not leading. Does Max Weber cover this somewhere?
Ikmen’s efforts to get one of his superiors to declare the cadaver a crime scene bring out the worst in everyone. They go through the stages of bureaucratic grief when confronted with a career-threatening problem: first, denial. The pathologist must be wrong. But no, the tests are conclusive. Second, anger. Why bring this to me! It is someone else’s responsibility. Go away! But it is your problem as per the organisational chart. Third, bargaining. Let’s find a middle way. Keep the stomach and contents and release the rest of the body, but say nothing. Fourth, depression. One higher authority takes sick leave to avoid further involvement. Only Ikmen accepts the reality and the responsibility that comes with it, because he has no other choice. After all the human flesh consumed came from a victim, and he has to identify that victim and ascertain what happened.
Minor plots go swirling by. On street corners congregate idle young men who dream of martyrdom for Allah. Syrian refugees who cannot speak Turkish struggle to survive out of trash cans. Churches are bombed. Jewish cemeteries vandalised. Russian tourists are buying up property. Public works projects have stopped in mid-stride with the vicissitudes of the regime.
In distant Ankara members of the government seem more preoccupied with in-fighting than with governing. Another verity.
All the further testing done to discredit the finding of human flesh throws up another clue. The flesh has the genetic markers of a very rare disease that almost exclusively afflicts Jews. If the victim was Jewish the narrows the field of inquiry but strews it with social landmines when Ikmen has to seek out Jews. Is he insulting Turks by asking if they are Jewish or have Jewish ancestors? Is his a witch hunt for Jews on behalf of the regime? In the volatile world of contemporary Istanbul who wants to admit to being Jewish if it is an option not to do so.
Barbara Nadel
While I found reading this novel uncomfortable, the ISIS martyrs in the making, the cannibalism, the clash of the Russian mafia with the local rivals, and all the innocents caught in the several crossfires, there is no doubting the author’s skill in putting it all together. The greater is the admiration when one realises this is the eighteenth Ikmen krimi. What an achievement to keep such a long running series fresh. Chapeaux!
When I entered this title onto the software I use to catalogue books the program fetched the metadata and the author came out as Brian Nadel! Wrong!

Martin Bora is a police officer now in the Wehrmacht, assigned to the German embassy in Moscow in 1940 from whence he is dispatched to Crete on the whim of a superior to fetch some Cretan wine. The early scenes in Moscow are interesting period pieces as the allies of convenience dance around each other.

Equally fine are the descriptions of the heat and light in Crete, after the chilly gloom of Moscow. While the weather is different, the social atmosphere in Crete under German occupation is as tense as that in Moscow.
The simple errand of finding the wine and escorting it back balloons out as readers knew it would.
The Germans have only just secured the island.
The German airborne invasion.
The Greeks have surrendered and the British have once again been driven into the sea, but there are still many British soldiers at large in the hills and dales, and some Cretan armed resistance has begun. It is much more dangerous than Moscow.
In the midst of this volatile situation a British prisoner claims a war crime has occurred and produces photographic evidence of the murder of a household of civilians. Hmm. Best to investigate this ourselves is the German conclusion, and do so before the International Red Cross takes an interest. It would have been a refreshing change from the stereotypes, if one of the Wehrmacht generals wanted the truth to root out indiscipline among his men. Instead it seems one of the victims was an acquaintance of the egregious Heinrich Himmler (1900-1945) and the quickens the pace.
But with Crete largely subdued and the demands of the next offensive now in train, combat troops and field officers are being transferred and reassigned in rapid succession. Ergo the only Wehrmacht officer of sufficient rank with relevant experience who is not subject to a movement order is …Martin Bora.
It is a good set-up. Bora does what all good plods do and interviews the accuser and at the end of one of their discussions when they have sparred is a nice touch. Both are highly educated men and Bora speaks perfect English so has no translator, though there are guards present and many other prisoners milling about. The Brit decides to reveal a secret to Bore to help in the investigation but swears him to secrecy. Then just to make sure the word does not leak out he switches to Latin to provide the clue. Bravo.
Bora meets a local police officer who is resigned to German hegemony and an American archaeologist, a woman, becomes his unwilling guide. Both of these characters are rounded individuals.
To find an eye witness to the events shown in the photographs in the battered camera, Bora takes to mountains of the interior to find a British soldier who allegedly fled that way. In the course of this trek the descriptions of the flora and fauna, the heat and the light are excellent but they become repetitive and thereby frayed.
It is a long way from the tourist resorts now on the coasts.
Less palatable to this reader is Bora’s incessant need to feel sorry for himself, and bore the reader with his back story. How a solider who went through Poland and then France can be so inward looking is the mystery here. This is no Odysseus!
That he and the woman guide are at odds is well done, and unusual in this genre when the femme is usually either a fatale or a conquest. This one is not very femme though she does try to be fatale.
Bora’s meetings with those who have fled to the mountains and those who live there are uneven. The Catalonians he finds there are a cardboard plot device, period. Ditto the distant maidens in the field. Hardly more credible are the Cretan guerrilla band members. More convincing is another archeologist whom Bora finds at a dig in the mountains. Major Busch, Bora’s immediate superior, is also credible.
That Bora begins to think he is on an Homeric odyssey just seems silly. Likewise the resolution of the plot coiling back on itself is so far fetched it would take Apollo astronauts to bring it home. It is not what Aristotle would call a coherent plot.
By the way, the description on the Amazon web site, from which I acquired this book, errs on two counts. It is a not Red Cross representative who is murdered. Nor is Bora sent to investigate the murder, rather he is there when an investigation is needed and he is put to work.
Ben Pastor
This title is part of series. Ben Pastor is a woman, one who writes about soldiers, she proclaims on her website.

Captain Gregor Reinhardt continues to struggle with his conscience in this entry to a police procedural series set in the German Wehrmacht in 1943.  He is Abwehr officer, that is, Wehrmacht intelligence service, whose usual task is interrogating prisoners of war.  He talks to them rather than beating them, and his makes him odd, but he gets enough results to be insulated from critics, though they circle. A successful detective in Berlin he entered the army to escape the thugs that the new regime of 1935 promoted, and its racial approach to identifying villains.  Some escape.  

He is in Sarajevo going about his business, trying to focus on the main things and ignore…. [much].
But he is despondent and depressed, his wife has died and he is estranged from his only son who has become a super Nazi.  Is life worth living in this Dantesque universe, he might have asked, for he is learned, but he did not.

Then he is assigned a case to investigate and the old policing instincts are aroused, and he has a purpose each day.  He meets the usual obstacles and obfuscations readers expect though they are heightened in this Balkan inferno.  He presses on, though there are doubts.   He meets some truly despicable people, including one of the late victims, a beautiful young woman film-maker who enjoyed torturing Jewish women in front of their children before filming their murders by her Ustaše comrades. If the supply of Jews was low, she would turn to Serbs for such fun.
The book offers a socio-politico topography of war time Yugoslavia, the Chetniks, the Red Partisans, the Ustaše, the Croat Army, the Italian occupation force, and the German, within whose ranks are many deep divides. Only the Italians seem to be civilised and they are a minor player. These groups make shifting formal and informal alliances. In the brew come some British advisors so the plot thickens.
It is a murder that Reinhardt must investigate. One of the victims was the woman film maker and that would be left to the civil police in the puppet state of Croatia, but also murdered a few steps from her was a German army lieutenant. It becomes a joint investigation with the Croat police for whom all acts of villainy, apart from their own, are done by Jews, Gypsies, Serbs, or Reds. Ergo find the nearest Jew and that is the culprit.
This plot is very thick and it just gets thicker. There is much about the city of Sarajevo, its Ottoman and Austrian pasts, its troubled present, and its byways. The divides among the Germans are many and varied. Their are personal animosities, unit competitions, status consciousness to an insane degree, service rivalries, venal as well as moral corruption and incompetence, and the usual assortment of thugs and bullies assembled by krimi writers, most of them wearing uniforms in this instance.
The comeuppance of the primary bully was a delight. (Where do I get one of those Reinhardt specials?) There is also a captivating portrait of a German general with something of Erwin Rommel in him, a war lover. He is in a word, charismatic. Even the jaded and cynical Reinhardt feels the urge to follow where this man leads but tries to resist it, and then realises all is not as it seems. The blue herrings are piled up and neither of the short-priced favourites was the perpetrator. That is enough of a spoiler.
The story Reinhardt tells of one of his famous cases in Berlin is nicely done. He tells the story but suppresses much of the truth, which will sound familiar to anyone who has worked in a large organisation, the backsliding, the backstabbing, the blinding incompetence, the stubborn resistance to the obvious, the incapacity to act in a coordinated fashion. The usual. Then add to that the racial elements and the brew goes from noxious to toxic.

This is the third novel I have read of late featuring such a military police office. Perhaps inspired long ago by ‘The Night of the Generals.’ That is not counting Bernie Gunther whose career I have not followed.

The third entry in this perfectly charming series set in contemporary Mumbai, a world rich with colour and incident.

The plot? A spoiled brat of a Bollywood star is kidnapped, and the stops are pulled out to get him back, to save the blockbuster movie he is starring in, to satisfy his doting mother, to avert a massive insurance payout. There is only one man for the job in all of India, of course.

Chief Inspector Chopra (Ret.), enemy of all crime, and his sidekick, Ganesha, the little elephant, get the call. Everyone knows about police dogs, well Ganesha is a police elephant!
The Asian elephant.
In Bollywood, nothing is as it seems, and Chopra swims through many blue herrings to end up back where it all started. Reality is even more unlikely than the cinema!
Along the way there is much to’ing and fro’ing in Mumbai and a cast of many. Holy days upset the schedule, and Ganesha finds the vital clue and also saves Chopra’s life again. Once more Ganesha proves to be no ordinary elephant.
Meanwhile, Chopra’s trusty assistant settles his own case among the lowest of the low in the Indian caste system, the eunuchs, and learns some things about himself in so doing.
The lowest of the low.
In addition, Poppy, Chopra’s wife, rises to the occasion by staging a daring jailbreak, aided by the ever reliable Ganesha, and the chef’s number two curry! Poppy runs a restaurant and she recruits the chef for the heist. Chopra refuses to take money from friends, so when he needs help, they turn out in force.
Poppy, earlier, made an alliance with the officer who replaced Chopra at the nick, a very belligerent woman, but once she is on your side…. Get a flak jacket!
Then …… That is a spoiler. Delete that.
It works out in the end, though Chopra’s nemesis Deputy Commissioner Rao is not done yet. That is clear. This is a tale of redemption, and ends with Ganesha doing a star turn.
Vaseem Khan, away from the keyboard.

Inspector Hermann Kohler and Chief Inspector Jean-Louis St-Cyr, an odd couple of Occupied France, get no rest. No sooner have they nailed a culprit than a telegram arrives ordering them on an all night dash across blacked out France to another crime scene. This time it is Lorient near Saint-Nazaire. These two ports were the principle bases for German U-Boats from 1940 to 1944.

The fateful telegram came directly from Admiral Karl Dönitz, nicknamed the Lion for his mighty bellows, commander in chief of the U-Boat fleet. Dönitz became head of the government for about three weeks after the death of Adolf Hitler. The telegram was odd in that he ordered them to investigate the allegations against the Dollmaker, per the title.
It is literal, the chief suspect is a dollmaker, who is also a very successful, and still living, U-Boat commander. Toy-making was a major German business for a long time and grew especially during the Weimar period to earn export income, because there were so many restrictions of German industries and shortages of material, wooden and clay toys were made. This captain has discovered deposits of very fine clay around Lorient and dreams of reinvigorating the family business when on leave between voyages.
A very unpleasant shopkeeper has been murdered on a cold and wet winter night along a railway embankment. Left it situ, Kohler and St Cyr arrive to investigate to the great annoyance of the local gendarme commander.
The nearby stones of Carnac provide the brooding presence of eternity for the nocturnal wanderers during the long black-out nights of winter. There are thousands of stones, some to rival Stonehenge.
With the death of the shopkeeper a great deal of money also seems to be missing, the money the dollmaker raised, mostly from his crew, to invest in a dollmaking enterprise with the deceased shopkeeper. Strangely though, as Kohler and St Cyr note, no one seems now to be worried about the money.
The suspects are many. It is surprising how many people were out and about on the railway embankment at the time of the murder. There is the shopkeeper’s daughter, who was probably spying on him for her crippled mother. There is a woman married to a musician who has gone silent. She may have been looking for her husband who roams the stones at all hour to listen to their music in the wind or for a lovers’ tryst. Their daughter was probably also out there, either to spy on her hated step-mother or to find her father. Then there is that gendarme commander who seems to have left footprints in the oddest places. The U-Boat captain was certainly there and readily admits it while denying the murder. Members of the U-Boat crew may also have been on the lookout to safeguard their investment.
As usual, claims to the Resistance are made both by the Germans to explain away the murder and exonerate the captain and by suspects to hide their guilt. Kohler is indifferent to these claims and St Cyr positively bristles because he has heard this plaint often used to cloak evil. To add to the brew there is at least one Jew hiding in plain sight and a young boy may have stolen the money to bribe passage to England to join De Gaulle. Or he may be dead. The Jew has no chance. The fatalism is endemic.
Around and around Kohler and St Cyr go questioning everyone, being told repeatedly not to question anyone least the morale of the U-Boat crew be undermined or the Resistance revealed. They are threatened, harassed, misled, and lied to. All typical. The U-Boat campaign is interrupted on every clear night by RAF bombing attacks, one of which nearly kills St Cyr, while members of the Resistance are preoccupied with setting differences among themselves with weapons dropped by the British during the distractions of the bombing raids.
The submarine bunkers remain in tact despite the RAF bombings.
The well known fatality rate of U-Boats is sufficient to erode morale, and the Resistance is conspicuous by its absence in the tightly controlled area around the ports. Submarine connoisseurs will realise this is the area where ‘Das Boot’ opens.
Hardened kriminologist will have no trouble spotting the villain early on, but the interest in these stories is the trip, not the arrival. Lorient is a closed military zone rather like an island and its denizens know each other well, German and French. Kohler and St Cyr peel away the layers of lies, deceptions, half-truths to arrive at a conclusion or sorts. On the one hand it is a formulaic police procedure but on the other it is a study of humanity in such inhuman circumstances. The atmosphere that Janes draws is the chief interest to this reader.
Food is scarce, fuel nonexistent, warmth but a memory, tobacco beyond price, exhaustion general, rather than fear most people, German sailors or French civilians, are numb and weary. Yet the nightmare goes on and on.
The crew of the captain’s U-Boat have no desire to return to the depths, fearing they cannot beat the odds again, but if they must to back to sea, they certainly want the dollmaker at the helm and not a new officer, ergo he cannot go the slammer even if he killed the shopkeeper.

Before becoming a full-time writer, Janes taught high school mathematics.

A tragedy might be a better genre for this novel. It turns on the accidental death of an owl on a lane in the English countryside. The vehicle that struck the owl had four occupants and their reactions to the death are the centre of the book.
There is the usual backstory about the two male principals in the car; they were acquainted in their university days. The women are accorded less space though one is developed into a formidable character who has a more clear insight that either of the men. Much of the early part of the book reminded me of ‘Brideshead.’

The tragedy is that the accident leads to the downfall of the putative leader of the British Conservative Party, poised to become Prime Minister. When a character’s demise is the result of his own personality, it is tragedy, and that applies here.
Though what we readers are to make of Andrew Landford never became clear to me, and maybe it was not clear to the author either. In word and deed, until Landford became desperate beyond reason, he never put a foot wrong, yet there are hints, mostly from his one-time girlfriend that he has a dark side, the reader only sees that at the brief minutes of the death of the owl. As we see him he is sincere, forward-looking, open-minded, and the best man for the job, a Tory Tony Blair.
The story is told by one of his campaign advisors who gets caught up in first in the cover up and then the exposure. It is well written and is credible about the political machinations at Westminster as far as this reader could tell. There are some very nice portraits of other characters in this strange world.
There are some creaks in the plotting. while much is made of the police investigation into the death of the owl, it being a member of a protected species, the two women in the car at the time of the accident are not interviewed by the police. That oversight would never happen in Midsomer!
When I hesitated about the genre for this novel, one of the reasons is because the owls have mystical presence throughout. But there is a crime and a police investigation, slipshod, though it is and so I put in the krimi class.
Finally, I found the denouement with the caretakers to be deus ex machina.
Paul Torday
Perhaps the simple explanation for most of my quibbles is that the novel was unfinished at the author’s death and he did not complete it, that was done by another.
I read this book more than a month ago but time and tide have kept me from writing up my thoughts until now. I chose it because of the intriguing summary on Amazon and the reference to Minerva.

The book is a police procedural set in Pharaoh’s Egypt. There are several krimis of this ilk but ‘The Eloquent Scribe’ has a twist in the tail, namely, that the odd couple of investigators includes a cat. It may sound contrived, well it is, but in this case it works.

Sitehuti is a junior scribe still learning his cartouches. A mishap precludes a senior scribe from attending to the dictation of a High Priest. Because he is a lazy sod, Sitehuti is sent in his place to get him off his backside. Reluctantly, he goes…into another world, one of riches, dazzling scents, blinding reflections from gold and silver and mirrored bronze, a stillness that is both solemn and eerie after the cacophony of the market place that Sitehuti is accustomed to hearing, and … cats. His sense are overwhelmed by the temple.
The scribe is seated in this group from a pyramid.
While the priests run the temple there is one very large, very leonine cat in attendance, one Nefer-Djenou-Bastet This sacred beast instantly takes a liking to Sitehuti, and this marks him out. It is an omen that sets tongues to wagging far and wide. Given this omen, Sitehutie becomes the scribe of choice for the highest of high priests in the innermost of inner sancta.
The Egyptian Mau cat.
That name Nefer-Djenou-Bastet is a mouthful and it quickly become Neffi.
When a messenger bearing a most secret letter disappears along with the letter, who better to find him and the letter than a man-child favoured by the gods, well, by Neffi the chief cat of the temple of Bastet? Indeed.
Sitehuti is none to sure about any of this but it beats smearing cartouches, pounding shells into ink, or scraping papyri clean for reuse, so he sets out. Slowly it dawns on him that he might have been chosen for mundane rather than divine reasons, (1) because he is an outsider and perhaps this was an inside job — so who can he trust and (2) as a lowly junior scribe he is expendable despite the favour of Neffi for who knows how long that favour will last. What Neffi gives, Neffi can take away.
What a colourful world it is in Memphis, the one in Egypt not Tennessee, and Thebes, the one in Egypt not Greece. There are Nubians, Syrians, Hittites, Caldeans, Gauvians, Babylonians, Ethiopians, and even a Phoenician or two among the Egyptians. Dancing girls, jugglers, strong men, freakish dwarfs, bear baiters, snake charmers, and…. did I mention dancing girls? Sitehuti is a normal young man.
The other pharaonic krimis I have read were, by comparison, laboured with stilted speech which I guess was meant to reflect the formalities of the time and place and packed with equally stiff social conventions which again I guess was to reflect this ancient and foreign world. They also made tedious reading.
This novel is much more salty. There are nicknames, slang, greasy food, dusty roads, sour wine, and grumbling in the ranks, with an incipient tax payers revolt against those priests who keep collecting tribute in the name of gods but those gods who never seem to deliver for the common people. The result is a lively journey.
It is a police procedural in that Sitehuti goes hither and thither asking questions and looking around gathering information, impressions, and even physical evidence while Neffi guards his back clawing off more than one thug and generally putting an aura about Sitehuti, who while grateful for the help, is not sure he likes being so special that the dancing girls venerate him at a distance rather than coming closer!
T. Lee Harris and friend
This is the first is a series with several other novels and short stories. By the way I cannot connect the title to anything in the story.