Good Reads meta-data is 322 pages, rated 3.49 by 240 litizens.
Genre: Chick Lit.
DNA: Strine.
Verdict: Bloodless.
Tagline: In the mists.
Spoiler: For ten years she waited for him to…do something. Then he did; he married someone else.
It starts about 1907 when the Hydro Majestic Hotel was being built and ends around 1926, detailing aspects of life in the Blue Mountains, particularly Katoomba, in that period. He is a photographer who seeks the face of God in the clouds and hopes that through the aperture of the camera lens he will have a divine experience. She is of a more practical turn on mind, but she aids and abets him for years, and every time their hands touch or one jostles another in setting up or moving a camera she has a mental organism, or so it seems with the profusion of metaphors that follow.
Years (and pages) later, after he marries another, she turns her attention to an older tubercular man and sex rears its head, sort of. Sometimes it is hard to tell what is going on because the prose is slathered so heavily on that the cake disappears under the icing. It is lyrical and poetic, and the effort shows.
The result is elliptical and vague; just the sort of prose favoured by the jaded panelists of literary awards, not by readers who get lost in the undergrowth, darkened by a heavy canopy of words, who lose sight of the main point(s), if there are any. With all of the forced imagery and unusual vocabulary, most readers will never quite connect with the protagonists: Form over content, thy name is post modernity.
Delia Falconer
The intense and relentless imagery is out of proportion to the unrequited love story. Reminded this cynic of some of the multimillion dollars productions from Hollywood like Valerian… (2017). Enormous show, and zero go.
It is resonant with Anne Michaels’s elegiac Fugitive Pieces (1996) but lacks that novel’s moral core.
Got it at the Megalong Bookshop while in Katoomba a time ago. I chose it because it seemed to be centred on Mark Foy’s hotel, the Hydro Majestic where we have stayed several times. My mistake.
Good Reads meta-data is 288 pages, rated 4.11 by 409 cinematizens.
Genre: Non-Fiction; Species: Mountain magic.
DNA: Vermont.
Verdict: More, please.
Tagline: ‘Very little that people do is in any way understandable!’
Adopted orphan boy Frank Bennett grows up in Kingdom Country (Vermont) along the unmarked Canadian border in the household of an acerbic Catholic priest (who does not sexually abuse him despite his dog collar). Father George is the recognised but unofficial historian of the locale and the designated peacemaker among the many ley lines of conflict that riven the village.
Frank’s coming of age is told in episodes in which he participates, often as little more than an observer of the absurdity of life and its satisfactions. The telling is timeless but perhaps the early 1950s.
While the bulk of the small population is steadfastly safe and sane, shopping at the Vermont Country Store and voting for Bernie Sanders, within their ranks are eccentrics like young Molly Murphy and her desperate and eventually successful effort to run away and join the circus where her nerveless dare devilry can thrive. More troublesome is Foster Boy Dufresne, an idiot savant if ever there was one, who seems jinxed starting with that name ‘Foster Boy.’ Then there is the wannabe gypsy fortune teller Louvia de Banville who has a bad word to say for and about everyone and yet is always there to help when help is needed in fire, flood, accident, or worse.
Aside from the Irish and the Canucks, the village is also home to Abel Feinstein, a tailor, who will not take one step back and Sam E. Rong who took the Statue of Liberty’s motto literally.
Frank long wanted to follow Father George into the priesthood, but, well, there is that girl with bluest, dancing eyes who teases him mercilessly and then disappears back to Quebec for months at a time.
Howard Frank Moshere
It is not Lower Rising, Staggerford, Lake Woebegon, or Yoknapatawpha county, and certainly not Mayberry, but it is its very own God’s little acre. Mosher published ten novels set in this cleft between the Green and White Mountains where on some nights the bright lights of Montreal can be seen reflected in low clouds; where the endless forests are dark and primeval; the lakes crystalline; and weather as taxing as the people.
The Year of Blue Snow (2013) editors Mel Marmer and Bill Nowlin.
Good Reads meta-data is 351 pages, rated 3.77 by 13 Philly Phanatics.
Genre: Non-fiction; Species: Baseball.
Verdict: It still hurts!
Tagline: Perfect hindsight.
Cold weather came early and a curtain of freezing snow fell on warm summer dreams when Chico Ruiz stole home on 21 September 1964. So the end began, after leading the National League for 150 days, World Series tickets already printed in the city of Brotherly Love (and are now in mint condition on Ebay where I got mine to fulfil a vow I made in 1964), the bottom fell out. This tale of woe is the baseball season of the Philadelphia Phillies, a sect which I followed as devotedly as any believer in miracles. Then came the fall of the curtain and no cognitive dissonance could disguise the crush of reality.
This compendium offers brief and anodyne biographies of every member of this team on the roster even if only for a few days, including coaches, radio announcers, general manager, and owner. The groundskeepers are not included, though one is pictured. These sketches were compiled from the biography project of the Society for American Baseball Research web site, from whence comes the neologism ‘sabermetrics.’ It is a bland biographical reference work in the main. Most of these individuals have Wikipedia entries from the same source, like manager Gene Mauch, Congressman Jim Bunning, Chris Short, Ed Roebuck, Tony Gonzales, Rubén Amaro, Dick Allen, John Herrnstein, John Callison, Art Mahaffey….
At the back it includes several essays second guessing with the unerring perception of fifty years of hindsight every move, starting lineup, call, and choice during the downfall. Management decisions, roster changes, use of relief pitchers, catchers, pitch selections, signals to bunt, rotation, stolen base attempts, steps off the first base bag, and more are considered in a forensic investigation to find fault, apportion blame, and mourn. The result is thoroughgoing but superficial. For even more gruesome detail see John Rossi, The 1964 Phillies (2005). Then there is Greg Glading’s unintelligible 64 Intruder (1995). This latter seems to have been translated from Klingon by a Romulean.
Although the most fatuous assertion, with statistical analyses and diagrams, proves that Ruiz should not have tried to steal home. None go quite so far as to say that he did not steal home, but that will surely come in our world where truth is fiction and fiction truth, as the Post-Modernist of Hollywood have it.
The fact is the St Louis Cardinals had more stamina, and they had Bob Gibson. Enuf said!
Ruiz acted on Fate’s initiative, not the manager’s. A runner on third in the 6th inning of a scoreless game with two outs and the team’s best hitter at bat down two strikes means stay put. According to that same conventional wisdom the pitcher used a windup not a stretch. And yet…. At that moment the Phillies were leading the league by 6 1/2 games. Yet they finished third by losing this one and the next 9 games in a row, ten straight. Two wins in those 10 would have been enough. Even one might have led to a playoff game. At the time it was the longest leading margin that late in the season to fail but fail it did.
Pedant’s corner: ‘Blue snow’ is a rare optical effect of deep and dense snow drift seen in slanting light. In this case the remark is attributed to Gus Triandos, number two catcher for the team. He meant that it was a rarity for a team like the Phillies to do as well as they did, when a number of average players combined to have exceptional seasons. Certainly, it is true that this season was a career best for several of them, hereafter the only way was down.
On the experience of the failure, one of his teammates likened it to swimming in a long, long lake for a long time and then, within sight of the further shore, cramping and drowning. That was Octavio Rojas, outfielder.
That capped a summer in which my first serious girlfriend unexpectedly dumped me, I was fired from my summer job I knew not why, I broke my arm through my own stupidity, my first car bit the dust after two weeks, and there was no joy from Mudville to salve those wounds and woes, but rather it compounded them.
Anni Ultimi (2011) by Allan Scribner and Douglas Marshall, eds.
Good Reads meta-data is 181 pages, rated 3.89 by 18 litizens.
The book consists of the two editors’ introduction and commentary on Seneca (4BCE – 65AD) the Roman Stoic thinker, imperial advisor, speech writer, exile, essayist, satirist, together with a selection of Seneca’s letters concerning old age, retirement, and death. Born from Seneca the Elder in Cordoba Spain where I once saw a statue of him, he lived most of his adult life in Rome.
Seneca knew how to talk a good game: the letters selected are replete with insights, pearls of wisdom, and sound reasoning. Seneca sees nothing to fear in death since it extinguishes consciousness just as we were before birth. We knew no pain, suffering, or fear before we were born, so there will be none in death.
Old age has its infirmities, and if we dwell on them, they are magnified. Ergo, best to soldier on as though on campaign. (Truly the voice of a man who was never a soldier.)
Retirement signals a state of equilibrium. One is no longer striving for things. Ergo, now one wants nothing. (Was his retirement funded by a defined benefits superannuation scheme as mine is?) Each day of life is a celebration of the senses. In retirement keep learning, observe the world around, appreciate the skills of others, and put things in perspective.
This is the same Seneca who was complicit is several of Nero’s murders, like that of his mother Agrippinna, nor did Seneca scruple to amass enormous wealth during Nero’s reign.
If anyone wonders about the connection between this person and the Great Hill People of Western New York, there is none. The Dutch called then Sinnekars and when the English arrived that became Seneca. So says Wikipedia.
Scribner has published a series of krimis set in the Rome of Marcus Aurelisius and I have read at least one with satisfaction.
Good Reads meta-data is 231 pages, rated 3.38 by 184 litizens.
Genre: Non-fiction; Species: Gourmet.
DNA: Gallic.
Verdict: Erudite, witty, and insightful.
Tagline: What, where, and when you eat reveals your identify.
Across the panorama of La Comédie humaine, Balzac uses food to evoke character, to establish atmosphere, to reveal social class, to suggest conventions, and more. He is credited in these pages with being the first author to bring food and eating into fiction.
The timing was right for this excavator of humanity to do so. Prior to the French Revolution there were no restaurants (in our sense of the word). Dining was done at home, but the Revolution rendered unemployed ranks of chefs, pastry cooks, soup specialists, providores, butchers, gardeners, and the like who had ladened the tables of aristocracy, nobility, and royalty. From these ranks a couple of enterprising souls opened an eatery. Prior to that coffee houses, which occasionally offered bread or biscuits, table d’hôte, inns, or street vendors were the only meals available to someone away from home.*
The talkfest that the aftermath of the Revolution unleashed in Paris brought thousands of men to the capital, and they had to eat. There was the demand to be supplied by all those unemployed caterers.
The word ‘restaurant’ comes from restore, and originally the nascent restaurants offered restoratives, that is, light meals to tide one over until the evening meal. But unlike the establishments mentioned above in a restaurant, one could eat at a time of choice and select what to order and only pay for what was consumed (not a fixed price), while sitting down inside. It was a culinary revolution that quickly developed.
Balzac often describes meals but he seldom includes the menu, but rather concentrates on the manners and mores, the spectacle, the tableware, the candles, the ostentation or humility, the occasions, the aftermath, the subtexts, the verbal sparring, that is, he treats the meal as a mis-en-scene. He himself had a vexed relation with food (like everything else), while in the throes of composition to generate income to defray creditors and buy food and wine, and, oh, pay some of the arrears in rent, he did but drink coffee. He said it was fifty (50) cups a day, and ate very little, or nothing.
Then when the cheque came in he would bust loose with a gigantic feast, inviting all and sundry, and a barrel of the best Bordeaux to mark his achievement. The result of this manner of living was the corpulent character we know from cartoons, though he despised his own fat he made no systemic effort to reduce his weight except for that coffee. There is a strain of self-hatred in him that shows in his novels.
No sooner would he recover from such an excess than the knock of the bailiff would drive him into another composition.
*A table d’hôte at the time referred to to a boarding house meal, where a stranger might enter, and if a place was free, take a meal plonked down. In such a case this stranger ate what was put on the table. Paid for it whether he ate it all or not and left. The term today means a menu fixé for a fixed price. In an inn one ate at a fixed time, for a fixed price, and took what was offered. No choice. Inevitably stew of some kind.
P.S. Street food — the crèpe — was more varied and available at all hours, but of course there was nowhere to sit, and one was exposed to the elements.
Good Reads meta-data is 272 pages rated 3.56 by 124 litizens.
Genre: Krimi.
DNA: Czech (via exile in Canada)
Verdict: A puzzler, indeed.
Tagline line: Who dunnit? How d’ya know?
Accomplished Czech crime writer Škvorecký offers ten short mystery stories after a foreword about Ronald Knox’s decalogue. In anticipation of this volume, there is an earlier post setting forth Knox’s ten commandments. That is the homework.
Each of these stories illustrates the contravention of one of these ten commandments. That is, each story shows the importance of each commandment by its absence, so that when it is violated the story is less than satisfactory.
About 80% through each story there is a pause to allow the reader to infer who did it and how and ponder on which commandment has been compromised.
The stories are amusing, though contrived for didactic purposes, and, sorry to say, they become repetitive because the recurrent character is described every time in some detail: her alluring scent, her plunging décolletage, her blonde hair, her hourglass figure, her shapely legs revealed by a maximum mini skirt, and so on, again and again. Likewise, her repeated and successful efforts at repelling boarders from the barflies that are drawn to her as per the previous description.
Some readers may be interested to know that one story offers a mathematical proof to identify the murderer. Sort of.
The sequence is not in numerical order of the decalogue, nor otherwise ordered by difficulty, or length. This reader discerned no order at all.
Josef Škvorecký
Only one of the stories is set in Czechoslovakia as it was then. Some are in Sweden and most in the USA as our heroine is a traveling artiste singing in nightclubs. Škvorecký’s Lieutenant Boruvka does make an appearance in the last story along with the songbird whose feminine attributes are once again detailed.
Good Reads meta-data is 120 pages, rated 3.65 b 274 litizens.
Genre: krimi.
DNA: Mexico.
Verdict: Self-indulgent.
Tagline: World Weary.
Along its 3000 kilometres that frontier of dreams between the United States and Mexico is a land of magic realism where strange things may happen then as now. Tec is retained to find a Mexican soap opera actress, his high school squeeze, who has gone missing. Last seen in Baja (California). So Tec takes to the road to track her down and find why she ran away. The trail takes him back and forth across northern most Mexico in the hazy twilight of dreams.
Did I mention it? No? The detective is named Shayne like that wisecracking Irishman. Too exhausted by life, he does not crack wise. Along the border legends still live of Pancho Villa, the times of Juarez, Zapata, and the lost Mexican lands to the north. There is also the cruel reality of the narcotraficantes, then as now meeting American demand.
Did she flee from an ardent suitor? Was Harvey Weinstein involved? Or is it all a plot device to allow the author to pontificate on the state and fate of his country in that Northern shadow? You be the judge!
***
PIT
Known by his initials as PIT, there are ten novels in this Shayne sequence. Over the years I have read some others: An Easy Thing, Return to the Same City, and Shadow of a Shadow. Not sure if I have read all these titles, though they are in my data base, since I do not find them congenial in the elliptical style that seems lazy to me, the absence of a plot, and transparent characterisations. In fact, I am not sure I have read them since I have notes only for one. Strange.
IMDb meta-data is 16 episodes of 1h each, rated 7.8 by 119,000 cinematizens
Genre: Sy Fy
DNA: USA
Verdict: All trip, but what a trip.
Tagline: The Living Dead.
She went out to get a bottle of milk, and disappeared for seven years. Not quite, but something like that. Then she came back.
But is it she? The returnee is different yet undeniably her. Where had she been? What did she do in those years? Why is she different?
That is the kick off and flashbacks unravel her story.
There are things to like about it. The pace is slow and the telling is convoluted. Some of that is a gimmick to keep the viewer coming back episode by episode and not necessary to the plot or character. Still it is in no hurry unlike to many breathless presentations that go nowhere fast. I also like the gathering a multi-generation group. Because several of them are young, we also see the mental and moral growth of a couple of them as they participate in the quest for meaning. After all, what does ‘OA’ mean? I think I got it but….
I was less enamoured of the mad scientist and his elaborate set up. The actor is great at it but why is he there at all.
My track record with television series is poor. I usually give up after three episodes of so when the attenuated trivia and clichés become too great, e.g. For All Mankind, Mars, Beacon23, War of the Worlds, Infiniti, and others now forgotten down the memory hole are instances of this viewer’s fatigue.
I chose this one because I have seen other films from this duo, Brit Marling and Zal Batmanglij, starting with Another Earth (2011) and The Sound of My Voice (2012). Two of the most original and arresting films I have seen. Their kinship to The OA is palpable but the connective tissue is stretched very thin.
Good Reads meta-data is 136 pages, rated 3.73 by 15,672 litizens.
DNA: Italy; Species: Sicily.
Genre: Krimi; Species: Mafia.
Verdict: Lean and mean.
Tagline: It starts with a bang. Well, two bangs.
A man in a business suit waiting to board a bus in a village outside Palermo is shot dead. The bus load of witnesses disappear even as he fell to the ground. When the carabinieri arrive no one saw anything, indeed, there is no one there to see or be seen. Captain Bellodi investigates out of curiosity, not because he thinks he will accomplish anything. As he does, others observe and comment.
The result is a travelogue of 1950’s Sicily, its dialect which sometimes mystifies Bellodi (from Parma), its poverty makes cigarette smuggling attractive, its distance from Rome measured in lightyears, its many divisions between christians, socialists, communists, villages, clans, and most of all, outsiders, its mafia or is that just a figment of overwrought journalism. All done in a spare prose.
In due course, despite the evidence, Bellodi is transferred and the case closed when an innocent man is framed for the deed in order to forestall investigation of this thing called the Mafia.
Leonardo Sciascia
All in all, it is a confirmation of the North/South divide that is still noteworthy in Italy.
***
The best of his oeuvre, they say. Sciascia (1921-1989) was a man for many seasons: a novelist, essayist, playwright, and member of the chamber of deputies, and the European parliament as a communist. Only a few of his many titles have been translated into English.
Hub Fans Bid the Kid Adieu: On Ted Williams (2010 [1960]) by John Updike.
Good Reads Meta-data is 64 pages, rated 4.46 by 329 litizens.
DNA: Baseball.
Genre: Belle lettre.
Verdict: One of a kind, both subject and author.
Tagline: It’s gone and so is he.
28 September 1960 the Green Monster hosted an historic occasion, one of many over the years. As totemic as it was, this essay, appearing in the New Yorker afterward etched it into the stone of memory. It has been reprinted with supplementary material in a small book.
Oh, the occasion? The last home game for that rarity, Ted Williams.
In the eighth inning of a meaningless game that became meaningful, Ted Williams (1918-2002), came the plate for what would obviously be the last time at Fenway Park. At 42-years old he was baseball elderly. By that day the record books were full of his extraordinary accomplishments with the bat. All the more remarkable considering that he missed parts of five seasons in his prime to war service where he flew combat missions in the Pacific and Korea. The only thing he could not do with a baseball bat was carry the Boston Red Sox to championships.
There is no doubt the Red Sox Nation depended on him and they, like many drug addicts, hated him for that dependence, and he reciprocated. Long before Steve Carlton made an art form of refusing to speak to journalists, Ted let his bat do the talking. He would not do interviews. Period. It was his reaction to some early print criticism and once he set out to do it, he stuck to it. Stubborn does not begin to describe the man.
There was a similar pique with the bleachers whose denizens had occasionally booed him when he played for himself and not the team, and he did do that. Thereafter, he never acknowledged the fans. Never. He did not look into the stands. He was alone in the crowd, long before David Riesman coined that phrase.
The baseball convention, for the benighted, is that when the crowd cheers a player, he tips his cap to the crowd. Williams’s accomplishments often brought cheers but no cheers ever brought a tip of his cap in more than two decades.
Not even on that day of days in late September 1960.
When he came to bat in the eighth inning, the members of the crowd rose to their thousands of feet to cheer this wayward idol, but he steadfastly looked at his shoe-tops and took his place. In a similar valedictory at bat before taking position, Babe Ruth took off his cap and did a 360 turn to take in all the crowd. Ditto many others from the pantheon. Not Ted. He took his stance and waited as though he was alone, just him and the pitcher in that forever war across the no man’s land between batter’s box and pitcher’s mound.
The young fast baller on the mound, one Jack Fisher by name, a stripling at 21, reasoned that the old man would be tired late in the game and distracted by the occasion and the noisy crowd, so he decided to get to work with his tool of choice. He drilled a fastball and Williams swung and missed, clearly off in his timing. Puffed up with satisfaction, Fisher supposed what worked once would work twice, and served up another fastball high and in.
The rest is history. A William of old seemed to emerge and with that effortless and economical swing planted a home run into right centre. The crowd went crazy. Video of the event can be found on You Tube.
Now some players would have savoured this victory lap in a slow trot, lapping up the adoration of the crowd. But Williams never did that and he did not do it now. As always he ran it out. Head down.
Another player would have looked up at the crowd and acknowledged the ovation after scoring, or upon entering the dugout. Not Williams he ran into the dugout never to reappear. Another player would have emerged from the dugout to tip his cap, and, indeed, to his credit Fisher paused to allow this to happen, but there was no hat tipping now or ever. ‘Boo me once and I will never ever forget or forgive,’ was the subtitle of this final aria.
The next day I read the line score for this game in the Hastings Tribune. It seemed fitting that ‘Teddy Baseball,’ as he was sometimes called, and not always affectionately, should leave on own his terms. He did play for himself but not always. In his playing days he drove the Jimmy Fund in Boston for children with cancer and his Cooperstown induction speech advocated the inclusion of the greats from the Negro leagues into that temple.
Ted Williams at Cooperstown
A final note, in retirement this Achilles did do interviews and once an interviewer said to him, ‘I saw you hit a home run on a certain date years ago.’ Ted, who was a close student of his game, replied that in that at bat the pitcher was Bob Shantz, the count was 2-2, and he threw a fastball low and away. ‘I pulled it down the right field line into the third or fourth row.’ We idolators were convinced that he could recite the particulars of each of his 521 home runs, none chemically assisted as so many have been since his days.
See also Howard F Mosher, Waiting for Teddy Wiilliams (2005) a novel.
John Updike
My recent baseball reading led me to revisit this diamond on the diamond. Updike was never better. To this reader his essays have more depth than his fiction, or that small part of it which I have read. Some have said that this essay is the best thing ever written about baseball, others say it is the best single thing Updike ever wrote. Both could be right.