‘You’re the one,’ he said.

Agent ZigZag (2007) by Ben Macintyre

GoodReads meta-data is 364 pages, rated 4.13 by 17,490 litizens.

Genre: Biography.

DNA: Brit.

Verdict: Strange but true.  

Tagline: An Iron Cross, believe it or not. 

Eddie Chapman was a rough diamond who early discovered his talent for crime and honed it. He was a versatile criminal who burgled houses while the owner slept; he mastered the use of gelignite to open safes in businesses; drove cars into showroom windows to snatch fur coats and more.  He was handsome and had learned to affect the purple, though he had not been born to it, and anyone who had been would realise he wasn’t, but the veneer worked its magic often enough on others to sustain his career of crime.

With an accumulated fourteen years of imprisonment on his card, he broke bail and ran to the island of Jersey in the English Channel with Betty. He was 25 and she 19, terribly flattered by the attentions of this apparently wealthy man of the world.  As they dined in Jersey’s most expensive restaurant, he said to her ‘You’re the one.’  He had known quite a few women, but he meant what he said to Betty.  She was thrilled, but before his meaning could fully sink in, after a glance at the restaurant door where two beefy men in coats were entering, he said to her ‘I’ll be back,’ and then he leapt up from the dinner table and jumped out a nearby window, disappearing from her life it would have seemed.

Bergerac did catch him and put him in the local chokey while the legal wheels turned to extradite him to Old Blighty because Jersey has its own slow-moving legal system which is half French and totally amateur. It mattered not for no sooner did Eddie land in the slammer than the Germans landed on Jersey in 1940.  To get out of jail (and back to Betty) he decided to convince the Germans that he was on their side.  So began his years as a spy, counter-spy, and double agent.  

It took him months to convince the Germans that he hated the English who had jailed him, speaking a passable German (which he had learned from an earlier mistress), knew how to use explosives (from his safe blowing experience), he argued in schoolboy German that spy craft was but an extension of crime craft, evidence of his mastery of the latter was in the court and police records he had compiled. During this time he was first abused and used by the Gestapo, and then when he was accepted as an agent by the Abwehr he was wined and dined.  

After training he was parachuted into England on a mission of sabotage. He promptly turned himself into the police and explained the situation to the incredulity of the locals, but eventually MI5 took an interest. He had hoped to buy his freedom (from those fourteen years) with the information about the Abwehr he had memorised but instead he was soon blackmailed into becoming a double agent and going back to the Germans to plant disinformation. To do that the English had to convince the Germans he had succeeded in his missions to protect his cover when he returned. That is quite a story in itself. He was so successful, it was made to seem, that the Germans presented him with an iron cross, as above.  

The details that follow are many, and often boring. Yes, the life of a spy, even a double agent, consists of hours of sitting and waiting.

What is very clear, though the author has no interest in it, is the organisational dysfunction of both the British and German intelligence agencies.  First there are turf wars among them.  If he was an MI6 spy, then MI5 tried to undermine his credibility in preference to its own agents and if his credibility was unassailable, then MI5 tried to poach him from MI6 by overt or covert means.  Of such malfeasance knighthoods are born. And the clowns of SOE always wanted cannon fodder.

It was no different with the Germans. Worse even because in the chaotic German arrangements there were more players and few of them played by any rules.  Any Abwehr agent was suspect to the Gestapo, the SD, the RHSA, the SS, and so on and on in alphabet soup of murderous rivals. When in 1944 an enraged Hitler destroyed the Abwehr, and had murdered many of its agents from the top down, Chapman was spared because he had long been rusticating in Oslo which was beyond the immediate blast zone of Hitler’s wraith at the time.  

Another organisational insight that is more obvious on the German side, though relevant to the British, too, is the mutual dependence of spy and spymaster.  To establish his own importance the spymaster must have at least one successful spy. That means the spymaster is inclined to read success into the spy’s activities and to protect the spy from the critics and rivals. Both Ed’s English and German spymasters needed him to succeed for their own good.

Likewise, a rival spy master has an incentive to undermine the spies of another master, namely to shore up his own position in comparison: McKinsey management in the making with those Killing Performance Indicators. 

During Ed’s years of absence Betty had married another man, who was killed in the war, changed her name, and moved several times. Then one day in 1946 when she was having tea in a shop, Ed appeared at her side and said, ‘I told you I’d be back.’ He had hired a private detective to find her. Off they went never to be parted again, except by the plod, because he continued his life of crime.  By the way, the godfather to their first born was his German spymaster! 

He was the model for John Robbie in To Catch a Thief.

Shape shifting

Tony Hillerman, Shape Shifter (2006).

GoodReads meta-data is 276 pages, rated 4.03 by 9151 litizens

Genre: Krimie.

DNA: Navajo.

Tagline: The first shall be last.  

Verdict: School’s out. 

A neat plot buried under a weight of exposition.  The shape shifter idea is cleverly used, but it would have read better without fifty pages of explanation, comparison, and pedantry in the middle.   

Because of that expository snowdrift, the villain is, to this reader, undercooked.  Quite why such a master of malice as this would stoop to robbing a desert convenience store, or display and allow to be photographed for publication some of his ill gotten gains did not make sense.  Would Moriaty knock over a 7/Eleven?  Would Fantomas invite a journalist to photograph the stolen crown jewels and publish the picture?  

No 18 in the series.  

Dead Men

Dead Men don’t Wear Plaid (1982) Les cadavres ne portent pas de comstard

IMDb meta-data is runtime of 1 hour and 28 minutes, rated 6.8 by 23,000 cinematizens. 

Genre: Comedy Noir.

Verdict: One of a kind. 

Tagline: ‘You do know how to dial, don’t you?’   

It all started when she walked into his life, well, in fact she fell into his arms at seeing the headline on the newspaper he was reading: ‘The Dodgers lose again!’  Dem bums! 

Thus begins the Tec’s search for the frenemies of his favourite brunette, Carlotta.  Along the way he enlists Marlowe as a legman, whose motto is ‘Guns don’t kill but love does.’  He also issues the title line.  [No spoiler.]

Partly parody, mostly homage to US film noir of the post-World War II era, as the bumbling Tec follows the trail, none too coherently, meeting, in addition to Humphrey Bogart’s Marlowe, Cary Grant, Alan Ladd, Barbara Stanwick, Bette Davis, Lana Turner, and more in some brilliant cutting.  

When all the fun is done, the closing dedication is the golden touch because it is to all the invisible talents who put the noir into noir, the cinematographers, the camera men, focus pullers, the composers, the musicians, the prop men, the designers, the set builders, the costumers, the audio engineers, and so on.  They put the magic on the screen where it has stayed since.  

I had forgotten how much I liked this movie until I watched it again.  

Surprise(d)?

(T)Raumschiff Surprise – Periode 1 (2004)

IMDb meta-data is runtime of 1 hour and 27 minutes, rated 5.5 by 16,000 cinematizens.

Genre: Sy Fy.

DNA: German.

Verdict:  Crass but fun, in (a few) parts.

Tagline: Move over, Benny Hill.  

‘When the Earth is in peril, who are you going to call?’  Certainly not the (Enter)Surprise.  But well, who else can be sacrificed to the cause?

Nothing works on the good starship Surprise, including the crew, of Groans, Snotty, Smirk, and Captain Kork. The Martians are about to conquer Earth when this crew intervenes, along with the interstellar cab driver who delivered them, because the Captain refused to be beamed Economy class and he didn’t have enough Space Cadet points to upgrade to Business. In extremis the secret and untested weapon is deployed: the time travel sofa!  Sit on it and time passes? Yes, but in which direction?

It takes them three tries to get the right year, leaving behind chaos here and there in a medieval court, in the wild west, and finally Area 51, which is not next door to Area 50!  

The humour entertained the Fraternity Brothers, who have an inflatable Benny Hill doll in their room.  (Don’t ask.)

On the good side, it would be banned in Florida, and there are some good lines.  

When languishing in the slammer, the big handsome taxi driver confesses to another prisoner his failures with women, saying that to please his ex-wife he learned to dance, to play the piano, and to smile at her parents.  Whew!  Yet she still divorced him and took everything, leaving him to eat, sleep, and work in the cab.  Ah, says the other prisoner, leaning close, there are words that will set every woman’s heart ablaze, my friend. ‘What? What!’ asks the stud. ‘Let’s go shopping!’  Sure enough, next chance he gets, the stud tries these magic words, and [censored].  

One hopes there is no Periode 2.  But per the IMDb it was a smash hit in its heimat

That is Broome, not broom.

The Widows of Broome (1950) by Arthur Upfield.

GoodReads meta-data is 256 pages rated 4.07 by 388 litizens. 

Genre: krimi.

Verdict: a slow start but a fast finish.

Tagline: Bony to the rescue!

Broome, WA (population 800) of 1950, once the capital of the pearl industry, has not yet recovered from the war years, but it is peaceful and stable until… Murder!

Two widows are strangled one after another over a fortnight.  No one seems much bothered though a considerable point is made that both were attractive women.  Had they not been attractive, perhaps there would have been no investigation at all.  What investigation is there?  The local plod, noble chaps to a man, cannot both keep their pencils sharpened for inspection and find the wily culprit who failed to leave finger prints, a calling card, or a self-addressed stamped envelope. Perth homicide detectives fly in to irritate and annoy everyone, but fail to scapegoat a local aborigine or Asian: A strange omission for this time and place. 

Pearling is a dangerous business, the Japanese bombed Broome, and many men went to war.  Consequently, there are other widows in Broome who may be in peril.  Their fears are barely noticed by plod who seems more focussed on a some cattle that have gone missing.  Finding a murderer is just too hard. 

There’s only one thing for it! Bony!  That is, Inspector Napoleon Bonaparte (whose name is never explained) arrives incognito.  As if!  In his three-piece suit, with theatrical manners, dark skin, Siberian husky blue eyes, and superior attitude, he is dead obvious to one and all, who politely feign ignorance to humour his colossal ego. He soon finds his only intellectual equal in the environs is the town drunk. (Really.) These two form a partnership of sorts. The drunk, being furniture, is never noticed by the locals but, since he sleeps most nights on a bench in the street, he sees and hears much which he passes onto Bony who in return supports his alcoholism.

Broome of the time is described by the numbers, not with the imagery that Upfield sometimes conjures. But in the last third, when most of the scene is nocturnal in the bushes, Upfield is at his best in making the time of night, the place, and expectation all characters in the drama. The book is a time capsule of the attitudes, mores, and opinions of the day about women, children, religion, aboriginal, Asians, alcohol, manly men, effete intellectuals, and more. Take that or leave it. 

When he started writing the Bony books, Upfield was travelling around Australia in a caravan working as a Jackeroo by day and typing his stories by kerosine lamp by night. His descriptions of many of these places, and the people who live there, are sometimes compelling, as is about the last third of this tale.  

This is number thirteen in a series that started in 1928 and ended in 1966 to a total of nearly thirty. They are set wherever he parked that caravan.

Homework for our forthcoming trip to the Kimberley Coast.

Orders

Les ordres (1974) Orders

IMDb meta-data is runtime of 1 hour and 49 minutes, rated 8.1 by 1,100 cinematizens.

Genre: docudrama. 

DNA: Québécois. 

Verdict: Disquieting.

Tagline: Why?

‘The October Crisis of 1970,’ seen through the eyes of five innocent by-standers who were caught in the tsunami response: one is a union shop steward, his stay-at-home wife, a single father on the dole with custody of two small children, a woman university student, and a male doctor from a health clinic, three men and two women. They along with 500 others were seized and incarcerated without warrant, explanation, trial, or common courtesy: hand cuffed, stripped, strip-searched including ahem…, and verbally and physically abused as they were imprisoned. No indignity was omitted. As far as the police and warders knew, these were dangerous and violent extremists, despite their appearance.  

The details of induction into life in jail are many, and hard to watch, especially knowing that none of the five had anything to do with the events. (Nor did any of the others in the five hundred.) The only thing they have in common was being Québécois, but then so are their jailers.  

While the presentation is low-key and matter of fact, it cannot but remind viewers of Germans rounding up Jews or Latin American dictators sweeping up real or imagined enemies for one-way trips.  They were processed in the underground carpark of football stadium in that best South American style.

It can’t happen (t)here! But it did, and it might again. 

Notice the weapon at the ready.

Their homes were torn apart in the search for… no one seems to know what, and that ignorance made the searches even more furious and destructive, while young children were left without a parent as the police hauled away mom or dad.  ‘Not our problem,’ says one officer.  (Neighbours stepped in.)

The five were held from six to twenty days, and put under conspicuous surveillance after release. None of the 500 were charged with anything to do with the kidnapping and murder of the October Crisis.  Though the extra-legal searches did turn up evidence of other crimes, like unpaid traffic tickets, overdue library books, marijuana stashes, and other such high crimes. ‘Apprended insurrection’ not!  Those were the legal magic words used to justify the imposition of martial lawlessness.

The question is why these five and these five hundred?  What list(s) were they on?  The film gives no answer. 

There are extensive entries on the Crisis in the Canadian Encyclopaedia, but these are carefully bland, offering no insight into that question. The literature I could identify concerns the big picture and not these human faces.  

Those handcuffed and bundled away often asked: ‘Why me?’  On the rare occasions when they were answered the response was: ‘Les ordres.’  Makes you wonder whether your own name is on someone’s list.   

The direction and acting are low key throughout, and the telling measured and mesmerising.  It is more a documentary than a drama in presentation.

Sssh, listen to that star!

Whispering Star (2015) Hiso hiso boshi

Runtime of 1 hour and 40 minutes rated 6.5 by 1244 cinematizens

Genre: Sy Fy.

DNA: Japan.

Verdict: Museum pace.

Tagline: all trip, no arrival.

The inside story of UPS (Space Parcel Service) as the android operator traverses the universe to deliver cardboard boxes to the widely dispersed, few remaining human beings in the galaxy.   

The SPS van looks like a humble cottage outside and inside, except for the rocket motors, and the computer guidance system which froths at speaker on bad days. Imagine that, a rocket ship with a leaking faucet, and a moth trapped in the cover diffuser on a neon tube ceiling light.

Space is vast and empty and the deliveries take years. Many wonderful images of the cosmos. 

Strange since Amazon teleportation takes seconds but some people prefer this archaic method of dispatch. The android has a daily routine of cleaning and recording a log. We see this repeatedly. (Hint.) 

When not changing her AA batteries, the Droid does peek in some of the boxes (which are unsealed such is the trust in androids), perhaps wondering, if androids are curious, what could be so special or important as to warrant a ten-year delivery by hand. Only the most mundane objects are revealed: a hat, a pencil, a strip of film with banal images on it, a feather, one wood screw, a blank scrap of paper….   Upon arrival recipients are blasé about the decade long delivery, except for one whose reaction we see through a paper wall like a shadow puppet play. Marvellously done.  

Most of the outdoor footage was shot in the forbidden zone of Fukushima and looks it.  That reference will remind alert cinematizens of Andrei Tarkovsky (sorry about that), and yes on this point there is a resemblance to his Stalker (1979). But I found his palpable contempt for both audience and subject matter distasteful, whereas this treatment was restrained and presented its subjects with respect, even deference. This filmmaker did not watermark the film with a sneer like Tarkovsky.

Black-and-white with a minimal soundtrack. There are one or two shots of colour and a brief stretch of string music in one instance.  

Having said that, it still does not make much sense to me, but perhaps to thee. One review I read went on about Plato’s allegory of the cave, for no good reason that I could fathom.

Dans une galaxie près chez vous 2

Dans une galaxie près chez vous 2 (2008)

IMDb meta-data is a runtime of 1 hour and 40 minutes, rated 6.5 by 619 hopheads.  

Genre: Sy Fy.

DNA: Québécois.

Verdict: La même équipe, les mêmes blagues.  

Tagline: The second time is not even farce. 

It is 2040 and a desperate Earth, dying of its sins, turns to most puissant nation, le Canada, for salvation. Yes, things are so bad that Canada looks good.

The mission is to find an uninhabited but habitable planet for Earth’s ever decreasing population. With Les Canadiens uniforms, in ice hockey formation this is the crew for the job. Again.  

There are disquieting rumours that a ‘3’ will be made, if viewers show any interest. ‘Hands down, everyone!’

Feed the man meat!

The Big Meat Eater (1982)

IMDb meta-data is a runtime is 1 hour 22 minutes, rated 5.2 by 398 friends and family.  

DNA: Canada

Genre: Sy Fy.

Tagline: The best of the lot.

Verdict: Your tax dollars at work.  

A small town butcher in the Ottawa River valley has a shop built on a fuel source for an alien space ship.  To get at the fuel the aliens slowly (very) and subtlety (not) take over the town to get at the fuel.  

Sounds better than it is.  It is a bit of this, some of that, and less and less.  

The butcher’s slogan is ‘Pleased to meet you. Meat to please you.’  That is the only smile I got in the runtime.

Funded by Telefilm Canada, like Music of the Spheres reviewed elsewhere on this blog. Certainly no private investor would have bought this pitch. But a public service committee under pressure to spend the money or lose it did. Just think:  the proposal for this film must have been the  better than others on the table.  Think about that. Wisely, on its website Telefilm Canada does not list the projects it has funded.  

Lisbon 1938

Pereira Maintains (1994) by Antonio Tabucchi

Good Reads meta-data is 196 pages, rated 4.18 by 27,893 litizens.

Genre: Fiction.

DNA: Portugal.

Verdict: Pereira maintains.  

Tagline: What did Pereira do?  What will Pereira do?

It is the high summer in the Lisbon of 1938 Dr Pereira, editor of a minor literary page on a minor weekly newspaper, plods though life, obese, a widower, inward-looking, and slowly repeating each day the day before when by accident he comes across two young idealists out to save the world. 

Surprising himself, Pereira helps them with some small change, and then a few escudos, then a few more, and then shelters one of them, well two, because, from the shadows, a third emerges. Little by little he does more and more for them. 

It is neither a good time nor a good place to take even little chances.  Salazar’s regime is determined not to offend the great powers, starting with neighbour frenemy Spain then tearing itself apart in a savage civil war, nor the distant giant Germany still less Portugal’s historic ally Great Britain. To walk a fine line among these traps, the regime has given free rein to the Polícia Internacional e de Defies do Estado (PIDE), which encourages denunciations of anyone and everyone, and sure enough and soon enough Pereira is reported by a concierge who found his last Christmas tip inadequate, perhaps, thinking a new tenant would tip more.  Those young people hiding in his flat are exposed.   

The situation goes from bad to worse, but unlike most others, Pereira has a life boat. His night job has been translating French literature into Portuguese and this means he speaks French and has connections in France, so he packs a bag and scoots. Yes, we know this haven will not long be safe, but it is enough at the time.

Antonio Tabucchi

Pereira’s lonely and morbid day-to-day life in the scorching heat of day and the suffocating heat of night is well portrayed in short chapters with limpid prose. It brings to life something of the Lisbon we visited a few years ago.  

It is written almost as the confession of a crime: Intriguing, kind of a reverse krimi, as Pereira confesses how he came gradually to commit the crimes he did against the regime without ever quite intending to do so.    

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