IMDb meta-data is 1 hour and 40 minutes of runtime, rated 7.2 by 3,000 cinematizens.
Genre: Sy Fy.
DNA: France.
Verdict: Je suis perdu.
Tagline: Who cares.
Claude Rich gives a superb performance but it just doesn’t add up or hold interest. It is a series of tableaux, some repeated too often, with little momentum or coherence.
In sum, he is a rising man in a publishing house who marries a co-worker; she tells him that she likes him but doesn’t love him or care much about him or anything else. She is and remains clinically indifferent about anything and everything. (She would make a perfect manager.) It just gets worse when they move to Glasgow. Yep, just the cure for depression, a winter in damp, drizzly, dank, and dark Scotland. She dies. He feels responsible. He probably wasn’t responsible but it is ambiguous, and in any event that he feels responsible for her death makes it so.
He volunteers for a time-travel experiment, since he, too, is now clinically depressed (from reading the script). Seven scientists ensconce him sous vide in a bladder where he is to time travel to the past. What is the past but memory. The result is a shuffled mixtape of his memories, some on a loop, many feature Olga. It is vaguely implied that reliving these memories changes them somehow but that is only a speculation, not developed in the film.
Some of the memories are more likely to have been dreams with no basis in fact, like one where he is slaving away over copy late into the night when five of his superiors surround his desk and make disparaging comments on his work as he toils away. It may have felt like that but I doubt five senior executives stood around his desk at midnight. But then does dreaming it was so make it so in a memory? What is the membrane between memory and dream?
By the way, he is like many other celluloid time travellers in that he wants to go back in time, not forward. Wells’s eponymous time traveller went forward by mistake, I seem to recall.
Rich is in nearly every scene and carries the film with his impressive range of emotion, thought, confusion, loss, depression, and more. His last credit was in 2015.
IMDb meta-data is a runtime of 1 hour and 18 minutes, rated 6.3 by 2,900 cinematizens.
Genre: Sy Fy.
DNA: Yankee.
Verdict: Better than the title.
Tagline: I didn’t wanna do it!
The night before his wedding strapping Youth is body swapped with an alien (the monster of the title) who has come to Earth on a mission. The females of his world, we learn later, are infertile, and the mission is to determine if his kind can mate with earthlings to renew their species. Now in a semi-zombie state Youth goes ahead with the wedding but … well, his anatomy is new to him and there were no sex education lessons on the 1950s flight to Earth and he doesn’t know what to do.
His newly wed wife, true to the 1950s, concludes his frigidity and confusion is her fault and tries her wiles to seduce him. No sale. Meanwhile, his fellow aliens are body swapping with other young men and soon they effectively seal off the town. While most of the other aliens are as lost as Youth, one or two take out their frustrations with ray guns. A shoot out ensues.
Wife figures out that the problem is Youth, not her, and he confesses his extraterrestrial identity to her. She tries to tell others — a doctor, a police officer, a Republican — who, true to the 1950s, dismiss her reports as female hysteria. Cringe but true.
We never get to the mating, much to the disappointment of the Fraternity Brothers.
In hindsight much of it seems an unwitting commentary on the gender stereotypes and roles of the time and place. The condescending doctor was particularly irritating. It blends several Sy Fy tropes: alien invasion albeit low key, body snatching, isolated locale, disbelieving soon-to-be victims, and so on.
True to the 1950s, Youth was himself driven out of Hollywood as a homosexual shortly after this film. He took up a second career as a writer with success. Wife went into television with about a hundred credits. This seems to have been her only feature film leading role.
Olivier Zunz, The Man Who Understood Democracy: The Life of Alexis de Tocqueville (2022).
GoodReads meta-data is 472 pages, rated 4.08 by 37 litizens.
Count Tocqueville’s life’s work was the reconciliation of liberty with equality. It began when he was twenty-five and went on to the end. Liberty can only exist if it is self-limiting. Democracy with its countervailing institutions might offer a means to that end. This is a counter-intuitive conclusion because for most people liberty means license, that is, no limits, meaning anything goes. Of course, if anything goes, liberty will soon destroy itself, e.g., shouting fire in a darkened theatre.
This self-destructive tension pervades and explains everything he did and wrote.
John Stuart Mill put it this way: the maximum liberty consistent with a like liberty for all. We can only be as free as everyone else, and vice versa. By the way, he and Mill were correspondents, and Karl Marx may well have been in the British Library on the days Tocqueville visited with Mill.
It all began when as a bored lawyer with little to do, Alexis de Tocqueville (1805-1859) and his friend Gustav de Beaumont (1802-1866) went to the New World in 1831 for nine months, which to them was less a geographic than a political expression. The New World they wanted to see (and to report back to France upon) was Democracy which happened to be located in North America. Making use of their aristocratic connections during the reign of King Louis-Philipe, they got themselves commissioned to study prisons. This writ related to a movement to reform French prisons to rehabilitate inmates rather than only to confine or to punish them. The commission gave them letters of introduction and entrées to French counsellors but no financial support. The trip was funded by their families.
They did visit many prisons like Sing-Sing and they did write a report (1833) which few either read or cite. More importantly, Tocqueville wrote the magisterial Democracy in America, and Beaumont wrote novel called Marie (1835) (about the evils of slavery and racism which he had seen).
The trip itself is worth reading about: they went by ship, steam boat, canoe, barge, horseback, foot, raft, dog sled, mule, and stagecoach from New York City, Boston, Montreal, Quebec, Detroit, Sault St Marie, Green Bay, Pittsburg, Cincinnati, Louisville, Nashville, Memphis, New Orleans, Mobile, Columbia (SC), Fayetteville (NC), Norfolk (VA), Baltimore, Washington (DC), Philadelphia, and many points between from May to March of the next year through swarms of mosquitos, boiling heat, enervating humidity, hail, driving rain, sleet, snow, over black ice, and repeat. See Anne Bentzel, Travelling Tocqueville’s America (1998).
They met all manner of people from President Andrew Jackson, former president John Quincy Adams, Davy Crockett, Sam Houston, to rising magnates, and French-speaking native Amerindians around the Great Lakes, German immigrants who spoke no English, and more. This trip and these experiences were the formative years of his life and later as he wrote the two volumes, the experience made him the man he became. The book was his teacher as he ordered, culled, refined, discarded, reinterpreted, digested what he had seen, heard, and learned, and it changed his mind about many things. To be sure, the man certainly made the book, but the book also made the man.
Having seen France go through one cataclysmic disaster after another, each of its own making, Tocqueville hoped to find a new way to live in Democracy and to communicate it to his fellow citizens. This ambition was no abstract exercise for him. His parents, just married, had been arrested and sentenced for the crime of birth to the guillotine during Robespierre’s Terror. They endured 10-months or so on death-row waiting for their turn at the blade, such was volume of prisoners, as all of his wife’s family from her aged great grandfather to her teenage nieces, nephews, and cousins were beheaded one after another to the audible cheers of the crowd. They were spared, and later Tocqueville was born, only when Robespierre was ousted and there followed a brief respite in the blood-letting.
The author avoids the pious homilies that others shower on Tocqueville when he points out more than once the obvious that he missed, like the suppression of his Catholic brethren in New York City and Boston, like the emerging political machines in those cities, like the continued theft from Amerindians, like the oppression of French in Canada and the Irish in the States, the early gestation of the abolitionist movement in Boston, and so on. Nor did he have much of an eye for the wonders of nature. There was so much to take in and almost all of it was new to this ingenue, so that he did not perceive it all.
What he did have was a thirst for knowledge, and he filled one notebook after another with observations of towns, crossroads, inns, street scenes, hotels, and endless interviews with all and anyone would talk to him. He spoke a fractured English swotted up during the sea voyage to New York. In addition to the high and mighty he met, he also talked to wagoneers, hunters, inn keepers, travelling salesmen, farm wives where they bunked en route, gamblers, deck hands on river boats, a day labourer at a harbour, and a slave or two. When they took ship to return to France he had three large steamer trunks filled with the notes and artefacts he had collected from government reports to a bow and arrow and a buffalo rug.
As he travelled through North America he hatched the idea of a book on democracy, but upon return he and Beaumont decided they had to write the prison report immediately to complete that obligation. They did so post haste: On the Penitentiary System in the United States and Its Application to France, which runs to 300+ pages, nearly half of which being appendices of notes and documents. What they found was no system at all but variations between and within states. A great deal of hindsight has been applied to this report by scholars in search of a topic.
Tocqueville is so judicious, careful, and hesitant in Democracy in America that he gives lengthy accounts of opposing points of view, subsequently providing ammunition for others to quote for and against every proposition he considers. He can be quoted for and against democracy itself, since he recognised and catalogued its flaws and failings. Moreover, he did not suppose the American example could be transplanted to France, so he did not recommend that, but rather sought, and continued to seek, the underlying mechanisms that could be developed in France. Hence, his later research into the origins of the French Revolution, where he elaborated what a hundred and fifty years later would be called the J-curve explanation of revolution. (Look it up, Mortimer.)
Every US President, except for the illiterate one, has had occasion to quote, cite, or refer to Tocqueville, yet one suspects that they have seldom turned a page of Democracy in America (1835 and 1840), making it a classic that fits Mark Twain’s definition perfectly. It is widely cited and equally unread. I have to plead guilty to that charge. I bought the abridged student edition of the two voluminous volumes when I was an undergraduate and read whatever was assigned at the time and no more. Since then I have picked over other sections when investigating this topic or that. I tried and failed to read the long chapter ‘The Three Races.’ It is a safe bet that few, very few, of those who quote from Democracy in America have read even as much as that, and sure thing to bet that they have not read more.
By the way, while topics like the tyranny of the majority command many citations, one of the best parts of the book concerns the development of public opinion in the spiral of silence.
See also, as reviewed elsewhere on this blog, Leopold Damrosch, Tocqueville’s Discovery of America (2010).
By the there is a phd to be had in a comparative study of theorists in parliament, Tocqueville, Mill, and Max Weber had a term in office. Who else?
Daydreaming during a zoom meeting with the boss Melody gets a message in her lunch time bowl of alphabet soup! No, she doesn’t believe it either…she soon has reason to do so.
The earth is under attack by aliens, starting with her!
Fortunately for us she still has her blue guitar borrowed from Wallace Stevens for ‘things as they are are changed upon the blue guitar.’ Pretty good poetry for an insurance agent.
It is one hoot and holler, ending with the promise of Melody’s further adventures! Yes, please.
We Scholars: Changing the Culture of the University (1995) by David Damrosch
GoodReads meta-data is 242 pages rated 3.83 by 6 litizens.
The central line of argument in this monograph is the long term deleterious effects of specialisation which combines with a central tendency of colleges and universities to converge on a single model, as seen in Australia where within a decade colleges of advanced education and institutes of technology assumed the name and morēs of universities, abandoning their own distinctive histories and achievements near instantly. In my small world I had an experience similar to one the author describes. Writing a letter of assessment for a candidate for promotion in one of those re-named institutions, I meant to praise and support the individual. In it I emphasised the clever means by which she had integrated current research into undergraduate courses and presented it in ways that would arrest the attention of young students, adding that I had seen her classroom interaction with students and admired it. I also said that chapters of her dissertation could be published in the fullness of time for their groundbreaking insights. Pushing back from the keyboard, I thought that this testimonial would help. Not so. In fact, quite the reverse.
I had tried to calculate the letter to match the circumstances of what was in all but name a teaching-only institution and so stressed teaching and put that comment on publication as a ‘might be.’ Both tactics were mistakes. My assessment had been sought, said an icy reply from the dean at that institution, because I was a leader in the field (no one else before or since has ever crowned me thus, so I savoured that) at the leading research University (our marketing department always said that but this was the first and only time someone outside feigned to take it seriously) in the country so that I would measure the candidate against the standard that prevailed in my milieu. Oh. By concentrating on teaching I had condemned the applicant.
While he mourns the loss of some of the fruits of a core curriculum in a common reference point, in shared experience, and in the intrinsic value of much of it (like William Shakespeare or Emily Dickinson) as compared to watching a comic book-based film, he makes a hash of the defences of the core by the likes of Allan Bloom by showing just how selective that core always was, namely that despite the loud and persistent howls of its defenders it never did include anything of the stories from the Bible, yet what could be more core to the Western tradition than that. He also shows just how narrow the focus is of one the most widely used undergraduate literary anthologies (which I had myself in those salad days), the Norton Anthology of World Literature. His aim is not to amend the core with the Bible, but to demonstrate how tenuous the justifications for the core have been.
In my years I heard the ‘curriculum’ discussed repeatedly, even annually, but in none of those discussions did I ever hear anyone talk about what a students needed to learn and how they would learn it by graduation. The discussion was always about boxes of content that might allow us to teach our research to undergraduates. In other words, the interests served were those of the teachers not the students. This order of priorities was announced early in my experience by one colleague thus: ‘It matters not what the subject is, as long as it is offered with enthusiasm.’ I put it somewhat more delicately than he did, but clearly it was all about being the centre of attention and having a captive audience to do what he liked to do. Yet these discussions of curriculum could be teleological, reasoning backward from the knowledge and experience a citizen might benefit from in later life, a civil servant, a lawyer, a social worker, a journalist, a parent, a researcher, a data analyst, a trade unionist, a community organiser, and a graduate student. Once three or four of these generic types were identified the content and the experiences were put under them, or not. By experience I mean, essay-writing, small group seminars, group work, community research by interview, statistical literacy, front of the room presentations, analysis of data, comparative assessments, revisions, seminars and other kinds of discussions, long or short essays, and so on. This approach never worked.
He also indicts the nationalism of departments to which I plead guilty, nor do I like the changes he has outlined. Dissolving departments in financial acid, which is certainly happening, will create a mass society in which individuals relate singularly and poorly to the whole. That way lies hegemony coupled with anomie and alienation, requiring a new book to address that situation with another title drawn from Nietzsche.
He is dead right about the hypocritical individualism of the humanities and social science professoriate. On the keyboard we pound out clarion calls for community engagement, civil society harmony, fraternity, and camaraderie, but themselves refuse to go to committee meetings, or worse, once there, feigning duress, fail to take the proceeding seriously during and afterwards, or concentrate on their grievances (that start with parking). Of course many committee meetings become idle talking shops but that is because of the participants, not intrinsic to such associations.
I savoured his description of academic conferences as the opportunity for delegates to patronise inferiors, pander to superiors, and sample the local cuisine. His explication of the mechanics of conferences that lead to those ends is interesting and it is juxtaposed to a residential, invited seminar of dozen specialist which was productive. Hmm, I took part in a couple of such gatherings that included Olympian professors, ambassadors, senior civil servants, and an international celebrity and found them useless. Everyone talked when it was their turn, but it was never anyone’s turn to listen, it seemed. People talked past each other in seriatim though everyone was effusive at the end about how wonderful it was. They liked the local wines, sights, and cuisines.
Though Damrosch deplores the denigration of undergraduate teaching in favour of graduate supervision, he does the same himself in that the longest chapter of the book, with one of the most developed alternatives, concerning graduate education. While its importance is undeniable, say I as one of the its products, it is not the heart of higher education for it touches so few. Of courses, there are the indirect and long term effects but they are even harder to estimate.
David Damroch
It is an insightful, well written, and fully researched book. Yet since its publication in 1995 the major changes in higher education have not been such as he commended, but rather, changing attitudes of students to inflate grades, and in Australia the availability of material first through the cheaper air cargo of print books and now digital technology, and ever more resources like Wikipedia or ChatGPT.
GoodReads meta-data is 352 pages, rated 3.72 by 458 litizens.
Genre: Krimi
DNA: Ireland.
Verdict: More, please.
Tagline: High heels on cobble stones?
Author with book
A krimi set it in Dublin during May and June 1940, sprinkled with Gaelic and the manners and morēs of rural Erin. A desperate Britain might be driven to occupy the Free State to preempt a German advance. That would start with seizing the western ports and airfields as enclaves for the Battle of the Atlantic, and once ensconced, expansion to the hinterlands would follow all the way to Dublin. Or the Germans, already using Ireland as a base for spies, might target the western ports for its U-Boats. That seems dangerous enough but there is also the irreconcilable IRA within looking for German allies to unite the island on the principle that my enemy’s enemy is my friend. Meanwhile, the parliamentary government with a thin majority and thinner legitimacy sticks to neutrality in word and deed, while preparing for both eventualities.
Into this minefield steps a junior army officer who reads some German and because of that is transferred to Army intelligence and set to work spying on the spies both German and British and later American. There are some nice twists and turns and the characters are several and varied. There is much of the time and place, the bicycle as transportation, the ubiquitous cigarettes, the invisible hand of Catholicism in hospitals and schools, the furnishings and dress, the smells and sounds of the city, but the descriptions of these backdrops are spare and do not deflect or delay the narrative. By and large the author’s touch is light but firm and clear.
The officer is a country boy new to the ways of the big city, and stumbles around. But he is good at finding threads in the files of reports, and questions the obvious that others have looked through. Moreover, his knowledge of German is better than that of many others in the office, and they turn to him for help in translation, which enlightens him further about the bigger picture.
There is no explanation of the title that I noticed, and note well that the title used by three or four other authors. Nor is there an explanation of why and how he learned German.
I liked it enough to go onto the second in the series, and the third.
Above, I said that the characters are varied, and when I started another similar book, I was reminded of the importance of that variation. In this other, unnamed book, every character in the Kindle sample uses the same words, idioms, and register, like one of those plays where one actor does all the parts, changing costume but nothing else.
The Gentleman from New York (2000) by Godfrey Hodgson.
GoodReads meta-data is 452 pages, rated 3.58 by 40 litizens.
Genre: Biography.
Verdict: Well written and insightful.
Tagline: He did it his way.
Born into an ethnic minority in New York City, as a boy he shined shoes in Time Square for eating, not pocket, money. He went to high school in Harlem, while living with his mother and two siblings but no father, above a saloon in Hell’s Kitchen. He went to a modest college thanks to a stint in the US Navy 1944-1946 and the GI Bill. Those experiences etched onto his soul the belief that government could improve the lives of citizens. And that it should do so, else what is it for. This is Daniel Patrick Moynihan (1927-2003).
In later life he would be a cabinet official, an Ivy League professor, an ambassador twice, and for twenty-four years a US Senator where he master-minded several important acts without the glory of attaching his name to them, in part, because his name had become a lightning rod for cheap shots.
Of firm principle though not an ideologue, he was able and willing to work with everyone and anyone to advance a purpose. Indeed he often found it easier to work with his opponents than his brethren in a time less polarised than today.
A birthright Democrat he did things his way, much to the irritation of many of those brethren. With opponents the dealing was face-to-face and more likely to be honoured than with one’s own who were given to back stabbing and weaselling. He put it this way, an agreement sealed by a public handshake with a Republican always stood, but not with a Democrat for whom the handshake was only the beginning not the end.
Faults, he had a few and a few more, not all of which are given space in these pages. There was a temper that burned. When inactive he spent far too much time with the Mexican ambassador (code for drinking bottle after bottle of dry sherry in his private office). He had blindsides about some people. His prose could be so florid that the meaning was obscured by the foliage. An intellectual bully, he quoted Shakespeare or Coleridge in reply to questions without relevance to intimidate interlocutors.
His career-long commitment to social welfare conjures Michel Foucault. Moynihan opposed the welfare professionals (bureaucrats, policy makers, social workers, community counsellors, special needs educators, applied psychologists, and hordes more) for siphoning off the money. What poor people needed was money, not counselling and all that. To get money and keep getting it, they needed jobs. More and better jobs meant more and better citizens. When possible he worked on finance not welfare to reduce the need for welfare.
His arguments with and against the welfare industry lobby certainly echo Foucault and vice versa. Moynihan valued data and on those finance committees he concluded that at least 25% of the welfare allocations went to administration, paying all those specialists as indicated above. Bigger programs were even more top heavy with management and compliance costs added. In one case he documented (thanks to his unthanked research staff) more than 50% of the funds went in salaries to the middle class professionals who ran it. He concluded and said that the achieved purpose of the program(s) was not to deliver benefits to those in need but to make interesting and rewarding careers for the professionals who serviced them. (Those with ranch experience will note the use of that word ‘service’ with a smile. Others will not. So be it.)
Earlier he had used data to argue that unemployment and poverty together with the scars of slavery and racism had eroded the family among black Americans. To address this problem two things would help, one, stop the rhetorical fanning of the racial flames and, two, a productive economy based on a sound educational system. Incentives for businesses to locate in areas where a black population needed work made more sense to him than parachuting in community organisers, social workers, and so on. The organisers would certainly not stay but the businesses just might.
He always thought and said that the nuclear family was the foundation of a stable society. Imagine all the stones thrown at that contention today. The self-serving ideologues (equivalent to those welfare professionals) would be lining up to hurl abuse at him. The line forms at the right and left.
For these liberal sacrileges he was excommunicated from the tribe.
There are many details about legislation: I particularly liked the analysis of impeachment. Also interesting was his dissection of the Clinton Health care fiasco. Although it avoids the intriguing the prior question of why and how citizen Hillary Clinton could devise and propose legislation in the first place. (The second question is off page, but why did such an insider as Hillary offer such detailed legislation, having in it real or imaged targets for everyone looking for a shot, cheap or not.) Among the other tidbits was the size of a Senator’s office with committee assignments, at times he had a staff nearing 500. I suppose it is more now just to monitor the social media. He once won nearly 70% of the statewide popular vote. He became more patrician than a lord, but, unlike others, he did know when and how to quit and he did.
The book is well written and thoroughly researched, and focused on his public career. Even so there are omissions like campaign finance. At no time did he seem to have troubled to mentor others onto the path. He always seemed to do the talking. There is little, very little, about his private life as husband, father, son, churchman, or neighbour.
He loomed large on the distant horizon when I was a budding social scientist, and I wondered about him. He was both more and less than he seemed in those days. More because of his unusual background for a US Senator and Harvard professor, and less for his one-eyed focus on welfare so that he could ignore the Vietnam War, Watergate, and much else.
IMDb meta-data is a runtime of 1 hour and 30 minutes, rated 7.1 by 131 cinematizens.
DNA: Ireland.
Genre: drama.
Verdict: hooray.
Tagline: When the dog takes over control…
In a village in west Ireland near the sea live Róise and Frank, who is Mr Hurling in those parts. But before the film begins, Frank has suddenly died, catching Róise unprepared and leaving her bereft. Her portrayal of grief is relentless and moving. Very purposefully a lurcher (that is a dog) makes its way through the fields, down country roads, and along lanes to her yard where he takes up a watching post. When she notices him, yes it is a him, she is, at first indifferent, then slightly bothered, and later alarmed when he insists on accompanying her grim walks to the bottle shop, and when upon her return, he pushes into the house. She takes fright and shooed him away…she thinks.
This dog is made of sterner stuff and persists and persists. And again once in the house, the mystery begins and ends. The dog takes up the deceased Frank’s chair and when hurling comes on the TV while she mopes in the kitchen with another bottle, the dog stares at the televised hurling game and barks when the home team scores. Just like Frank. His favourite meal is the same as Frank’s. And so it goes.
During one of her mopes, the dog drives her out the house and herds her on a walk to … the vista she and Frank almost always went to after tea (that is dinner to you) on nice evenings. There is more but – spoiler alert – she becomes convinced that this dog is Frank returned to her!
The dog herds a local boy into ever more hurling practice to sharpened his reflexes, hone his eye, and build his sadly lacking confidence.
It is charming blarney and the dog steals the show.
The acting is superb all the way around. Her confused grown son the doctor is, well, confused by her mania. The local pub-bound layabouts are bemused by the insinuation of the dog into village life as the hurling team’s mascot, and the widower neighbour is jealous of her affection for the dog. There is some choral singing to spice it up!
Love the sign that said ‘No Dogs Allowed…Except Frank’ at the hurling pitch.
Not my usual fare but it came up as a choice during the long flight to Honolulu in July, and since I had been reading krimis set in Ireland, I pursued the Irish connection.
IMDb meta-data is an excruciating runtime of 2 hours and 45 minutes, rated an incredible 8.7 by 1,934,705 of the credulous.
Genre: Sy Fy.
DNA: Yankee.
Verdict: Alas.
Tagline: It’s the end of the world, again, and only one man can save us, no not James Bond (sigh, I wish) but….
It is the same old connect the dots plot. Our heroic pilot ferries the scientists to their deaths one-by-one with his trick reverse parks. Hundreds, thousands have been trained but he is the only one who can do that. Though twelve did go first. Sure that makes sense. Tarkovsky is not the only director who treats audiences with contempt.
Watching this was the first time I have even felt bored by the representation of space, though plenty of high priced weightlessness. There was much talk of gravity that reminded of the superb film of that name with another good ole boy in it.
‘They’? Didn’t find out and didn’t care. Liked the domino robot computer
Exhaustingly researched by watching other movies it seems. The claim is also made that it is based on S C I E N C E. Sure. Whatever. Based on science, the science of speculation. All the hallmarks of this director’s work. A serial disaster movie as the action moves from one to another.
Bladder-busting length, mountainous clichés, solitary heroism of a unique genius, and a gargantuan production in which no expense was spared. What was spared was intelligence, insight, and imagination. The acting is fine. I was surprised by MM’s credibility, but honours go to John Lithgow who delivers a fine supporting performance. Michael Caine was sleepwalking, at best, but then he didn’t write the lines, one of which posits is, by implication, that the solution to an intractable mathematical problem is simply more time, like learning conjugations. Goldbach conjecture and Riemann hypothesis are next! Anne Hathaway’s part was underwritten, leaving her little to do.
Thought they chose MM for his previous experience with aliens in Contact (1997).
These people have never seen a dust bowl and evidently did no research on the subject since the representation of a dust storm here is nothing like as ominous or ferocious and seemingly endless as the real thing. DUST BOWL PICTURES. Instead we have a long pointless scene of MM staring at the dust on the floor. Get a broom! Sweep it up man! There are a lot of those, long and pointless scenes.
There is a far better description of a dust storm in Sidney Courtier, Softly Dust the Corpse (1960), a marvellous krimi.
Gigantic wave over 12 inches of water is not possible. Check the science on that. Not even on a strange new world, about which no curiosity is ever shown. Check with your local science advisor.
We know the daughter is smart because when she left the house window open to the known threat of the elements, we see that her room have floor-to-ceiling fully loaded book shelves. Who needs a computer or Kindle when you have these tomes gathering dust. Yet she is supposed to be a tweenage wizard. While on tech, there are a lot of computer screens on display but whenever anything important comes up, it’s on a whiteboard, blackboard, or piece of paper..
My finger was never far from the fast forward button.
Maybe those who rated it highly haven’t yet seen these clichés as often as I have, but they will, I am sure.
Albeit, less preachy than I expected given the plot kickoff.
IMDb meta-data is a runtime of 1 hour and 43 minutes, rated 5.2 by 1694 members of the producers’ extended families.
Genre: Sy Fy
DNA: Yankee
Verdict: Meh
Tagline: Me, myself, and I.
In sum, the one-man crew sets off on a ten-year mission and talks to the camera in close-up for about half the runtime. There are actors who could make that engaging, but none of them were available for this film. The only explanation for the one-man crew is the producers’ budget. Why the mission must take ten years is anyone’s guess.
Here is the set-up: SETI has received and tracked three radio signals. (See, overkill. One would be enough. And overkill leads to boring repetition in lieu of development.) Off Hero goes, leaving behind for those ten years a wife and child after five-minutes of thought. No one will go with him but he loves his own company, so fine.
Like the audience, he passes much of the time asleep, repeats three searches on three heavenly bodies – two moons and a dwarf planet. We see each wake-up call. We see each search. Each time he finds an opaque glass orb tennis-ball size that seems to the origin of the signal. He reports this by instantaneous communication from Neptune. Sure. But he himself shows little interest in them since he is a pilot not a scientist. Yep, perfect man for the job. When he touches a ball with his bare hand, he has LSD visions of the cosmos which he does not report, least somebody tell him not to play with the specimens, I guess. (Confession, finding the dialogue so trite I turned down the volume for a lot of the runtime, especially when I hit fast-forward.)
In his communication things seem to be changing at Mission Control, but that hint is not developed. His spiffy controller slowly deteriorates into a ragged and haggard man. Ditto he seems to lose internet in wife and home.
It goes on, and on.
On the plus side, I am always intrigued by first contact that isn’t a shoot ‘em up. And the glass balls were a surprise but the novelty wore off by the third time. The Space Odyssey visions of the cosmos were fun but had no meaning and might just as well have been drug-induced.
On the other side, with a one-man crew there is no interaction, no second opinion, no tension, no teamwork, just sleep and awake. By the way, in the ten years his hair did not need to be cut, since there was no other member of the crew to do it, apart from Siri and Alexa. The repetition of searching for and finding the balls was a killer. Someone should have introduced him to his wife: in their few scenes and interactions before departure, they seemed to be strangers.
Some reviewers excuse its faults because of its low budget but the problems are in the story not the colour of the walls of the space ship.