‘Eyes behind the Stars’ (‘Occhi dalle stelle’) (1978)

IMDb: 1 hour and 32 minutes of Dali time, rated 3.7 by 280 relatives of the actors.
A photographer and a model are in the English countryside doing a fashion shoot. Much snapping in a sunny lea occurs, then for a change of mood they enter a darkling glade, and after a few minutes there is off-camera heavy breathing. No, wait that was the fraternity brothers on the sofa.
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Well, yes there is heavy breathing on the soundtrack, and we get a distant fisheye view, the first of many, of the twosome. They then feel creepy and scoot.
Back in his home dark room, the photographer develops the pictures and sees….! (Well, maybe it was David Hemmings from ‘Blow-up’ [1966] because it starts the same way). I was never quite sure what we were supposed to see in the photographs since they were out of focus as was most of the film, but latter it is declared that there were ETs on the snap. Ok, those with the script should know.
The snapper has a haircut like an unclipped Puli or maybe two Beatles’ wigs one atop the other. With that hair he cannot be too bright, and to prove the point in the dead of night he returns to the glade. Guess what happens to him!
Yep, the ETs get him, though not without a fight in which a local farmer and his dog are casualties. Thereafter the body count increases. Puli is on board the saucer and the twig-thin and short ETs in grey, polyester, and knit onesies with opaque blue visors set about him. These rompers are stompers!
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Boy, can he bug his eye out! Boy he had reason to do so! See the size of that probe! Yikes!
Efforts to find a picture of the ET onesies failed. The conspiracy of silence applies even to that!
Puli had left a message for Eye Candy of his idiotic plan for a nocturnal visit to the glade and she turns, as one does, to the nearest blood sucker from the media, who sets about making matters worse.
Thereafter it is a race to see who can destroy the evidence of the ETs first, the ETs themselves with their fisheye views and heavy breathing, or the conflicting forces of order: police, detectives, military, secret service, and the men in black. Yes there three men in black and without the moral compass of a pug they go crazy. The forces of order want to suppress the ET news to avert panic and have been doing so for two generations. Well done, chaps. They spend a lot of time arguing among themselves about KPIs.
The ETs may have their own agenda but there is no communication with them. We are left to fear the worst, McKinsey managers! They just breathe and gander while themselves knocking off bystanders. The body count rises as both sides seek the pictures and then the negatives.
Spoiler alert!
It does have a twist in the tail. When Blood Sucker has the facts, the men in black, not wanting to be outdone on the KPI of bodycount, kill him and his two or three, I lost count, abettors along with Eye Candy in a hail of sound effects!
The end.
Moral? Do not cross men in black without a pug.
The closing title assures us that this story is based on fact. How so since most of the principals are dead is anyone’s guess? Did the the men in black kill-and-tell?
It is an Italian production set in England with German and American actors as well as Italians. While the number plates are English and there is Land Rover much in evidence neither this vehicle nor any of the others are left-hand drive. The American is dubbed with a Scots accent, sometimes. The German speaks German and is dubbed with a mumble.
Italians have been trying to pretend they do not have an ET problem by projecting such tales on to England, but Silvio has been a dead give-away.