‘I criminali della galassia’ (1966) aka ‘Wild, Wild Planet’

IMDb meta-data is runtime of 1 hour and 33 minutes, over-rated 4.6 by 668 cinemitizens
Verdict: ‘Italian Sy Fy,’ that says it all.
Wild Planet.jpg
In 1966 the television series ‘The Wild, Wild West’ (1965-1969) was hot on American television and the title of this exercise was changed for Yankee release to ‘Wild, Wild Planet.’ The Italian title, for the literal minded, is ‘The Galaxy Criminals’ and has as much relevance to the film as the alternative title: None.
A Mad Scientist, played with oily charm and face moles by Massimo Serato works for The CBM Corporation and is aboard a United Democracies Space Command space station – shot of the same space wheel from countless other Italian Sy Fy films. Commander Mike, who looks close to retirement, reluctantly plays the host offering up his girlfriend to Oily.
Oily works his wiles on Mike’s squeeze and off they go. Sniggering was heard from the fraternity bothers’ sofa. Mike looks none the wiser, and stays that way.
Meanwhile, bald men with wrap-around sunglasses wearing Nor‘easters are kidnapping 6000 people a day in one city alone. Wow! Those KPIs are something else!
Garbbers.jpg Here they are comatose at a training seminar.
The authorities notice these disappearances, eventually. Italian bureaucracy is like that. This Herculean kidnapping labour is eased by the fact that the villains shrink the unconscious victims to pocket size. Oh, and the baldies also have four arms. Yup.
Since Commander Mike has nothing else to do now that Ms Squeeze is …., he investigates the disappearances. He does this work by answering the telephone. Exhausted. He rests.
Chin up, Reader. It gets worse.
Oily’s plan is to use the carefully selected kidnappees to create super race in Dr No’s lair, which Doc is subletting to Massimo. That is not the worst.
What’s worse? Here’s worse.
He has lured away Ms Squeeze, and it took little more than a crooked finger to do that, because he plans to join with her. ‘We knew that,’ chortled the fraternity brothers! Hang on, you dolts! Not like that. He plans to splice the two of them together with Dr No’s laser into one perfect being. How and why is not included in the screenplay.
What’s the word that comes to mind….? Nuts!
In this one instance alone I admit the fraternity brothers had the better idea.
Commander Mike blunders around with blow torches and saves the day. The lair is flooded with fatal tsunami of cherry Kool Aid. The end.
There is no galaxy in sight, nor any planet. The only wild part is the 1960s use of primary colours.
The effects are straight from a primary school classroom. Credit the players for trying and among their number is Franco Nero, who now wishes he had used a pseudonym. The production team made three more films of this ilk, reviewed on this blog, ‘Battle of the Worlds’ (1961), ‘War Between the Planets’ (1966), and ‘Snow Devils’ (1967). The same shots of the space wheel appear in each.