IMDb meta-data is 2h and 9m, rated 7.2 by 17,000 cinematizens.
Genre: Mystery.
DNA: Gallic.
Verdict: Unusual.
Tagline: ‘Ear that?’
Another French movie, another ear, this time on an acoustic analyst who works on the flight recorders from plane crashes, of which there seem to be many to keep him busy. This hero is a super nerd, yet even so he has an attractive wife who seems to love him. Strange. Nerd boy is so introverted he folds up, the more so and often because of his acutely sensitive hearing that makes a reception excruciating, but it means he can hear a change of pitch in background engine noise on a flight recorder.
I wrote an undergraduate thesis on regulatory capture, and that is what we have here. The regulator works closely with the regulated, so closely that it is hard to tell where one ends and the other begins. His wife works for a manufacturer of airliners, and she is personally dynamic and socially adept as well as technically competent, unlike Nerd King who sits all day in a dark room listening to engine noises, she wheels and deals.
The technical aspects are in the forefront, so unlike Hollywood, and these hold interest but as the aged and redoubtable André Dussollier (first credit 1970, and latest 2024) says, ‘with those toys you can make a recording say anything you want,’ and that seems to be what happened in the main event. In reality André would have been pushed into retirement years ago in any public service.
Of course, there is a deep and dark conspiracy that does not involve Boeing, but one thinks of 737MAX nonetheless, to approve a plane before it is foolproof. And a fool proves it.
The forensic detail certainly held my interest, though it was hard to take seriously the mismatched couple. Even harder to take was the disappearance of the chief acoustic technician, played superbly by Olivier Rabourdin, in the middle of the investigation and no one seems to notice or care, for some time.
Good to know that greed, corruption, and stupidity are not limited to the Anglo-Saxon world, but sad to know that screen writers can only grasp bad will, and nothing more complicated.
P.S. there are scores of films that use that title.
IMDb meta-data is a runtime of 1h and 44m, rated 6.8 by 892 cinematizens.
Gerne: SciFi, dramedy
DNA: Quebecois
Verdict: Low key, very.
Tagline: He’s Elizabeth.
The milquetoast junior high school gym teacher gets an early morning phone call telling him, he’s a match. His answers to a stream of questions match those given by someone else. Off he goes. It is so secret he cannot tell his wife, but she stands by her man.
I cannot say much more without spoiling the plot and in this case the plot is all. Suffice it to say that it is an absolutely deadpan comedy as role and player blur and combine.
IMDb meta-data is runtime of 1h and 55, rated 6.9 by 22,000 cinematizens.
Genre: Thriller, Scifi elements.
DNA; Gallic.
Verdict: Well done, but why?
Tagline: here, hear.
The SciFi premise is that in the near future France is a superpower, and in the great tradition of such powers its armed forces go around the world shooting people and places up. Hey, that sounds like reality.
The action takes place on a super duper submarine where Hero is the sound-man. No he doesn’t hoik amps. He is an acoustic warfare officer who listens to the waters. There is a lot of technique in this that I liked. Hero is good at this but he overthinks things and tries too hard to prove himself to skeptics and makes a mistake. Or so it seems. I also liked the way the filing system played into this mistake. Then there is the onboard computer that doesn’t work, because we’re over budget for operations.
Things get tense and it is submarine against submarine. It’s all about the nuclear option.
There is a love interest for Hero who appears and then disappears. Most of the players are adequate, but none outstanding, though I admit I found it hard to take seriously the popinjay admiral.
Despite the setting, this one did not convey the cramped and compromised nature of the sardine can.
Oh, and it is spoken (not dubbed) in English on the SBS version, which is interrupted by inane commercials.
Good Reads meta-data is 332 pages rated 3.66 by litizens.
Genre: krimi.
DNA: Finland.
Verdict: Loved it.
Tagline: Goofy did it!
Book and author
It is all in the title. An enterprising entrepreneur, enthused by an MBA to think big and bold outside the box (aka reality), opens a resort on the Baltic Coast of Finland. He has invested in cabanas, floats, sailboards, tanning mirrors, sand pails, outsized towels, surfboards, pedal boats, sunbrellas, banana chairs, floppy hats, the whole Waikiki beach shebang. However, banks do not lend outside the box, so he borrows the money outside the box of legality. The debt collectors cometh.
She works there as a life saver, never mind that few can swim in the Baltic Sea…and survive without wearing two wet suits even in high summer. Beach resorts must have lifeguards. Having inherited her father’s cottage nearby and jobs are few, lifeguard it is for her, while she sets about renovating the house. Then one day she came home from work and to find a deadman in her open doorway. Who was he? Why was he there? What happened to him? Will there be more trouble? WTF?
It makes no sense to her, and so she gets on with her life. The local plods are at a loss and so in the time-honoured tradition of real life, they blame the victim, no not him, her. They begin surveillance, not to protect her from another incursion, but to implicate her in the crime. To add to the fun, they call her in for questioning time and again hoping to catch her in a contradiction. All this pointless activity is noticed at the National Crime Agency which sends in an uncover agent to sort things out.
While Undercover is chatting her up in a bar, her garden shed explodes. Ditto WTF! Undercover is pretty sure she had nothing to do with this second event, but the local plod are sure she did…. Another touch of realism when the cops work against each other rather than the krims.
I enjoyed the trip through the north woods, and the portrayal of the Laurel and Hardy villains. But, mystery remains, I never did grok why Anton was there in the first place. Maybe I blinked.
Good Reads meta-data is 240 pages, rated 3.38 by 168 litizens.
Genre: krimi.
DNA: Japan.
Verdict: A Nō pastiche with added Gaulic. (Get it?)
Tagline: Arsène did it
He’s here. He’s there. He’s everywhere. Gold Mask is supervillain. The amazing he does immediately. The impossible takes no longer. Acrobatics. Ventriloquism. Legerdemain. Sleights of hand. Plans made years in advance. He learned a lot from Fantômas, all 32 volumes.
He’s altogether too bad to be true as he runs rampant in Tokyo. He is Arsène Lupin of 24 novels.
Comes complete with footnotes to Leblanc stories.
The dialogue put me in mind of silent movie inter-title cards.
Edogawa Ranpo,
The feline cognoscenti say it is not his best work.
The book was recommended by Snowy the cat who is usually a more reliable source than Good Reads reviews.
Good Reads meta-data is 251 pages, rated 3.56 by 231 litizens.
Genre: krimi.
DNA: Finland
Verdict: A light touch.
Tagline: The forest primeval.
When a sauna is maxed with an occupant who cannot get out, this victim watches as the stove slowly gets hotter and hotter with no water on the coals, and…kaboom. Victim Number One is well done.
Turns out he was in contention for the CEO job at the very company that made that exploding stove. Two things follow: a crisis in selling those stoves and suspicion falls on the next in line for the CEO position: herself. Moreover, there is circumstantial evidence associating her with the crime scene conveniently left for the police, unaccustomed to investigating such a scene, to find. They find it and congratulate themselves on their genius.
The race is on between the police making a case against her, did I mention that the second in line is 50-year sales rep, a woman, no? Well she is. She competes with the police to find the real killer, since it is impossible, so Aristotle said, to prove conclusively something that did not happen, namely her guilt. Go ahead, try proving Aristotle didn’t say that!
Being a novice she hits a few snags, takes a few wrong turns, fishes for the usual red herrings, and implicates herself unwittingly in a second murder of a member of the board of the sauna stove manufacturer. Saunas are dangerous!
…
What I like is the setting of village Finland 50k from Helsinki in heavily wooded lake country in the last days of summer. The days are Finnish hot (18-20C) and the nights chilly. The slanting sun brings out the colour in the early fall foliage. All of that is nicely done. There is also a lot about how a sauna works. My only experience of a sauna was in grad school where one was available in the men’s locker room and I used it after weekly Wednesday night volleyball games a few times.
Antti Tuomainen
What I found confusing was the proper names for places (lakes, villages, resorts, people) with all those double vowels, diacritics, and polysyllabic built words. In the luxury of hindsight I also questioned the speed with which our Heroine jumped to conclusions. A 50-year old experienced sales rep would surely realise there are twists and turns in dealing with people, even though she was anxious to exonerate herself. There was also a distracting subplot involving her wayward husband whose whole life centred around F1 racing, she thought. While I found some of the detail of that fixation interesting it wore me out.
Good Reads meta-data is 368 pages, rated 4.09 by 503 litizens.
Genre: krimi.
DNA: India.
Verdict: G4 (= gritty, gruesome, garish, gory).
Tagline: TMI is not enough.
Nilanjan Roy and the book
It opens with the murder of woman and then a child. It gets worse after that. Dirty doings in Delhi ensue. It follows as the night the day the obvious perpetrator did it, and 360 pages later we get to him. Those 360 pages pile on detail after detail of the injustice and oppression and squalor of Indian life for many people, especially for women, so who else could be the villain but a rich oppressor.
A police officer is introduced earlier in the proceedings but I lost track of him in all the G4 tsunami that followed. The policing does reappear about 150 pages later, and I liked the portrayal of both the investigator from Delhi and the local as they assess the situation. But in the end that did not seem integral to the story or the plot or much as the sermon on the evils of the society.
Good Reads meta-data is 272 pages, rate 3.64 by 1640 litizens.
Genre: krimi.
DNA: Brit.
Verdict: Once is enough. More than.
Tagline: Yes, there is more, and more, and more.
An egotistical Oxford don spouts literary quotations alternating with Dad jokes as a complex, convoluted, and confused plot slowly unfolds, very slowly, consisting of fantastic twists and unbelievable turns. I could not decide whether to call it tedious, trying, or tiresome. Maybe the whole trifecta!
It strives to be humorous but stops short at annoying. The first chapter which I read on a Kindle sample was amusing and so I took the bait, but the air went out immediately after that. It is the second in a sequence of ten or so but this one is enough for me. More than….
Good Reads meta-data is 318 pages, 3.73 rated by 8591 litizens.
Genre: krimi.
DNA: Harlem 1960s.
Verdict: Harlem Cycle rechauffée.
Tagline: Welcome to Harlem.
Harlem 1960 is a world of its own, and this account is richly textured and detailed with blood and gore for those that like that on the page. Stability in this world is achieved by blind eyes and payoffs.
Navigating these shoals, riptides, cross currents, and squalls both white and black is Furniture Merchant who would like to be honest, but, well, temptations and pressures are many in the levels of this world. By day he sells recliners, sofas, wingback chairs, and by night he fences stolen goods, arranges robberies…but only because, he tells himself repeatedly, to help out his troublesome and always in trouble Cousin.
Furniture Man is an honest crook in a warped environment where the racism is palpable. Take a wrong turn and walk into another neighbourhood and the cops pounce on a black face on the wrong side of an invisible line. It pays to know the rules, and the most important ones are unwritten and almost never said.
***
The detail is so rich, the dialogue is so dense with the street idioms of the time and place, the racism so omnipresent that I drowned in the text, and flicked pages to stay afloat. Not only does every character have a backstory, though admittedly many recur, so do most objects.
There is as much violence, gratuitous as well as purposeful, in the book to remind me of Chester Hines’s Coffin Ed and Gravedigger Jones books of the Harlem Cycle set in the same milieu.
The Whiz Kids and the 1950 Pennant (1996) by Robin Roberts and C. Paul Rogers, III.
Good Reads meta-data is 390 pages, rated 4.27 by 33 litizens. Genre: Non-fiction. DNA: baseball. Verdict: Mr Rogers and Mr Roberts tell all. Tagline: You can take the boy out of the ball game, but you can’t take the ball game out of the boy.
Forward by novelist James Michener published by Temple University Press perhaps in recognition of the social impact of sports, which seems more enduring than institutionalised religion these days. Hope, salvation, compensation, distraction from woes, identification with something larger and meaningful, sports gives these to a lot of people.
First half of the book is a history of the Philadelphia National League Franchise from 1915 when it went to the World Series to 1949 when, after long years in the wilderness, it made into the first division with a winning record. Robin Roberts (1926-2010) was one of the Clydesdales who pulled that wagon into the Winner’s Circle.
Mr Roberts at work.
Based on extensive interviews with surviving members of the 1950 team and written largely from Roberts’s point of view, a modest and unassuming one. It recounts many games and the stresses and strains both on and off the field with a candor made possible only by Jim Bouton’s barrier breaker Ball Four of 1970, which might have been the first book about baseball to acknowledge that players were fallible and friable human beings. The Society for American Baseball Research has opined that Bouton’s is the most influential book ever written about baseball for that reason. Amen to that!
In these pages Roberts and Rogers give credit where it is due to the players who made the 1950 Philadelphia Phillies champions. A few tidbits follow in no particular order.
There was a new manager in 1949, replacing an aggressive and assertive fellow who did a lot of yelling while the losses mounted. In came Ed Sawyer, called the Professor by his players because he had an advanced degree in biology, a subject he had taught at Cornell where he coached the baseball team. Sawyer was, to say the least, mild-mannered. He seldom convened team meetings, never tried to motivate players by yelling at them, conceded the importance of family lives (births of children, illness of spouses, deaths of parents), did not tell pitchers what to do, and never, and this is much stressed in the book, second guessed after the fact what anyone did. So different from so many ex post facto coaches and so-called colour commentators who always know what should have been done.
Aside from creating an atmosphere of calm confidence, Sawyer also convinced the ownership to invest in new uniforms with a red pinstripe, perhaps to capture some of the reflected glory of the New York Yankees blue pin stripes. Sawyer was the antithesis of the most well known and still remembered manager of that era, Leo Durocher, who always made himself the centre of attention, and over-managed enough to earn a McKinsey degree. He would certainly fit in the way the game is played these days: over-managed. Sawyer believed in putting the players on the field and letting them do what they did best.
That was not always possible. To wit, All-Star first baseman Ed Waitkus missed most of the 1949 season and seemed unlikely for the 1950 season when a stan shot him. It’s a long story and none of it is good. A woman became obsessed with him, her apartment was plastered with all manner of his pictures and newspaper cuttings from the sports pages that mentioned his name. Then one day, perhaps, realising she would never possess him, she exercised her constitutional right to bear arms and in a hotel hallway shot him with a rifle. He did recover from the lung injury but was never quite the same again. This incident, by the way, is the seed of Bernard Malamud’s love letter to baseball, The Natural (1952). Justice being what it is, she was never tried but confined for psychological assessment and then released in 1952. Waitkus did not press charges but the team hired a body guard for him when she was released. Details can be found in John Theodore’s Baseball Natural: The Story of Eddie Waitkus (2002).
Fielding the best players in 1950 meant putting Mike Goliat at second base. Previously, he had played first and third, but the team had established players at the corners, and someone had to play second. He volunteered to try, and stuck to it. He made an adequate fielder and a modest hitter, at least above the Mendoza Line. (The cognoscenti know what that means.) But he made two other contributions to the team. According to Roberts, Goliat was a cheerleader of sorts who always tried to get the others to focus on the positive, even in defeat. And also, hidden in the aggregate statistics of his batting, is the fact that he absolutely owned Don Newcombe of the arch rival Brooklyn Dodgers and most of their other pitchers. HIs batting average against the Dodgers was well over .350. Because these Dodgers were locked in a race with the Phillies their ace Newcombe invariably pitched against them and Goliat feasted, typically going 4 for 5 with a couple of extra base hits, and even one of his few home runs. When the Phillies beat Newcombe, and they did, it was because Goliat was scoring. Of course, Roberts is too modest to say it, but it was also because he was shutting out the Dodgers’ many big bats.
Roberts was not an overpowering fastball pitcher like Sandy Koufax nor did he have a table drop curve ball like Bob Gibson, but he did have preternatural control of all his pitches. This mastery was born of practice, but then everyone practices. But a hint at what set him apart is to be found in his comment that he seldom noticed the weather, the crowd, the catcalls, the cheers, the jeers, the wind, the noise or anything else. When he stood on the rubber atop the 15-inch mound there was just him and catcher’s glove. He sometimes had to be told the game was called off because of rain. He hadn’t noticed when pitching in it. More than once he asked his wife if there had been a big crowd at a game. He hadn’t noticed.
The Phillies beat the Dodgers for the National League Pennant in the last game on the last day of the season in the 11th inning at Ebbets Field in Brooklyn against that man Newcombe with Roberts holding the formidable Brooklyn bats to one run, and Mike Goliat getting four hits. Two days later they met the dynamic New York Yankees and were roundly trounced in four games, three by one run. Yes, the Yankees had a superb team and the Phillies were doomed before the umpire said the sacred words of ‘Play ball.’
Ace left-handed pitcher Curt Simmons was called to active duty for the Korean War and left the team in September. The third starting pitcher Bubba Church was hit in the face by a line drive that same month and went on the injury list. Then the fourth man in the rotation was carrying a suitcase on a stairway in a train station when he fell and twisted his back in what became a lifelong disability. When the Series started the Phillies were very long shots with only one of their four starters available, that is, Roberts who had, two days before, pitched an eleven inning game, well over the magic pitch count of today. But wait there is more! The starting catcher, Andy Seminick, broke his ankle in that last game with the Dodgers. He played on, including the World Series, shot full of novocain and taped toe to knee. This, by the way, was not the last disaster for this team. When Simmons returned the following year, he tested his new electric law mower with his foot. Since it was silent, he could not tell if it was running so he struck his toe under it to see. He saw…a lot of blood and a career-ending injury. (Though in fact with a prothesis and agonising physiotherapy he did make a comeback.)
As quickly as they had arrived at the top they fell to the bottom of the heap for years to come.
The sobriquet ‘Whiz’ was created by the pressmen in spring training in 1950 (p215) to reflect on the fast finish the Phillies had made in 1949 and the very successful spring training they had. (Wherein Roberts struck out Ted Williams in an exhibition game with a slow curve. For the record, Williams had his revenge in the next at bat, hitting a home run off Roberts). The nickname might also have been inspired by the popular radio program of the day, ‘The Quiz Kids,’ who answered all manner of trivia questions. However, the Phillies’ roster was not appreciably younger or smarter (see the reference to a lawn mower above) than those of other teams. Subsequently, it had another application to refer to how fast the Phillies faded from NL pennant contention in the following years.
Partly thanks to the efforts of James Michener and others, Robin Roberts was inducted into baseball’s Vahalla at Cooperstown with a career record of W 286-L 245 with 305 complete games. At one point he pitched 28 straight complete games, five of them had extra innings. Because the Phillies barely averaged 2 runs a game in his tenure, Roberts, one member of the nerd kingdom estimates, lost more than 50 games by one run. In that World Series he pitched 11 earned runs scoreless innings in two games, and yet lost one because of an error. Like many others, he found it hard to quit and hung on MLB for 18 years.